This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level. It’s a special film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An article about the inaugural AAFCA TV Honors ceremony held last Sunday, August 11th, in Marina Del Rey.
A look back at the films that complement Bob Dylan's groundbreaking work as a singer and songwriter.
A tribute to John Singleton.
Why are black women so central in post-apocalyptic fiction? A writer looks at the trend.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
A piece examining the themes in the three films directed by Ryan Coogler and starring Michael B. Jordan.
An article about the wide-ranging efforts to arrange free screenings for students and young people to see the groundbreaking "Black Panther."
A countdown of our most anticipated films coming this winter.
A review of two new FOX shows, one promising and one horrendous.
The best of the 2016-17 TV season in Emmy ballot form.
A recap of the 88th Annual Academy Awards.
The writers of RogerEbert.com on some of our favorite performances of 2015.
The ten best films of 2015.
An article on the 2016 Golden Globe nominees.
A report on the press conference for Spike Lee's "Chi-Raq."
A review of the premiere of "American Horror Story: Hotel."
A piece on the wave of new Black women directors, including Gina Prince-Bythewood, Amma Assante, Ava DuVernay and Dee Rees.
"American Horror Story" is back with its 4th outing, "Freak Show."
An FFC shares memories of the Los Angeles Theater scene.
Marie writes: It's a long story and it starts with a now famous video of a meteor exploding over Chelyabinsk, Russia. Followed by alien conspiracies fueled by the internet and which led me to investigate further. Where did it come from? Does anyone know..? Yes! According to The NewScientist, the rock came from the Apollo family of near-Earth asteroids, which follow an elongated orbit that occasionally crosses Earth's path.That in turn led me to yet another site and where I learned a team of scientists had discovered two moons around Pluto, and asked the public to vote on potential names. They also accepted write-in votes as long as they were taken from Greek and Roman mythology and related to Hades and the underworld - keeping to the theme used to name Pluto's three other moons. And how I eventually learned "Vulcan" has won Pluto's moon-naming poll! and thanks to actor William Shatner who suggested it. Behold Vulcan: a little dot inside a green circle and formally known as P5.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Kudos to fellow art buddy Siri Arnet for sharing the following; a truly unique hotel just outside Nairobi, Kenya: welcome to Giraffe Manor.
Streaming on Netflix Instant
When I watched "The Intouchables" (2011) at the local movie theater several months ago, I got a nagging dissatisfaction with that crowd-pleaser, which was about the warm friendship between a disabled man and a caregiver hired by him. The movie was surely a pleasant drama with two amiable lead performances, but I found it too mild and superficial; it merely loitered around thin stereotypes and worn-out clichés and it went no further than that.
Roger and I thank you for joining us as we talked about the movies each week this past year. We have enjoyed producing Ebert Presents At The Movies and hope to continue sometime in 2012. This week we produced our last show.
It is the Best and Worst Movies of 2011 and begins airing Friday night, December 30, at 8:30 pm on WTTW, Channel 11 in Chicago, and all during the weekend and next week on public television stations across the nation. (Check local listings to find out what time it comes on in your town.)
2009 was a great year for Kathryn Bigelow. After a 7-year hiatus from filming K-19: The Widowmaker, she returned to direct The Hurt Locker, a suspense and war film set in Iraq that has deservedly been recognized by critics and award bodies alike, and is expected to be one of the primary contenders for the Academy Awards. Bigelow is known for her superb work in the action genre, which is rarity among female directors. Her skill in filming tension and violence is as good as any of today's directors.