May December
Director
Todd Haynes
Todd Haynes
Todd Haynes Movie Reviews
Blog Posts That Mention Todd Haynes
The Pitfalls of Suburban Ennui: In Praise of Todd Haynes and Julianne Moore’s Collaborations
NYFF 2023: Highlights of the First Week of the Fest Include New Todd Haynes, Nuri Bilge Ceylan
Video Interview: Cate Blanchett, Rooney Mara and Todd Haynes on “Carol”
The Act of Looking: Todd Haynes on Carol
Todd Haynes’ new film captures look and values of 1950s films
The Drama and Discomfort: Charles Melton on May December
Cannes 2023: May December, Anatomy of a Fall and a Godard Trailer
Cannes 2021: Onoda, Everything Went Fine, Between Two Worlds, The Velvet Underground
Cannes Flashback: Wonderstruck, Netflix Controversy and More
30 Minutes on: Wonderstruck
A Distinctive Pattern: The Legendary Costume Designer Sandy Powell on “Wonderstruck”
Video Interview: Julianne Moore, Oakes Fegley, Jaden Michael and Millicent Simmonds on “Wonderstruck”
Comic-Con 2017: Interview with Brian Selznick about “Wonderstruck”
Cannes 2017 Video #2: “Wonderstruck,” Netflix Controversy and More
Cannes 2017: “Wonderstruck,” “Jupiter’s Moon,” “Barbara”
Cannes 2015: “Carol,” “Nahid”
50 greatest music films ever
TIFF 2007: Movie bloggers EXPOSED!
TIFF 2007 Wrap: Personal best & indelible images
And the poll-winners are…
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
How does it feel? Footnote fetishism & “I’m Not There”
TIFF 2007: What did I know and when did I know it?
Consensus and the Big Film Poll Blowout of 2007
Mr. Jones’ review…
I’m Not There: Ode to Joy
’50 Lost Movie Classics’
Short Films in Focus: The 2026 Oscar-Nominated Shorts
“She Just Had an Accident”: “Seed of Chucky” at 20
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Fear, Hope, and Joy: Ramata-Toulaye Sy on Banel and Adama
10 Music Documentaries You Should See After The Greatest Night in Pop
Spirit Awards 2024: A Platform for Essential Independent Films
The Return of 70MM
The Ten Best Films of 2023
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
2024 Film Independent Spirit Award Nominees Led by American Fiction, May December and Past Lives
Short Films in Focus: Big Touch
A Farewell and Tribute to Our Senior Editor, Nick Allen
NYFF 2023: May December, Kidnapped, Close Your Eyes
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
Triage Is a Huge Part of Filmmaking: Laura Moss on Birth/Rebirth
Cannes 2023: Highlights of the Year’s Festival
Cannes 2023: Exciting Films at This Year’s Festival
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
Home Entertainment Guide: December 2022
Stay Weird: Highlights of the 2022 Fantastic Fest
TIFF 2022: Until Branches Bend, Bones of Crows, Rosie
Creeping Panic: Rebecca Hall and Andrew Semans on Resurrection
A Preview of the 57th Chicago International Film Festival
NYFF 2021: Songs for Drella, Marx Can Wait, Il Buco, Belle
NYFF 2021: The Tragedy of Macbeth, Festival Highlights
57th Chicago International Film Festival Announces Full Schedule; Wes Anderson’s The French Dispatch to Open
57th Chicago International Film Festival Runs October 13th-24th, Will Host Fundraiser on September 13th
Telluride Film Festival 2021: Hallelujah: Leonard Cohen, The Velvet Underground, Bernstein’s Wall
Telluride Film Festival Announces Full 2021 Program Lineup
Cannes 2021: Chaz’s Video Dispatch Table of Contents
Cannes 2021 Video #3: The Velvet Underground, Val, Onoda, Cow, Where is Anne Frank
Cannes 2021 Video #1: Returning to the Riviera
The Show Must Go On: The Cannes 2021 Film Festival
‘I Am Shiva, the God of Death’: On the Deserved Anger of Michael Clayton
Home Entertainment Guide: March 5, 2020
Sundance 2020: The 40-Year-Old Version, Farewell Amor, Sylvie’s Love
The Great Performances of 2019
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
Preview of the 26th Annual Chicago Underground Film Festival
Happiness and Artifice: The Performances of Julianne Moore
Obsession and The Void: The Performances of Christian Bale
Why Mary Poppins Returns is Disney’s Best Reimagining to Date
Cannes 2018 Video #8: Ed Lachman, William Nack and More
Cannes 2018: Edward Lachman, an honoree at the festival, discusses the past and future of cinematography
Deadline’s The Contenders 2017 Kicks Off Oscar Season
NYFF 2017: “Wonder Wheel”
New York Film Festival 2017 Preview
Home Entertainment Consumer Guide: September 21, 2017
The Greatest Show on Earth: Recap of the 2017 Telluride Film Festival
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
2017 Fall Movie Preview: 25 Films We’re Excited About
Remember the risks: Filmmaker Ira Sachs talks about the lessons he learned from his debut feature “The Delta”
Cannes 2017: Palme d’Or predictions
Cannes 2017 Video #1: Preview
Cannes Film Festival 2017 Preview
Thumbnails 5/18/16
Home Entertainment Consumer Guide: May 12, 2016
Adapting Good Material: Whit Stillman on “Love & Friendship”
Moving Pictures: A Recap of the 2016 TCM Classic Film Festival
No Home Video: On Women-Directed Films
RogerEbert.com’s Coverage of 2015 Oscar-Nominated Films: Table of Contents
Harper Lee: 1926-2016
Sundance 2016: “The Hollars,” “Love & Friendship,” “Ali & Nino”
Sundance 2016: “Wiener-Dog”
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
2016 Sundance Film Festival Preview
Surprises and Snubs: An Expert Responds to the Oscar Nominations
Alliance of Women Film Journalists Announce 2015 EDA Winners
David Bowie: 1947-2016
Film Noir For the Baby Boomer Generation: Wim Wenders’ “The American Friend”
