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Self
Paul Thomas Anderson
Paul Thomas Anderson Movie Reviews
Blog Posts That Mention Paul Thomas Anderson
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Paul Thomas Anderson, Thom Yorke Collaborate on Mesmerizing Anima
After They Yelled Cut: Alana Haim on Licorice Pizza
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
The Best Films of the 2010s: Phantom Thread
Bright Wall/Dark Room May 2018: An Essay on ‘Punch Drunk Love’ by Ethan Warren
Thumbnails 12/12/14
Thumbnails 7/26/2013
There Will Be Blood: Sculpting in time
Preview of Coming Attractions
LAFCA: There Will Be… more 2007 critics awards
Three kinds of violence: Zodiac, No Country for Old Men, There Will Be Blood
The Great(ness) Debate:Flesh, blood, Day-Lewis (and Oscar)
Opening Shots: ‘Punch-Drunk Love’
How we really watch a movie
The Master: Who are you?
Consensus and the Big Film Poll Blowout of 2007
Contrarianism Blog-a-Thon: Let the perversity begin!
Hurdy Gurdys and Aqua Velvas: Misc. “Zodiac” fax…
With mustard
IndieWIRE crix poll: American blood, blood, blood
It’s the End of the Cinema, as we know it (then and now)
The Master: What does it all mean?
A snake in the grass drinks his own poison
We Relate: Andrew DeYoung on “Friendship”
The 2025 TCM Classic Film Festival
Highlights from the 2025 MUBI Fest Chicago
A Preview of the 2025 Rendez-Vous with French Cinema
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Shelley Duvall’s Five Best Performances
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
A (Not So) Brief History of Silent Film Influences on Pop Music
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
The Return of 70MM
Magnolia: One Day in the Valley
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
Great Cast Elevates Inconsistent High Desert on Apple TV+
Highlights of the 2023 TCM Film Festival
The Unloved, Part 110: Tank Girl
Meaningless Returns Jon Brion, Hollywood’s Ultimate Collaborator, To the Spotlight
The Force of Hope: Mathieu Amalric on Hold Me Tight
The American Dream, Period: Philip Baker Hall (1931-2022)
Home Entertainment Guide: May 2022
Previewing and Predicting the 94th Academy Awards
The 2022 Oscar Nominees: A Full List
2022 Oscar Nomination Predictions
Jane Campion’s The Power of the Dog Leads Chicago Critics Awards with Seven
West Side Story Leads the 2021 Chicago Critics Nominees
The Ten Best Films of 2021
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Overdue Oscars: The 2021 Actors Looking for Their First Academy Awards
The Films That Could Shake Up the Oscar Race
Everything You Need to Know About the 94th Academy Awards (So Far)
Nashville Film Festival 2021 Preview: Invisible, Clara Sola and Four More Highlights
TIFF 2021: A Torontonian’s Take on a Tumultuous TIFF
Something Bigger Than Myself: Billie Piper on Rare Beasts
Stirring the Pot: Glenn Kenny on His New Goodfellas Book
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Our Writers Highlight Articles to Enjoy on our Newly Redesigned RogerEbert.com: Part II
Krzysztof Penderecki: 1933-2020
The Best Films of the 2010s
The Lost Souls of Joaquin Phoenix
Short Films in Focus: Squirrel
Bright Wall/Dark Room July 2019: Only I Know the Secrets: Breaking Down Under the Silver Lake by Ethan Warren
Happiness and Artifice: The Performances of Julianne Moore
A Look Back at Those We Lost in 2018
Happy New Year from All of Us at RogerEbert.com
Ricky Jay: 1946-2018
A Labor of Love: John C. Reilly on The Sisters Brothers
Figuring It Out: The Films of Laura Dern
Cannes 2018: Stanley Kubrick’s 70mm space odyssey and Gaspar Noé’s dance party
Home Entertainment Consumer Guide: April 19, 2018
Tell Your Truth: Chapman & Maclain Way on Wild Wild Country
Thumbnails Special Edition: Women Writers Week 2018
Alma Matters: Modelling and Being in Phantom Thread
If We Picked the Winners 2018: Best Director
If We Picked the Winners 2018: Best Actor
If We Picked the Winners 2018
The Shape of Water Tops 2018 Oscar Nominees
Backbone of the Business: Lesley Manville on Phantom Thread
The Master Lets Go: On the Career of Daniel Day-Lewis
The Great Performances of 2017
The Individual Top Tens of 2017
The Ten Best Films of 2017
Will 2018 Have More Female Oscar Contenders Than Ever?
Deadline’s The Contenders 2017 Kicks Off Oscar Season
CIFF 2017: “Sea Sorrow,” “Killing Jesús,” “The Charmer”
2017 Fall Movie Preview: 25 Films We’re Excited About
Sprawling, Epic “The Son” Captures the Formation of American Business
SXSW 2017: Janicza Bravo on “Lemon”
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The Ebert Fellows on Sundance 2017
Holiday Gift Guide 2016
Home Entertainment Consumer Guide: November 17, 2016
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