Hope (2026)
Ma’veyyo
Michael Fassbender
Michael Fassbender
Michael Fassbender Movie Reviews
Black Bag
George Woodhouse
Kneecap
Arló
Next Goal Wins
Thomas Rongen
The Killer
The Killer
Dark Phoenix
Erik Lensherr / Magneto
The Snowman
Harry Hole
Alien: Covenant
David / Walter
Song to Song
Cook
Trespass Against Us
Chad Cutler
Assassin’s Creed
Callum Lynch / Aguilar
The Light Between Oceans
Tom Sherbourne
X-Men: Apocalypse
Erik Lensherr / Magneto
Macbeth
Macbeth
Steve Jobs
Steve Jobs
Slow West
Silas
Frank
Frank
X-Men: Days of Future Past
Erik Lehnsherr / Magneto (Past)
The Counselor
The Counselor
12 Years a Slave
Edwin Epps
Blog Posts That Mention Michael Fassbender
Video Interview: Katherine Waterston, Michael Fassbender and Ridley Scott on “Alien: Covenant”
Sundance 2015: “Nasty Baby,” “Slow West,” “Strangerland,” “Ten Thousand Saints”
Basterd ancestry
Shame, Tree of Life: Ambiguity or bust?
Paramount+’s “The Agency” Expands Its Scope With An Exhilarating Second Season
Cannes 2026: Second Takes on Some of the Year’s Best Films
A Fond Farewell to Our Critic Monica Castillo
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
Netflix’s “Jo Nesbø’s Detective Hole” Feels A Bit Overstuffed
The 20 Best Films of 2025 So Far
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Sharp, Propulsive “The Agency” Should Appeal to Fans of Spy Fiction
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
Telling Their Story: Rich Peppiatt on Kneecap
At the Movies, It’s Hard Out There for a Hit Man
The 10 Most Anticipated Films of Cannes 2024
Sundance 2024: Tendaberry, Kneecap, Seeking Mavis Beacon
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Assassin’s Creed Returns with Slight but Fun Mirage
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
TIFF 2023: Hit Man, Knox Goes Away, Next Goal Wins
TIFF 2023: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
Get Lost in the Experience of Assassin’s Creed Valhalla
A Roller Coaster in the Dark: Carey Mulligan and Bo Burnham on Promising Young Woman
30 Minutes On: “Prometheus”
Excellent Assassin’s Creed Odyssey Reflects Long History of Swords and Sandals Epics
Brilliant, Ambitious “Detroit: Become Human” Challenges Way We Play Games
A Matter of Legitimacy: Female Nudity On-screen
Oscar Flashback: At the Oscars Without You: A Letter to Roger
“Alien: Covenant” Deserves a Second Look on Blu-ray
Pair of Film Art Books Offer Windows Into 2017 Blockbusters
Things Have Changed a Great Deal Since Your Time: A Reappraisal of the “Alien” Sequels
Steve McQueen Honored at Chicago International Film Festival
FOX Enlists “Lethal Weapon” and “The Exorcist” for Familiar Thrills
TIFF 2016: “Trespass Against Us,” “Little Wing,” “Werewolf”
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
TIFF Announces First Wave of Galas and Special Presentations
The Best Films of 2016 So Far
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Home Entertainment Consumer Guide: March 17, 2016
Home Entertainment Consumer Guide: February 18, 2016
Complete List of 88th Academy Award Nominees
Previewing and Predicting the 73rd Golden Globe Awards
CFCA Celebrates “Mad Max: Fury Road” with Five Awards, “Room” with Two
“Mad Max: Fury Road,” “Carol” Lead 2015 CFCA Nominations
“Carol,” “Trainwreck,” “Mr. Robot” Among 2016 Golden Globe Nominees
The Cannes of Latin America: The Los Cabos International Film Festival 2015
Best Actor: The Battle of the Overdue
NYFF 2015: “Bridge of Spies”
CIFF 2015: Preview of the 51st Chicago International Film Festival
TIFF 2015: Preview of the 40th Toronto International Film Festival
Telluride 2015: “Steve Jobs” and a Tribute to Danny Boyle
Telluride 2015: A Preview, Believe It or Not
2015 Fall Movie Preview
Video: Chaz Ebert Reports on “Youth,” “Macbeth,” “Chronic,” and More
Cannes 2015: “Macbeth,” “Ice and the Sky”
Chicago Critics Film Festival Preview 2015
Home Entertainment Consumer Guide: April 23, 2015
ABC’s “Galavant” Impresses with Unique Approach Even if It Hits Some False Notes
Home Entertainment Consumer Guide: December 19, 2014
The Individual Top Tens of 2014
2015 Sundance Film Festival Preview
Thumbnails 11/7/14
At the Oscars Without You: A Letter to Roger
And the Winners Will Be… Our Predictions for the Oscars
The 10 Most Psychologically Rich Characters of Sundance 2014
If We Picked the Winners 2014: Best Actor
If We Picked the Winners 2014: Best Supporting Actress
Sundance: All the Films I Saw, Ranked
Sundance report: “Frank,” “Cold in July” and “Blue Ruin”
Films, DVDs, Chickens and Eggs: How Screeners Affect Awards Season
It Truly Is an Honor Just To Be Nominated
Critic Awards Begin to Shape the Oscar Race
Five Memories from My Year of Watching Women
Dismantling Dignity: On “12 Years a Slave”
Meet the Writers: Dan Callahan
Double Vision: Tony Scott’s spirit possesses Ridley Scott’s “The Counselor”
Acting right around White folks: on “12 Years a Slave” and “respectability politics”
Toronto International Film Festival 2013: Day Three
Four Black Actors Vie for the Best Actor Oscar
TIFF 08: Revolution and starvation, personal and political
The Artist, Shame and hype-season backlash
Top secret leakage from my 2010 Muriels ballot!
Inglourious Basterds: Real or fictitious, it doesn’t matter…
Cannes & Cannes-not: On being a movie geek
Some ways to watch Inglourious Basterds [sic]
Prometheus: Alien origins:The skeleton beneath the exoskeleton
“Thomas Kinkade has won and we, all of us, have lost”
A prisoner of pleasure
The Arikan Agenda: The Best Films of 2011
CIFF 2009: The winners! And our reviews
The Best Films of 2011
They wuz robbed
The best art films of 2010
On orgasms
CIFF 2012 puts the ‘Chicago’ in film fest
And the Oscar nominations go to…
