Faith of Our Fathers
"Faith of Our Fathers" doesn't work, and not because of its Christian message. The main problems are the obvious script, the bad acting, and the…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Our latest video from Cannes includes coverage of some of this year's biggest films, along with press conference footage from Macbeth and footage from the empathy panel led by Chaz Ebert.
A final film report from Cannes on two of the last films for 2015: an update of Macbeth and an environmental documentary.
A preview of the Chicago Critics Film Festival, featuring "The End of the Tour," "Me & Earl & the Dying Girl," "The Overnight," "Digging For Fire," "Results," and much more!
Your bi-weekly guide to the latest and greatest on Blu-ray and DVD.
A Sundance dispatch on star-powered films starring Nicole Kidman, Ethan Hawke, Michael Fassbender, and Kristen Wiig.
Lists from our critics and contributors on the best of 2014.
Our most anticipated films of the 2015 Sundance Film Festival.
Writer Dan Callahan responds to our Movie Love Questionnaire.
Chaz writes to Roger about attending the Oscars without him.
The calculation of odds is finished. The campaigning is done. Erik Childress predicts the winners of the Oscars.
Odie Henderson champions Chiwetel Ejiofor as the Best Actor of 2013.
Glenn Kenny champions Lupita Nyong'o for Best Supporting Actress of 2013.
Simon Abrams ranks the films he saw at the 2014 Sundance Film Festival, from best to worst.
"Frank," "Cold in July" and "Blue Ruin" are all about characters with limited knowledge of who they are and what they're capable of.
The studios use screeners to help Academy voters and critics groups catch up on films they might have missed. So why are studios withholding certain films and pushing others?
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Alyssa Rosenberg considers the women on the big screen and the small screen in the past year.
Omer Mozaffar reflects on "12 Years a Slave."
Ridley Scott's new film, whose production was interrupted by the suicide of the director's brother Tony, is a weird melding of their styles, concerns and temperaments.
"12 Years a Slave" and "The Butler" are part of a valuable subgenre of American film that dramatizes the fallacy of "Black respectability"—the notion that if African-Americans will only speak, dress and behave in a certain way, discrimination won't affect them, and they'll reap the American dream.
Sheila writes: BAFTA-award winning "Pitch Black Heist" is a 13-minute film directed and written by John Maclean, starring Michael Fassbender and Liam Cunningham (reunited after their 28-minute one-take scene in Steve McQueen's 2008 film "Hunger"). Here, they play two criminals hired to crack a safe. The only catch is that they must do their work in the dark: any light at all will trigger the alarm. Elegantly filmed in black-and-white, it's a taut fun little thriller with a twist ending. In case the video doesn't work here, you can also view it at Cinephilia and Beyond.
Saturday night is party night at the Toronto International Film Festival, when all the celebs and journalists float from soiree to soiree promoting or being promoted at.
Four standout performances by black actors make the Oscar Best Actor race more interesting this year.