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Mother's Day

A film so awful that if one were to put up a list of the great movies celebrating motherhood, it would rank considerably lower than…

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The Man Who Knew Infinity

An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Hoberman on the Coen Brothers' portrayal of Jews; horror-woman's films; the "Goodbye New York" essay; Sheila O'Malley on anniversaries; Elmore Leonard's 10 rules of writing.

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The 50th anniversary of JFK's assassination; critical reviews of a critical review of Sarah Silverman's career; Guillermo Del Toro's biggests firsts; an official video for "Like a Rolling Stone"; is Harvey "Scissorhanding" his company's awards site?

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The trailer for the Coen Brothers' "Inside Llewyn Davis" about the 1960s folk era in Greenwich Village

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Anne Thompson writes on Indiewire: "While any Joel and Ethan Coen movie is worth waiting for, many of us are champing at the bit to see "Inside Llewyn Davis," their portrait of the 60s Greenwich Village folk scene that spawned Bob Dylan, Joan Baez, Mimi and Richard Farina and the inspiration for this film, Dave Van Ronk. Some of us hoped to see the film loosely based on Van Ronk's memoir "The Mayor of MacDougal Street" in time for the 2012 holiday season, but it's more likely to turn up in Coen-friendly Cannes."

Click here and to read her scoop with much more about the film.

The star is Oscar Issac (from "Drive"). The cast includes Coen favorite John Goodman, Carey Mulligan and F. Murray Abraham.

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Movie culture: The Dead, the Deader and the Deadest

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Oh my. Here we go again with all the deathiness. Movie criticism keeps dying deader and deader. Film itself has keeled over and given up the ghost. Cinema ist kaput, and at the end of last month "movie culture" was pronounced almost as deceased as John Cleese's parrot. Ex-parrot, I mean. Then the movie "Looper" came out, posing questions like: "What if you could go back in time? Would you kill cinema?" Or something like that.

People, this dying has gotta stop.

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