Features
Thumbnails 6/8/20
Kasi Lemmons on white Americans; Halina Dyrschka on Hilma af Klint; Recommended books on racism; Wisdom of James Baldwin; Lesli Linka Glatter on David Lynch.
Kasi Lemmons on white Americans; Halina Dyrschka on Hilma af Klint; Recommended books on racism; Wisdom of James Baldwin; Lesli Linka Glatter on David Lynch.
Matt writes: On our annual Day4 Empathy commemorating the passing of Roger Ebert, our site's publisher Chaz Ebert penned a beautiful message wishing readers health, safety and compassion during the COVID-19 pandemic, while managing editor Brian Tallerico republished Roger's reviews of various films that we're watching during the quarantine. I later joined my fellow writers in recommending the films and shows we've been streaming at home (my choice was Hulu's addictive new series "Little Fires Everywhere," starring Reese Witherspoon and Kerry Washington).
An interview with director Rob Garver about his Pauline Kael documentary, What She Said: The Art of Pauline Kael.
An interview with the writer/director of Squirrel, and a presentation of the short film.
RogerEbert.com contributor Godfrey Cheshire talks about his new book Conversations with Kiarostami, a collection of his interviews with the legendary Iranian director.
The newest on Blu-ray and DVD, including The Beach Bum, Dumbo, Us, and Under the Silver Lake.
The latest on streaming and Blu-ray, including Captain Marvel, Gloria Bell, and a Criterion edition of Blue Velvet.
In their new horror-tinged efforts, festival regulars Nicolas Winding Refn and Bertrand Bonello go down baffling roads.
An interview with film critic Jonathan Rosenbaum about his new two-volume book collection, Cinematic Encounters.
The ten best films of 2018, according to Glenn Kenny.
The staff choices for the best films of 2018.
A look back at the major films that screened at the Los Cabos Film Festival earlier this month.
A dispatch from the 2018 Reykjavík International Film Festival, featuring a review of Benedikt Erlingsson’s "Woman at War," coverage of the Jonas Mekas exhibition and an interview with "Phoenix" director Camilla Strøm Henriksen.
