Features
Bright Wall/Dark Room March 2020: The Cross Inside Me by Thomas Zak
An essay about The Last Temptation of Christ, as excerpted from the latest issue of Bright Wall/Dark Room.
An essay about The Last Temptation of Christ, as excerpted from the latest issue of Bright Wall/Dark Room.
A look at five Spike Lee '90s films just released on Blu-ray.
Matt writes: With Martin Scorsese's "The Irishman" being named the best film of 2019 by the National Board of Review and the New York Film Critics Circle soon after its Netflix debut over Thanksgiving weekend, let us take a closer look at this masterwork.
A piece on Robert De Niro, Harvey Keitel, and Joe Pesci, and what they've meant to the career of Martin Scorsese.
A look at Martin Scorsese's Catholicism, reflected through his films.
An AFI Fest review of Taylor Hackford's "The Comedian," starring Robert De Niro and Leslie Mann.
A review from the Venice Film Festival of Paolo Sorrentino's new series.
Jeff Nichols brings "Loving" to Cannes; Cherchez la femme; Best of Cannes so far; STX pays $50 million for unmade Scorsese movie; "Mean Dreams" thrills at Cannes.
The latest Unloved looks back at John Irvin's 1997 crime drama "City of Industry."
A brief consideration of "Taxi Driver," still Scorsese's masterpiece.
A review of Fox Searchlight's "Brooklyn" and "Youth."
An overview of the films that will be theatrically released in the 2015 fall season.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
Our latest video from Cannes includes coverage of some of this year's biggest films, along with press conference footage from Macbeth and footage from the empathy panel led by Chaz Ebert.
