Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Our Managing Editor and staff give some love to Music Box on its 90th birthday.
The latest on Blu-ray and DVD, including Aquaman, Spider-man: Into the Spider-verse, If Beale Street Could Talk, and Detour.
A tribute to the late, great Dick Miller from his biggest fan.
A report from Montreal's Fantasia International Film Festival about two opening night films, "Just a Breath Away" and "Nightmare Cinema."
A sneak peek of the films we'll be covering at Montreal's exciting Fantasia International Film Festival.
An appreciation of Joe Dante's The 'Burbs on the eve of its Blu-ray Special Edition release.
A review and appreciation of Joe Dante's Matinee, on Special Edition Blu-ray this week.
A preview of the horror film festival Cinepocalypse, starting this week at the Music Box in Chicago.
A tribute to the great Mario Bava, whose films will be shown at the Quad starting today.
A review of the new doc about "Psycho," "78/52."
A critic spends an entire year watching Woody Allen films and reports on the experience.
An interview with director Joe Dante about "The Movie Orgy" and his film series currently running at BAMcinématek.
Brad Bischoff on "The Grasshopper"; Seismic shift in the film festival world; Relevance of "The Second Civil War"; Ta-Nehisi Coates on "Black Panther"; Ode to "Bad News Bears."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
"Inside Out" and the stranglehold of Minnesota Nice; 20th anniversary of "Kids"; Small-screen auteurism of Keith Gordon; Danny Elfman on Tim Burton; John Lasseter on the evolution of storytelling.
An obituary for the great Christopher Lee.
"The Unloved" series continues with a neglected recent gem by John Carpenter.
Donald Liebenson chats with actor/comedian/writer Patton Oswalt about his new book "Silver Screen Fiend: Learning About Life From an Addiction to Film."
"Outlander" and TV's sexual revolution; Chatting with John Carpenter; When cinema stops making sense; "The Simpsons"/"Family Guy" crossover; Soderbergh's "The Knick."
Highlights and schedule for the 2014 Chicago Critics Film Festival.
Director Joe Dante talks about his sideline running the Trailers from Hell website, which showcases the much-maligned film preview.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
Marie writes: It's that time of year again! Behold the shortlisted nominees for The Turner Prize: 2012. Below, Turner Prize nominee Spartacus Chetwynd performs 'Odd Man Out 2011' at Tate Britain on October 1, 2012 in London, England.
(click image to enlarge.)
UPDATED (08/01/12): Scroll to the bottom of this entry to see my first impressions of the newly announced critics' and directors' poll results.
Vittorio De Sica's "Bicycle Thieves" (1948) topped the first Sight & Sound critics' poll in 1952, only four years after it was first released, dropped to #7 in 1962, and then disappeared from the top ten never to be seen again. (In 2002 only five of the 145 participating critics voted for it.) Orson Welles' "Citizen Kane" (1941) flopped in its initial release but was rediscovered in the 1950s after RKO licensed its films to television in 1956. From 1962 to 2002 "Kane" has remained at the top of the poll (46 critics voted for it last time). This year, a whopping 846 top-ten ballots (mentioning 2,045 different titles) were counted, solicited from international "critics, programmers, academics, distributors, writers and other cinephiles" -- including bloggers and other online-only writers. Sight & Sound has announced it will live-tweet the 2012 "Top 50 Greatest Films of All Time" (@SightSoundmag #sightsoundpoll) August 1, and as I write this the night before, I of course don't know the results. But, for now at least, I'm more interested in the process.
Given the much wider and younger selection of voters in 2012, ist-watchers have been speculating: Will another movie (leading candidate: Alfred Hitchcock's "Vertigo," number 2 in 2002) supplant "Kane" at the top of the list? Will there be any silent films in the top 10? (Eisenstein's "Battleship Potemkin" and Murnau's "Sunrise" tied for #7 on the 2002 list, but the latter was released in 1927 with a Fox Movietone sound-on-film musical score and sound effects.)
Though there's been no rule about how much time should pass between a film's initial release and its eligibility (the Library of Congress's National Film Registry requires that selections be at least ten years old), most of the selections ten to have stood the test of time for at least a decade or two. The newest film on the 2002 list was the combination of "The Godfather" (1972) and "The Godfather, Part II" (1974) -- but they won't be allowed to count as one title for 2012.