Rust
Harland Rust
Alec Baldwin
Alec Baldwin Movie Reviews
Dr. Death
Robert Henderson
The Boss Baby: Family Business
Theodore Templeton (voice)
Pixie
Father Hector McGrath
Chick Fight
Jack Murphy
What She Said: The Art of Pauline Kael
Himself
Motherless Brooklyn
Moses Randolph
Before You Know It
Peter
Framing John DeLorean
John DeLorean
The Public
Detective Bill Ramstead
A Star Is Born
Saturday Night Live Host
BlacKkKlansman
Actor
Mission: Impossible – Fallout
Alan Hunley
The King
Himself
Blind
Bill Oakland
Paris Can Wait
Michael
The Boss Baby
Boss Baby (voice)
Harry Benson: Shoot First
Himself
Rules Don’t Apply
Bob Maheu
Concussion
Dr. Julian Bailes
Blog Posts That Mention Alec Baldwin
Hamptons Film Festival Q&A with Chaz Ebert and Alec Baldwin on “Life Itself”
Tony Bennett, movie critic (Alec Baldwin, SNL)
Thumbnails 2/27/14
The Rise and Rise of the Celebritocracy
‘The Departed’ revisited
Is it anti-American to like non-English movies?
Feylin on SNL
‘The Departed’: Choppy craftsmanship?
The 100-Year-Old Contrarian
Call him “Mr. Contrarian”
No Dream Is Ever Just a Dream: Eyes Wide Shut Turns 25
Home Entertainment Guide: March 2024
Legacy Forever: Memories of Tony Bennett (1926-2023)
He Made Everything Better: Fred Ward (1942-2022)
NBC’s Young Rock and Kenan Sitcoms are Energetic, Familiar
A Couple of Troubadours Traveling Around the Country: Rob Brydon on The Trip to Greece
The Best Television of the Decade
A Certain Provocation: Edward Norton on the Neo-Noir Motherless Brooklyn
TIFF 2019: Motherless Brooklyn, Anne at 13,000 Feet, The Moneychanger
30 Minutes on: “The Public”
Bright Wall/Dark Room January 2019: The Year of the Death Wish by Fran Hoepfner
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
An American Hero Returns in Thrilling New Series, Tom Clancy’s Jack Ryan
Why M:I – Fallout is the Least Accomplished Mission Yet
A Lit Fuse: The History of the Mission: Impossible Franchise
Comic-Con 2018: A Sneak Peek at Tom Clancy’s Jack Ryan
If I Had an Emmy Ballot 2018
Minding the Gap, The King, Devil’s Freedom Among Highlights at DOC10 2018
Let the River Run: On the 30th Anniversary of Working Girl
Great Cast of The Looming Tower Overcomes Narrative Flaws
Venice Film Festival 2017: “Suburbicon,” “The Private Life of a Modern Woman”
Home Entertainment Consumer Guide: July 27, 2017
If I Had an Emmy Ballot 2017
What “Julie’s Greenroom” Teaches Us About the Importance of the NEA
Robert Osborne: 1932-2017
Non-Stop Action, Festival Favorites and More: A Winter 2017 Film Preview
Make it To Shore: The Staff Says Goodbye to Carrie Fisher
Making a Picture: Alden Ehrenreich & Lily Collins on “Rules Don’t Apply”
AFI Fest 2015: “Concussion”
2015 Fall Movie Preview
Magical Realism: “Northern Exposure” 25 Years Later
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Print the Legend: The 2015 TCM Film Festival
Smart People Talking: The 25th Anniversary of “The Hunt For Red October”
Observations of an Awards Season Skeptic, Part 4: Green Card Blues
Thumbnails 12/19/14
Elaine Stritch: 1925-2014
Top Ten Lists of 2013 From Our Contributors
“They closed down the video store in Philly last night”: laments for Blockbuster, in the style of Bruce Springsteen
Cannes: Yacht parties, Faulkner, and cannibal families
Love & Money with James Toback
Pre-Cannes
Mickey Rourke lets his Indie Spirit fly
Not too hard on the eyes
Stars’ ranking really rankles
The Chilling Film Concept of Virtual Reality
Politics, celebs and movie critics
Palme d’Or loves “Amour”
The Ultimate Review of “The Departed”
The Tina Fey-Palin scenario
The Boulevard of Broken Manhood
Allenville: A nice place to visit
The death of a talk host
On Leonardo DiCaprio in “The Aviator”
No pain for “Hurt Locker,” Bigelow
Ebert’s live-tweet archive: 2010 Academy Awards
Two war films, worlds apart: ‘Avatar,’ ‘Hurt Locker’ lead Oscar noms
Toronto festival winners
Starting off the season
Reading those Oscar tea leaves
Uncommonly good
Warming up to ‘Cooler’
Cable goes where studios fear to tread
Meatier movies at fall festival
