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The Magnificent Seven

Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.

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The Age of Shadows

At 140 minutes, Kim sometimes loses the rhythm of his spy thriller, but he's such a confident filmmaker—and his leading man such a magnetic presence—that…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#250 April 15, 2015

Sheila writes: It's Ebertfest week! I hope to see some of you there. It's going to be a wonderful week! You'll find lots of links below about the Ebertfest films and panels. In the meantime, I wanted to share a really fun link I found this week, showing vintage photographs of the elaborate set for Alfred Hitchcock's "Rear Window." It's pretty extraordinary stuff! And because it's always good to check in with Roger Ebert on all things cinematic, now is as good a time as ever to re-visit his Great Movies review of "Rear Window."

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Seduced by Sonoma

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As Roger Ebert noted in February, film festivals have become so ubiquitous that there's almost certainly one within driving distance of most film fans in the US. And lots of them are sprouting world-wide. Three years ago, I'd pitched Roger with an "FFC" piece on the Santa Barbara International Film Festival. He advised that I provide a sense of the town and its atmosphere, the people, as well as what the festival itself was like.

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