Nolan
Nolan Movie Reviews
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Blog Posts That Mention Nolan
Disney+’s Loki is a Captivating, Christopher Nolan-Esque Chase Through Time
Cannes 2018: Christopher Nolan Makes His First Appearance at the Festival
Christopher Nolan Comments Section Bingo
Films on fire: Tony Scott and Christopher Nolan
Inception: Has Christopher Nolan forgotten how to dream?
Following: Nolan in a nutshell
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
The 25 Best TV Series of 2024
The Best Films of 2024
Hammy Acting and Stilted Pacing Dampen Peacock’s “Hysteria!”
Netflix’s “Tomb Raider: The Legend of Lara Croft” Gives Life to Iconic Character
It’s About Reshaping: David Kirkman on Underneath: The Children of the Sun
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
Man on the Moon Is Still the Cure for the Biopic Blues
The End of the World is Going to be Weird on Prime Video’s Quirky, Clever Adaptation of Fallout
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
The 10 Best Movies Made for Under $50,000
War Was Not Over at the 2024 Oscars
Oscars 2024: The View from the Room
A Great Movie Year Deserved a Better Oscars
Eye on the Screen: David Bordwell (1947-2024)
Danny Boyle Explains What Made Cillian Murphy So Special from the Start
Oscar Predictions 2024: What Will Win This Year
Welcome to Chicago, Michał Oleszczyk!
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
The True Triumph of Robert Downey Jr.’s Second Act
The People Who Never Stopped Loving Tenet
I Used to Hate The Phantom Menace, but I Didn’t Know How Good I Had It
10 Films We Can’t Wait to See at Berlin 2024
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Oscar Predictions 2024: What Will Be Nominated This Year
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
Oppenheimer, Poor Things Big Winners at the 2024 Golden Globes
The Future of the Movies, Part 1
Always the Right Actor: Tom Wilkinson (1948-2023)
The Return of 70MM
The Great Craft of 2023
2024 Awards Season Kickoff: Palm Springs, Variety Honorees, Golden Globes, Governors Awards
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
Killers of the Flower Moon Named Best Picture by the Chicago Film Critics Association
The Ten Best Films of 2023
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Home Entertainment Guide: November 2023
A Farewell and Tribute to Our Senior Editor, Nick Allen
Invincible Packs a Wallop in Mighty Second Season
CIFF 2023: Explanation for Everything, About Dry Grasses, Do Not Expect Too Much from the End of the World
Roger Ebert on the Films of Martin Scorsese
NYFF 2023: Highlights of the First Week of the Fest Include New Todd Haynes, Nuri Bilge Ceylan
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
The Best Performance in Oppenheimer Belongs to Alden Ehrenreich
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Slamdance Film Festival Highlights 2023
Moths to the Flame: Damien Chazelle on Babylon
A Difficult Journey: Why I Flew Across the Country to See Lawrence of Arabia
Home Entertainment Guide: August 2022
Meet the Writers of Black Writers Week 2022
Black Writers Week 2022: Table of Contents
The Time Traveler’s Wife is a Waste in Every Possible Way
Trying to Find Your Way Out of It With Whatever Means You Have: Kenneth Branagh on Belfast
Don’t Leave A Stranger: Nicole Riegel and Jessica Barden on Holler
A Very Elemental Film: David Oyelowo on The Water Man
Oscar Predictions 2021
Book Excerpt: This is How You Make a Movie by Tim Grierson
Meet the Writers: Carlos Aguilar
The Individual Top Tens of 2020
Home Entertainment Guide: December 2020
How the Next Oscars Could Mirror 1997
Finding the Meaning of Tenet: On Watching the First COVID-19 Era Blockbuster
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part I
My Happy Place at the Movie Theater During the Pandemic: Part III
We Have to Go Deeper: The 10th Anniversary of Inception
Pandemic Moviegoing According to Richard Roeper Makes Me Want to Return to the Movies!
The Last of Us Part II Redefines the Horror Video Game Experience
PBS’ Ensemble War Drama World on Fire Will Envelop You in Another Time and Place
HBO’s Westworld is Sleeker, Leaner in Third Season
A Choreographed Dance: Sam Mendes, Krysty Wilson-Cairns, George MacKay and Dean-Charles Chapman on 1917
Smile When You Say That: Joker’s Last Laugh
TIFF 2019: The Vigil, First Love, The Vast of Night
Epix’s Pennyworth Tries to Add Depth to Famous Supporting Character
What’s Next: Marvel, the serials, and the future
Toni Myers: Not All Stars Are in the Sky (1943-2019)
Obsession and The Void: The Performances of Christian Bale
In the ’90s, Batman was at its best in Mask of the Phantasm
Home Entertainment Consumer Guide: October 4, 2018
Grace and Nature: On Criterion’s Release of The Tree of Life
TIFF 2018: Claire Denis Brings High Life to Toronto, Accepts Ebert Tribute
In the Presence of Royalty: John Travolta on Gotti, Grease, Robert Shapiro and More
Cannes 2018: Stanley Kubrick’s 70mm space odyssey and Gaspar Noé’s dance party
Cannes 2018: Table of Contents
Ebertfest 2018: A Photo Journal
Ebertfest 2018, Day 2: Critics Panel, Interstellar, Selena, Belle
Ebertfest 2018, Day 1: Year 20 Starts with a Modern Action Classic
