Our final NY dispatch on three films from the 2020 festival, including one starring Michelle Pfeiffer and the latest from Pedro Almodovar.
Chaz Ebert reports on "The Beguiled," "Good Time," "In the Fade" and more in her fifth video dispatch from Cannes 2017.
A piece on progress in who gets to tell stories reflected in films like Can You Forgive Me?, Late Night, The Souvenir, Revenge, and more.
As Bo Burnham’s examination of middle school malaise “Eighth Grade” hits cinemas, it’s worth considering the breadth of films that examine the teenage experience.
Our eighth and final video dispatch from the 2018 Cannes Film Festival includes tributes to cinematographer Ed Lachman and the late sports writer William Nack.
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the Day4Empathy.
A deep look at Phantom Thread and how it examines the relationship between model and designer.
The latest on Blu-ray and DVD, including "The House," "Baby Driver," "The Beguiled," "American Gods," "The Good Place," and Orson Welles' "Othello."
Matt writes: One of the most acclaimed films of 2017 thus far is Edgar Wright's "Baby Driver," a cinematic adrenaline rush for the ages. It's the best fusion of ingenious car chases and equally imaginative song choices I've seen since "The Blues Brothers," and at RogerEbert.com, we have provided in-depth coverage of the picture, beginning with Brian Tallerico's three-and-a-half star review. Nell Minow conducted a terrific interview with Wright, Nick Allen analyzed Wright's rarely seen first feature ("A Fistful of Fingers") and Diana Drumm explored Wright's identity as "a true cinephile."