The finest and most genuinely provocative horror movie to emerge in this still very-new century
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
In interview with Anthony Stacchi and Graham Annable, directors of LAIKA's "The Boxtrolls".
An interview with Patricia Clarkson, star of two TIFF 2014 films, "Learning to Drive" and "October Gale."
Lord Richard Attenborough, legendary director and actor, has passed away at the age of 91.
Highlights from the 2014 Comic-Con, including "Mad Max: Fury Road," "The Book of Life," "The Boxtrolls," "Hitman: Agent 47," and more.
A set visit to LAIKA's "The Box Trolls."
Sheila writes: I came across a really fun and innovative video from 2011, titled "100 years of style in 100 seconds." Combining dance and fashion (and also a shifting background to show the passage of time), the video brings us through the history of style over the course of a century. It's so well done and a lot of fun!
Harrison Ford and the rest of the cast of "Ender's Game" just want to talk about their movie, but at the Comic-Con press conference, other topics inevitably came up.
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
The use of drones and other machines for war or for surveillance has turned up as a subject in a surprisingly large number of summer blockbusters, including "Iron Man 3," "Star Trek Into Darkness," "Man Of Steel," and now "Pacific Rim."
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
"Transsiberian" is a Hitchcockian thriller decorated with icy wintry landscapes. It sets its tone right at the beginning, carefully developing an unstable feeling while loading the story. It steadily amplifies a sense of dread within its closed space. We sense something terrible will happen, and it does happen, but we are surprised because we suddenly find the movie rapidly accelerating on an unexpected course--and it never stops until it reaches to its finale literally approaching toward it from the opposite side.
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
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Marie writes: The countdown to Christmas officially begins the day after Halloween, which this year lands on a Wednesday. Come Thursday morning, the shelves will be bare of witches, goblins and ghosts; with snowmen, scented candles and dollar store angel figurines taking their place. That being the case, I thought it better to start celebrating early so we can milk the joy of Halloween for a whole week as opposed to biding adieu to the Great Pumpkin so soon after meeting up again...
Marie writes: kudos to club member Sandy Kahn for finding this - as I'd never heard of the Bregenz Festival before, despite the spectacular staging of Puccini's opera Tosca and which appeared briefly in the Bond film Quantum of Solace; but then I slept through most of it. I'm not surprised I've no memory of an Opera floating on a lake. Lake Constance to be exact, which borders Germany, Switzerland and Austria near the Alps...
Tosca by Puccini | 2007-2008 - Photograph by BENNO HAGLEITNER(click to enlarge)
It's a sunny, unseasonable 80 degrees as the 2012 Santa Barbara International Film Festival kicks in, but all I want is to be indoors. When you peer at a schedule listing nearly 200 films jammed into 10 days, and you just can't wait, you know you're an addict. This is my third SBIFF so I recognize the signs.
Suddenly each January, there's an extra bustle in this appealing, laid-back town. Downtown on lower State Street, trucks appear bearing vivid banners, soon to be festooned overhead. Special lights and rigging go up at 2 central venues - the precisely restored, historic Lobero and Arlington Theatres. Locals watch to see whether Festival Director Roger Durling changes his hair: one year it was spikey, another year purple. This time it's rather like Heathcliff - longer, romantic.
Making lists is not my favorite occupation. They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.
My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about.
One recent year I committed the outrage of listing 20 movies in alphabetical order. What an uproar! Here are my top 20 films, in order of approximate preference.
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
Marie writes: I've always found the ocean more interesting than space and for invariably containing more delights and surprises. Case in point, discovering the existence of an extraordinary underwater museum...
"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF
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In the middle of Boaz Yakin's "Fresh" (1994), there is the crucial scene that gives us the insight into its hero's plan. While playing chess with his father, he learns a lesson. And then he applies its logic to the real world for his own purpose. However, in the world case, the game is not a simple matter of win or lose. A small false move can result in not a mere checkmate but a dour outcome for him. And (this is one of the most interesting aspects of the film) he is only a 12-year-old kid. He can do it, and we know that, but can he endure to the end?
Actress Jill Clayburgh, whose portrayal of women in the 1970s helped define and and reshape the role of leading lady, died last week of chronic lymphocytic leukemia at her home in Lakeville, Connecticut; she was 66. She's best known for her Academy Award nominated roles in "An Unmarried Woman" (Winner: Best Actress Cannes 1978) and "Starting Over." Roger has remembered her on his site: Jill Clayburgh: In Memory.
Courtroom dramas count for some of Hollywood's best movies and, among their finest stands Sidney Lumet's "The Verdict."
Even when comparing it to other greats such as his own "Twelve Angry Men" or "To Kill a Mockingbird", "The Verdict" stands in my opinion as the one with the most memorable, well, verdict, one which I believe to be as fresh, as satisfying and as powerful in your first viewing as it is in your twentieth.
"Shutter Island," which opens Friday, is the fourth film Leonardo DiCaprio and Martin Scorsese have made together, and the most unexpected. It's not a biopic ("The Aviator") or a modern gangster movie ("The Departed") or a historical gangster movie ("Gangs of New York"). It securely occupies that most American of genres, the film noir -- the dark film, the film that takes place in the shadows of human nature.