Morris From America
Morris from America is not the kind of film that stays with you, but its central performances do.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Fans, fiction and representation; Emer Kinsella on a life in music; Glenn Kenny on "The Girlfriend Experience"; LAPD officer performs a rescue; Why we grieve artists we haven't met.
The latest and greatest on Blu-ray, DVD and streaming, including "Spotlight," "The Danish Girl," and "The Graduate."
A review of the latest from Jeff Nichols from Berlinale 2016.
An interview with director Amy Seimetz about "The Girlfriend Experience."
A look at the latest additions to the now-completed Sundance 2016 lineup.
"Who is the National Board of Review, anyway?" is the question. The answer: one of the few major awards groups that's routinely capable of surprise.
Why Tarantino shouldn't apologize; Gender-flipped "Ocean's Eleven"; "Mulholland Dr." is a movie and a TV show; Trumbo sisters are proud of their father; Why old women are the face of evil.
A review of season two of The Knick on Cinemax.
The October installment of Bright Wall/Dark Room, which focuses on "The Knick."
The latest on Blu-ray/DVD, including "The Knick," "Day For Night," and "Unfriended."
How women get a raw deal in Hollywood; The end of The Dissolve; Millennial poverty and its roots; Misplaced nostalgia for "The Graduate"; Tom Hanks at his finest.
Ben Kenigsberg hazards a few guesses as to what the Coen brothers' jury might pick.
A roundtable discussion on the best and worst of Cannes 2015.
A preview of dozens of films being released this Summer.
A reposting of Godfrey Cheshire's landmark essay in anticipation of the Critic's Forum at Ebertfest.
Meet the critics attending Ebertfest 2015.
A guide to the best new releases on Blu-ray and DVD, including Nightcrawler, John Wick, Dear White People, Force Majeure, and more.
Sheila writes: Just in case you haven't had your fill of End of Year lists, Steven Soderbergh put up a list on his site of everything he watched in 2014, in chronological order, as well as everything he read. Television, movies, books, scripts ... it's all here. It made me consider doing something similar, just to track what I've taken in over any given year. I love reading other people's lists. Do any of you keep lists like this?
The best television programs of 2014.
Death of mid-budget cinema; Lena Dunham speaks out; Antonio Sanchez on "Birdman"; 25 best superhero movies since "Blade"; Men need to stop calling women crazy.
An interview with Bennett Miller, director of "Foxcatcher," "Moneyball" and "Capote."
Sheila writes: Steven Soderbergh may be retired from movies, but he continues to be a very busy man, primarily with his Cinemax show "The Knick." But in the last couple of weeks, he also launched a conversation-starter on his own site, about the issue of "staging" scenes in film. Soderbergh writes that staging "(roughly defined) refers to how all the various elements of a given scene or piece are aligned, arranged, and coordinated." To show what he means, Soderbergh took a film with a high level of visual staging, "Raiders of the Lost Ark," stripped its sound, made it black-and-white, and overlaid the whole thing with the Trent Reznor/Atticus Finch synethized scores for David Fincher films. The result is a fascinating experiment in visual style. Soderbergh writes, "I operate under the theory a movie should work with the sound off." You can watch Soderbergh's "Raiders" experiment at his site.
Is feature filmmaking dead?; Gripes with "This Is Where I Leave You"; Remembering Peter von Bagh; "Raiders of the Lost Ark" in black-and-white; B. Ruby Rich on "Life Itself."