Independence Day: Resurgence
It’s just dull and hollow—a massive waste of time and money.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A piece on extending the conversation about diversity at the Oscars to include all minorities.
An article about the 2015 Alliance of Women Film Journalists' EDA Award Winners.
The September except from "Bright Wall/Dark Room" on "Superbad."
An interview with Parker Posey, star of "Irrational Man."
An FFC on recent comments by Michael Eisner.
An FFC comments on the controversy surrounding Cameron Crowe's Aloha.
Jeffrey Westhoff on "The Boy Who Knew Too Much"; Alex Ross Perry on "Aloha"; "Pitch Perfect" screenwriter Kay Cannon; White Elephant Blogathon returns; What "Aquarius" nails about the '60s.
Ben Kenigsberg reviews Arnaud Desplechin's lovable coming-of-age prequel "My Golden Days."
A Cannes report on the latest from Yorgos Lanthimos and Woody Allen.
Apu Trilogy returns to theaters; History of "East Side/West Side"; Cats vs. dogs onscreen; Celebrating Albert Brooks's "Mother"; How music evolves.
A preview of dozens of films being released this Summer.
The official nominees along with some fun facts about this year's crop.
Predictions for the eight major categories in the 87th Annual Academy Awards.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
An interview with Woody Allen about his new film, "Magic in the Moonlight."
Hollywood is actually regressing on Latino issues. As the industry continues to make progress in its depiction of black America, what we need now is a Spanish Harlem Renaissance.
"The To Do List" may not be a film of great substance, but this comedy about a young girl’s strange, semi-erotic journey from untouched maiden to minx accomplishes something both rare and significant for a teen movie: it places a female character in the central role as unapologetic sexual aggressor.
Slut shaming in geek culture; Rock Hudson's wife tape-recorded herself confronting her husband about his sexual orientation; how Michael Douglas used his own experience to flesh out Liberace; Carey Mulligan might play Hillary Clinton in a biopic; New Yorker cartoonists talk about the delicate art of collaboration; Upstream Color comes to Netflix instant.
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
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Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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In the classroom lesson that wraps up the romantic and thematic threads of "The Amazing Spider-Man," a high school English teacher takes issue with the old saw about there being only ten (or so) stories in all of human history. She says she believes there's only one: "Who am I?" This being a remake-reboot of the Peter Parker Becomes Spider-Man origin story, that's a good thing for this, or any, coming-of-age movie to focus on.
An appealing cast headed by Andrew Garfield and Emma Stone provides all the special effects the movie needs, and they're far more engaging (for adults, anyway, I would imagine) than the usual clinical computer visuals. (Yes, I *liked* it. Hey, Mikey!) The emphasis is on charm, emotion and comedy -- until the third act CGI blowout, but even those scenes give Spidey some real weight and mass for the first time as he swings through the skyscraper canyons of Manhattan. (There's even a built-in joke about it, with two students of Midtown Science High School discussing some user-uploaded YouTube footage.) The way director Marc Webb (" Days of Summer") and DP John Schwartzman shoot Spidey and the city, they both seem to occupy a common, more-or-less real physical space. The camerawork isn't all "Avatar" floaty and fakey, and there's a lovely shot of Spidey on the Oscorp building with sunlight shimmering off the windows that looks like real glass and steel and sunlight, even though the Oscorp building itself is a CGI creation. (So are the hallways of Morse Science er, Midtown Science High, but you'd never know it.)