The finest and most genuinely provocative horror movie to emerge in this still very-new century
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with the legendary Liv Ullmann, at this year's TIFF with "Miss Julie."
An interview with Patricia Clarkson, star of two TIFF 2014 films, "Learning to Drive" and "October Gale."
Writer Brian Tallerico responds to our Movie Love Questionnaire.
Erik Childress analyzes the impact of the recently-awarded BAFTAs on the Oscar race.
Author Joyce Maynard talks about teaching Jason Reitman to bake a pie, writing a romance about a mother, and seeing the stories she writes as a film in her imagination.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
Here are links to all our coverage from the 2013 Toronto International Film Festival.
Susan Wloszczyna reports on Matthew McConaughey in "Dallas Buyers Club," Kate Winslet in "Labor Day" and "The Fifth Estate" director Bill Condon's thoughts on fact-based movies.
Sheila writes: Thank you all for taking the time to answer our survey! We will keep you posted on any changes that may come about. So let's get to the newsletter, shall we? Jack Kerouac famously wrote the majority of "On the Road" on one long scroll of paper. Kerouac found that taking the time to remove the finished pages off of the typewriter and replacing them with a fresh sheet interrupted his flow. California artist Paul Rogers, who has done ten book covers for Random House UK of Hemingway classic, has created an online scroll of beautiful illustrations for Kerouac's novel. Evocative and gritty, they make a great companion piece for "On the Road". You can see more of Paul Rogers' cool work at his site.
Every couple of years I stumble upon a film that transcends its traditional entertainment purposes and goes for something more divine, ambitious and philosophical. When a film like this comes along, it reassures me that film is indeed the greatest art form of our time. Movies that had that awe-inspiring effect on me include: "Last Year At Marienbad", "The Exterminating Angel", "Persona", "2001: A Space Odyssey", "Dark City", "Enter the Void", "The Thin Red Line", "Eyes Wide Shut" and "Synecdoche, New York". I like to call them life-changers.
Some horror movies have mercy on uninformed audiences who have no idea about what they will get. The opening sequence of New Zealand horror film "Dead Alive" (1992), which is also known as "Braindead", is a good example because it kindly gives the audiences a very clear idea of what it about and how it is about. As the hero escapes from the natives of Skull Island (Southwest of Sumatra) with a mysterious creature dreaded by the natives, he accidentally gets bitten by the animal, hidden in a wooden crate. He says he's all right, but his local employees are suddenly frightened about that.
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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Marie writes: Recently, we enjoyed some nice weather and inspired by the sunshine, I headed out with a borrowed video camera to shoot some of the nature trails up on Burnaby Mountain, not far from where I live. I invariably tell people "I live near Vancouver" as most know where that is - whereas Burnaby needs explaining. As luck would have it though, I found a great shot taken from the top of Burnaby Mountain, where you can not only see where I live now but even Washington State across the Canadian/US border...
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I have seen the new 3D version of "Titanic" and, as with the original 1997 version, I found it a magnificent motion picture. The hour or more after the ship hits the iceberg remains spellbinding. The material leading up to that point is a combination of documentary footage from the ocean floor, romantic melodrama, and narration by a centenarian named Rose. The production brings to life the opulence of the great iron ship. Its passengers are a cross section of way of life that would be ended forever by the First World War. In a way, the iceberg represented the 20th century.
A few weeks ago on Facebook -- that sly keeper of family secrets, whose memory seems to have increased incrementally with its new Timeline mumbo-jumbo -- an actor of some repute posted a list of the best Twitter accounts of 2011, as compiled by a wholly forgettable outlet. He had been placed relatively highly, and someone commented that it was a very subjective list. Apart from the fact that taking issue with "a list of the best Twitter accounts of 2011, lol" is by definition absurd, the statement presented a logical fallacy (I am fully aware of the irony of regarding a throwaway Facebook comment in such depth). All lists are subjective: that's why they're lists. Nonetheless, this fairly simple fact gets lost in the year-end frenzy as interested parties start calling for the list-maker's head, like angry villagers wielding pitchforks, if and when their favoured books, albums, films, etc fail to place on a given critic's compilation of the year's best.
Marie writes: Did you know that the world's steepest roller-coaster is the Takabisha, which opened earlier this year at the Fuji-Q Highland Amusement Park in Yamanash, Japan? The ride lasts just 112 seconds but is packed with exciting features including seven twists, blackened tunnels and a 43m-high peak. But the most impressive thing about Takabisha is the 121 degree free-fall, so steep that it's been recognized by the Guinness World Records as the steepest roller-coaster made from steel!
Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!
"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF
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From the Big Kahuna: Yes, this is the front of the Virginia Theater in Champaign-Urbana, where Ebertfest is held every year. The old marquee was showing its age, and will be replaced by the time Ebertfest 2011 is held on April 27-30. Update: I read in the Champaign-Urbana News-Gazette that the new marquee is still in design, but park officials expect it to be a better complement to the theater's Italian Renaissance-style architecture and resemble the 1921 original marquee. When concepts are finalized, they will go before the park board for approval.
BEVERLY HILLS, Calif.(AP) — The recession-era tale "Up in the Air" led Golden Globe film contenders Tuesday with six nominations, among them best drama and acting honors for George Clooney, Vera Farmiga and Anna Kendrick.
Here you'll find my list from Dec. 30, 1999.
Q. Why has no acclaim gone to David Kross, who brilliantly played the young Michael Berg in "The Reader"? The courtroom scene when he realizes what Hanna has done, tears streaming down his face, is heartbreaking. Yet he's received virtually no mention. It's as if Kate Winslet did the movie by herself. She was great, [yet] there is no doubt this young man was so moving and went through so many emotions onscreen but he has not once been mentioned.
The full-screen In Memoriam montage is linked below.
It was the best Oscar show I've ever seen, and I've seen plenty. The Academy didn't bring it in under three and a half hours, but maybe they simply couldn't, given the number of categories. What they did do was make the time seem to pass more quickly, and more entertainingly. And they finally cleared the logjam involved in merely reading the names of the nominees. By bringing out former winners to single out each of the acting nominees and praise their work, they replaced the reading of lists with a surprisingly heart-warming new approach.
I had a feeling Hugh Jackman would be a charmer as host, and he was. He didn't have a lot of gag lines, depending instead on humor in context, as when he recruited Anne Hathawy onstage for their duet. His opening "low budget" song-and-dance was amusing, and we could immediately see how the show would benefit from the reconfigured theater.