The House with a Clock in Its Walls
Black, more than anyone else, should have been the one to wind up The House with a Clock in Its Walls. Too bad he doesn't…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An essay about Alien 3, as excerpted from the latest edition of the online magazine Bright Wall/Dark Room.
A tribute to the legendary author Harlan Ellison.
An interview with the writer and director of the new sci-fi film, "Upgrade."
Greta Gerwig is the fifth woman to be nominated for the Oscar for Best Director.
A review of "Stranger Things 2."
A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."
An essay about Christopher Nolan's "Dunkirk," from the latest edition of the online magazine Bright Wall/Dark Room.
Seth Rogen, Josh Hutcherson and more talk about their new Hulu series, "Future Man."
An interview with the director of "Score: A Film Music Documentary" and one of its subjects.
A look at the entire "Alien" franchise, and a reappraisal of its unloved installments.
A video of Bill Paxton's 2001 appearance at Ebertfest, where he discussed "A Simple Plan" with Roger Ebert and composer Brian Tyler.
The RogerEbert.com staff says goodbye to Bill Paxton.
A tribute to the late actor and director, Bill Paxton.
At the ripe age of 89, Oscar can still be a notoriously picky fellow when it comes to what constitutes a contender for Best Picture.
A review of "Aliens: The Set Photography," released by Titan Books.
A compilation of reviews defending the new "Ghostbusters" film.
The new "Ghostbusters" film brings a battle between distorted nostalgia and the power of a child's imagination.
One of the nastiest big-budget movies of its decade; its ugly charge hasn't dimmed.
An interview with the star and director of the new version of "The Jungle Book."
A piece on how Deadpool could bring back the R-rated blockbuster and when it really mattered.
Why comic books are radical; How Franklin was born; The Monkees's "Head"; Burt Reynolds has some regrets; The "Ishtar" effect.
The latest Unloved looks at Mexican cinema, particularly The Mansion of Madness by Juan Lopez Moctezuma.
Guillermo del Toro's key theme; Silent frame rates and DCP; Exciting news from Sheila O'Malley; New "Star Wars" music; Unsinkable Effie Brown.
A quick meal of red meat.