Sofia Coppola Movie Reviews
Blog Posts That Mention Sofia Coppola
Along for the Ride with Sofia Coppola
Nea Ching
A Look Inside Sofia Coppola’s New 488-Page Retrospective, Archive
Peter Sobczynski
Video Interview: Sofia Coppola, Kirsten Dunst and Elle Fanning on “The Beguiled”
Katherine Tulich
Roger’s Favorites: Sofia Coppola
The Editors
Eleanor Coppola Was the Guardian Angel of Apocalypse Now
Tim Grierson
Francis Ford Coppola’s “Rumble Fish” Reigns on Criterion Blu-ray
Peter Sobczynski
The Next Coppola
Sam Fragoso
Cannes 2017: “The Beguiled,” “A Gentle Creature,” “Closeness”
Barbara Scharres
The Unloved, Part 39: The Bling Ring
Scout Tafoya
Thumbnails 7/3/15
Matt Fagerholm
Thumbnails 6/17/2013
The Editors
Thumbnails 6/14/2013
The Editors
Artifice and Real Life: Cannes Report, May 16, 2013
Barbara Scharres
Breaking and Entering: Cannes Day Two
Michał Oleszczyk
recent Two Thumbs Up® reviews
Roger Ebert
Studs and Algren and Patterson, N.J.
Roger Ebert
A last shot at redemption
Gerardo Valero
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Matt Zoller Seitz
Meet the Writers: Zachary Lee
The Editors
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Isaac Feldberg
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Marya E. Gates
Women Writers Week 2024: Table of Contents
The Editors
Introduction to Women Writers Week 2024
Nell Minow
Home Entertainment Guide: February 2024
Brian Tallerico
Female Filmmakers in Focus: Erige Sehiri on Under the Fig Trees
Marya E. Gates
The Future of the Movies, Part 2
Marya E. Gates
The Great Performances of 2023
The Editors
Female Filmmakers in Focus: Noora Niasari on Shayda
Marya E. Gates
Apple TV+’s The Buccaneers Shakes Up High Society
Nick Allen
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
Brian Tallerico
NYFF 2023: May December, Kidnapped, Close Your Eyes
Monica Castillo
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
Jason Gorber
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Daniel Joyaux
Redacting Racism: Some Thoughts on Race-Blind Casting
Brandon David Wilson
Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines
Matt Fagerholm
Sundance 2023: Fairyland, Still: A Michael J. Fox Movie, Magazine Dreams
Brian Tallerico
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Nick Allen
Telluride Film Festival 2022 Highlights
Tomris Laffly
Home Entertainment Guide: July 2022
Brian Tallerico
The Company of Yourself: Cooper Raiff on Cha Cha Real Smooth
Marya E. Gates
The Long, Strange Trip for Women Who Have Competed for the Best Director Oscar
Susan Wloszczyna
Kirsten Dunst, Always on the Brink of Transformation
Justine Smith
2022 Oscar Nomination Predictions
Susan Wloszczyna
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
Scout Tafoya
From Bill Murray to Sacha Baron Cohen: Santa Barbara Film Festival 2021 Highlights
Donald Liebenson
Enter the World of Wong Kar Wai with One of Criterion’s Best Box Sets
Brian Tallerico
Meet the Writers: Roxana Hadadi
The Editors
The 2020 Frontrunners for Best Director
Susan Wloszczyna
The Great Performances of 2020
The Editors
NYFF 2020: The Human Voice, The Woman Who Ran, French Exit
Odie Henderson
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Matt Zoller Seitz
Cinema Femme’s Inaugural Short Film Festival, Running August 6th-9th, to Host Virtual Events with Karyn Kusama, Jennifer Reeder and Others
Matt Fagerholm
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Chaz Ebert
Hulu’s Satirical Drama The Great is Immensely Engaging
Allison Shoemaker
Quibi Launches Today with a Little Bit of Everything
Brian Tallerico
On Natalie Portman’s Statement Dress at the 2020 Oscars
Carrie Rickey
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
Andrea Thompson
My Favorite Roger: Allison Shoemaker
Allison Shoemaker
Not Listening to No: An Interview with Elvis Mitchell
Simon Abrams
Eighth Grade and the Political Currency of Being a Teenage Girl
Hannah Woodhead
Cannes 2018 Video #8: Ed Lachman, William Nack and More
Chaz Ebert
Home Entertainment Consumer Guide: May 10, 2018
Brian Tallerico
We Have Been Them: Roger Ebert’s Reviews About Empathy
Brian Tallerico
Alma Matters: Modelling and Being in Phantom Thread
Manuela Lazic
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
Susan Wloszczyna
The Shape of Water Tops 2018 Oscar Nominees
Susan Wloszczyna
Will 2018 Have More Female Oscar Contenders Than Ever?
Chaz Ebert
Bright Wall/Dark Room November 2017: “Can the Maker Repair What He Makes?” by Dean Buckley
The Editors
Home Entertainment Consumer Guide: October 19, 2017
Brian Tallerico
Oscars Could Be Facing Dearth of Diversity Yet Again
Susan Wloszczyna
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
Susan Wloszczyna
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Sheila O'Malley
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Chaz Ebert
Cannes 2017: Ruben Ostlund’s “The Square” wins Palme d’Or
Ben Kenigsberg
Cannes 2017: Palme d’Or predictions
Ben Kenigsberg
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Chaz Ebert
Thumbnails 5/17/17
Matt Fagerholm
Cannes 2017 Video #1: Preview
Chaz Ebert
Cannes Film Festival 2017 Preview
Barbara Scharres
2017 Summer Movie Preview: 25 Films We’re Excited About
Nick Allen
The Most Influential Filmmakers of All Time
Emma Piper-Burket
Writer Profiles: Brian Tallerico
Chaz Ebert
Meet the Writers: Scout Tafoya
Scout Tafoya
Mitchelling on the Regular: On Elvis Mitchell and KCRW’s “The Treatment”
Craig D. Lindsey
Thumbnails 8/9/16
Matt Fagerholm
Roger’s Favorites: Hirokazu Kore-eda
The Editors
Roger’s Favorites: A Table of Contents
The Editors
Netflix’s “A Very Murray Christmas” Nails Its Target Audience
Brian Tallerico
CIFF 2015: “Entertainment”
Nick Allen
NYFF 2015: “No Home Movie,” “Microbe & Gasoline”
Scout Tafoya
30 Minutes on: “The Limey”
Matt Zoller Seitz
The Dissolve: 2013-2015
Matt Zoller Seitz
Who’s Who In Reviews: Peter Sobczynski
Chaz Ebert
Awards Race Makes First Gear Shift This Week
Erik Childress
Cannes 2014, Day One: “Grace of Monaco,” “Timbuktu”
Barbara Scharres
Thumbnails 5/12/2014
Matt Fagerholm
Thumbnails 2/13/2014
Sam Fragoso
Top Ten Lists of 2013 From Our Contributors
The Editors
New York Film Critics Circle and National Board of Review Start the Oscar Race
Erik Childress
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