Marc by Sofia
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Sofia Coppola
Sofia Coppola
Sofia Coppola Movie Reviews
The Godfather Coda: The Death of Michael Corleone
Mary Corleone
The Cotton Club Encore
Child in Street
The Godfather, Part III
Mary Corleone
Priscilla
Director
On the Rocks
Director
The Beguiled
Director
The Bling Ring
Screenplay
Somewhere
Written and directed by
Marie Antoinette
Written and directed by
Lost in Translation
Director
The Virgin Suicides
Written and Directed by
Blog Posts That Mention Sofia Coppola
Along for the Ride with Sofia Coppola
A Look Inside Sofia Coppola’s New 488-Page Retrospective, Archive
Video Interview: Sofia Coppola, Kirsten Dunst and Elle Fanning on “The Beguiled”
Roger’s Favorites: Sofia Coppola
Eleanor Coppola Was the Guardian Angel of Apocalypse Now
Francis Ford Coppola’s “Rumble Fish” Reigns on Criterion Blu-ray
The Next Coppola
Cannes 2017: “The Beguiled,” “A Gentle Creature,” “Closeness”
The Unloved, Part 39: The Bling Ring
Thumbnails 7/3/15
Thumbnails 6/17/2013
Thumbnails 6/14/2013
Artifice and Real Life: Cannes Report, May 16, 2013
Breaking and Entering: Cannes Day Two
recent Two Thumbs Up® reviews
Studs and Algren and Patterson, N.J.
A last shot at redemption
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
Poetry in the Abyss: Béla Tarr (1955-2026)
It’s The Funniest Shit: Hikari on ‘Rental Family’
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Meet the Writers: Zachary Lee
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Women Writers Week 2024: Table of Contents
Introduction to Women Writers Week 2024
Home Entertainment Guide: February 2024
Female Filmmakers in Focus: Erige Sehiri on Under the Fig Trees
The Future of the Movies, Part 2
The Great Performances of 2023
Female Filmmakers in Focus: Noora Niasari on Shayda
Apple TV+’s The Buccaneers Shakes Up High Society
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
NYFF 2023: May December, Kidnapped, Close Your Eyes
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Redacting Racism: Some Thoughts on Race-Blind Casting
Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines
Sundance 2023: Fairyland, Still: A Michael J. Fox Movie, Magazine Dreams
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Telluride Film Festival 2022 Highlights
Home Entertainment Guide: July 2022
The Company of Yourself: Cooper Raiff on Cha Cha Real Smooth
The Long, Strange Trip for Women Who Have Competed for the Best Director Oscar
Kirsten Dunst, Always on the Brink of Transformation
2022 Oscar Nomination Predictions
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
From Bill Murray to Sacha Baron Cohen: Santa Barbara Film Festival 2021 Highlights
Enter the World of Wong Kar Wai with One of Criterion’s Best Box Sets
Meet the Writers: Roxana Hadadi
The 2020 Frontrunners for Best Director
The Great Performances of 2020
NYFF 2020: The Human Voice, The Woman Who Ran, French Exit
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Cinema Femme’s Inaugural Short Film Festival, Running August 6th-9th, to Host Virtual Events with Karyn Kusama, Jennifer Reeder and Others
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Hulu’s Satirical Drama The Great is Immensely Engaging
Quibi Launches Today with a Little Bit of Everything
On Natalie Portman’s Statement Dress at the 2020 Oscars
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
My Favorite Roger: Allison Shoemaker
Not Listening to No: An Interview with Elvis Mitchell
Eighth Grade and the Political Currency of Being a Teenage Girl
Cannes 2018 Video #8: Ed Lachman, William Nack and More
Home Entertainment Consumer Guide: May 10, 2018
We Have Been Them: Roger Ebert’s Reviews About Empathy
Alma Matters: Modelling and Being in Phantom Thread
Greta Gerwig Joins Short Legacy of Female Best Director Nominees
The Shape of Water Tops 2018 Oscar Nominees
Will 2018 Have More Female Oscar Contenders Than Ever?
Bright Wall/Dark Room November 2017: “Can the Maker Repair What He Makes?” by Dean Buckley
Home Entertainment Consumer Guide: October 19, 2017
Oscars Could Be Facing Dearth of Diversity Yet Again
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Cannes 2017: Ruben Ostlund’s “The Square” wins Palme d’Or
Cannes 2017: Palme d’Or predictions
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Thumbnails 5/17/17
Cannes 2017 Video #1: Preview
Cannes Film Festival 2017 Preview
2017 Summer Movie Preview: 25 Films We’re Excited About
The Most Influential Filmmakers of All Time
Writer Profiles: Brian Tallerico
Meet the Writers: Scout Tafoya
Mitchelling on the Regular: On Elvis Mitchell and KCRW’s “The Treatment”
Thumbnails 8/9/16
Roger’s Favorites: Hirokazu Kore-eda
Roger’s Favorites: A Table of Contents
Netflix’s “A Very Murray Christmas” Nails Its Target Audience
CIFF 2015: “Entertainment”
NYFF 2015: “No Home Movie,” “Microbe & Gasoline”
30 Minutes on: “The Limey”
The Dissolve: 2013-2015
Who’s Who In Reviews: Peter Sobczynski
Awards Race Makes First Gear Shift This Week
