Darkest Hour stands apart from more routine historical dramas.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of "Stranger Things 2."
A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."
An essay about Christopher Nolan's "Dunkirk," from the latest edition of the online magazine Bright Wall/Dark Room.
Seth Rogen, Josh Hutcherson and more talk about their new Hulu series, "Future Man."
An interview with the director of "Score: A Film Music Documentary" and one of its subjects.
A look at the entire "Alien" franchise, and a reappraisal of its unloved installments.
A video of Bill Paxton's 2001 appearance at Ebertfest, where he discussed "A Simple Plan" with Roger Ebert and composer Brian Tyler.
The RogerEbert.com staff says goodbye to Bill Paxton.
A tribute to the late actor and director, Bill Paxton.
At the ripe age of 89, Oscar can still be a notoriously picky fellow when it comes to what constitutes a contender for Best Picture.
A review of "Aliens: The Set Photography," released by Titan Books.
A compilation of reviews defending the new "Ghostbusters" film.
The new "Ghostbusters" film brings a battle between distorted nostalgia and the power of a child's imagination.
One of the nastiest big-budget movies of its decade; its ugly charge hasn't dimmed.
An interview with the star and director of the new version of "The Jungle Book."
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
Why comic books are radical; How Franklin was born; The Monkees's "Head"; Burt Reynolds has some regrets; The "Ishtar" effect.
The latest Unloved looks at Mexican cinema, particularly The Mansion of Madness by Juan Lopez Moctezuma.
Guillermo del Toro's key theme; Silent frame rates and DCP; Exciting news from Sheila O'Malley; New "Star Wars" music; Unsinkable Effie Brown.
A quick meal of red meat.
An essay on the underrated scores of late composer James Horner.
A report on the new film by José Luis Rugeles.
An interview with Douglas Trumbull.