Maleficent: Mistress of Evil
Despite flashes of inspiration, this sequel to the unexpectedly compelling Maleficent can't seem to get out of its own way.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
This year’s festival was one of the strongest I’ve ever witnessed.
An in-depth preview on the classic noir films that will be playing at Chicago's Music Box Theater from Sept. 6-12.
RogerEbert.com contributor Godfrey Cheshire talks about his new book Conversations with Kiarostami, a collection of his interviews with the legendary Iranian director.
A tribute to Milos Stehlik, Chicago film icon.
Losing It At the Movies: Pauline Kael at 100 runs at New York's Quad Cinema from June 7-20.
An interview with film critic Jonathan Rosenbaum about his new two-volume book collection, Cinematic Encounters.
Dušan Makavejev used film as a ladder to climb the mental prison walls that he believed imprisoned so many others.
Nick Allen's picks for the best films of 2018.
A tribute to the legendary Italian filmmaker, Bernardo Bertolucci.
There's a moment when you get lost in a memory so intense that when you emerge, you aren't sure if you've been spacing out for a second or a minute. That's where Nicolas Roeg's cinema lived.
What if James Dean lived into the ‘60s and worked primarily with French New Wave directors?
A preview of the 56th annual New York Film Festival.
Claire Denis accepts the Golden Thumb at the 2018 Ebert Tribute at TIFF.
A review of new films by Bradley Cooper and, believe it or not, Orson Welles.
A body of work at once austere, beautiful, tactile, allusive and deeply generous.
The latest on Blu-ray and DVD, including Annihilation, Gringo, Thoroughbreds, and Unsane.
At Cannes, the "Wonderstruck" and "Carol" cinematographer Edward Lachman looked back on more than four decades of film work.
Our sixth video dispatch from the 2018 Cannes Film Festival features this year's prize-winners, including "Shoplifters" and "BlacKkKlansman."
Hirokazu Kore-eda's "Shoplifters" took the Palme d'Or and Asia Argento reiterated her allegations against Harvey Weinstein at the awards ceremony.
Ben Kenigsberg reviews Nuri Bilge Ceylan's "The Wild Pear Tree" and makes predictions for the 2018 Cannes awards.
Our annual report on the best cat performances from Cannes 2018.
A dispatch on two of the final Cannes competition films of 2018.
Our third video dispatch from the 2018 Cannes Film Festival features footage of the women's protest as well as reviews of "Cold War," "Ash is Purest White" and more.
Matt writes: The 2018 Cannes Film Festival is in full swing, and RogerEbert.com publisher Chaz Ebert is there to cover all the highlights. Check our site's official Cannes page where you will find all the coverage penned by Barbara Scharres, Ben Kenigsberg and Lisa Nesselson, as well as video dispatches from Chaz. Embedded below is her first from this year, which provides a breakdown of the jury as well as various enticing selections from filmmakers such as Asghar Farhadi, Spike Lee and Jean-Luc Godard.
A report on two anticipated premieres at Cannes from Jean-Luc Godard and Pawel Pawlikowski.