See You Friday, Robinson
Himself
Jean-Luc Godard
Jean-Luc Godard Movie Reviews
The Image Book
Narrator (voice)
Faces Places
Himself (archive footage)
Contempt
The Assistant Director
Two or Three Things I Know About Her
Narrator
Alphaville
Director
Goodbye to Language
Writer
Film Socialisme
Written and directed by
Masculine-Feminine
Written and directed by
In Praise of Love
Written and Directed by
Aria
Produced by
Hail Mary
Written and Directed by
Masculine Feminine
Written and directed by
Pierrot le Fou
Written and directed by
A Woman Is a Woman
Written and Directed by
Les Carabiniers
Directed by
Le Petit Soldat
Written and directed by
Blog Posts That Mention Jean-Luc Godard
Image is Happiness: Jean-Luc Godard (1930-2022)
Dispatch from Ebertfest: Goodbye to Understanding with Jean-Luc Godard
Jean-Luc Godard’s “Goodbye to Language 3D” to Open Ebertfest
Cannes, Day Eight: Jean-Luc Godard’s “Goodbye to Language”
Woody Allen meets Jean-Luc Godard
On Jean-Luc Godard
Two or three things we know about Jean-Luc Godard
Cannes 2023: May December, Anatomy of a Fall and a Godard Trailer
Telluride 2015: Shorts by Godard, Varda and Renoir
“Godard: The First Wave” Comes to Chicago
Ca va bien: Two Godard Films New to DVD and Blu-ray
Everything we know about Godardin 49 years of NY Times reviews
Godard: “It’s all showbiz…”
Cannes #5: Waiting for Godard
Cannes 2018: The Image Book, Cold War
Cannes 2017: “Redoubtable,” “120 Beats Per Minute,” “Walking Past the Future”
A Woman is a Woman: A Chat with Anna Karina
NYFF Interview: Héloïse Godet of “Goodbye to Language”
Claude Chabrol, RIP. The master at midpoint
My coverage of the first Sundance Film Festival, held in *July* 1981
Maria Schneider comes to America
A Market Badge of one’s own
Iranian filmmakers take center stage
Avatar, the French New Wave and themorality of deep-focus (in 3-D)
David Simon: Damn right Omar is cool. Get over it.
Eyeless in Monument Valley
Elected: 100 Must-See Foreign Films
Moviegoers who feel too much
No Country For Old Men: Out in all that dark
TIFF 2007: The Coens = the essence of movies
Andrew Sarris, auteurism, and his take on his own legacy
Putting NYFF in its place
Yes, but is it art, too?
Bergman: Sawdust and Tinsel?
Film as battleground: Love, hate, indifference…
You don’t dismiss the dean
Who matters?
Name That Director!
Go Inland, young woman!
Wes Anderson scavenger hunt: Truffaut, Welles, Peanuts…
It Ain’t the Meat (It’s the Motion): Thoughtson movie technique and movie criticism
Lisa Nesselson from Paris: On the man who made you think you spoke French
Cannes #6: Of emotion and its absence
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Cannes 2025: Nouvelle Vague, A Magnificent Life
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
The Tarantino Dozen
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
In Memoriam: Alain Delon
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Locarno Film Festival 2024: Eight Postcards from Utopia and Sleep #2
Cannes 2024: It’s Not Me, Filmlovers!, Misericordia
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
A Preview of the 2024 Iranian Film Festival New York
Looking for Loneliness: Wayne Wang on His Career
Home Entertainment Guide: July 2023
Faith in Life: Jane Birkin (1946-2023)
Cannes 2023: Room 999, Anita, In the Rearview
Cannes 2023 Video #2: Festival Opens with Jeanne du Barry
Cannes 2023: Exciting Films at This Year’s Festival
A True Marriage of Picture and Music: Benjamin Millepied on Carmen
Only Remember Beautiful Moments: Carlos Saura (1932-2023)
Tom Luddy (1943-2023)
Twenty Movie Legends We Lost in 2022
Lawrence Tierney Bio Etches Vivid Portrait of Hollywood’s Real-Life Tough Guy
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
A Director Who Had Fun: Lina Wertmüller (1928-2021)
Ahead of His Time: Melvin Van Peebles (1932-2021)
Jean-Paul Belmondo: 1933-2021
KVIFF 2021: The Worst Person in the World and a Conversation with Radu Jude
You Need to Feed The Eyes For Your Dreams: The Cinema of Leos Carax
Cannes Film Festival Preview 2021
Reintroducing Sparks: Edgar Wright and Russell and Ron Mael on The Sparks Brothers
Look Away, Look Away
A Household Name in France: Celebrating Bertrand Tavernier
Bertrand Tavernier: 1941-2021
The World of Cinema from Your Couch: An Overview of Berlinale 2021
Two by Louis Valray: La Belle de Nuit and Escale
Home Entertainment Guide: October 2020
NYFF 2020: Night of the Kings, Atarrabi and Mikelats, The Salt of Tears
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part II
Hal Hartley on His Film Career, Modernist Influences, and Re-Watching His Work
Home Entertainment Guide: January 23, 2020
Anna Karina: 1940-2019
Living His Art: Nadav Lapid on Synonyms
NYFF 2019: A Year of Milestones
Preview of Noir City Chicago 2019
Abbas Kiarostami, the Filmmaker and the Man: an Interview with Godfrey Cheshire
Milos Stehlik: 1949-2019
Quad Cinema Celebrates Pauline Kael with Losing It At the Movies Retrospective
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
