Blindspotting
This is one of the year’s best movies.
David Lynch
-
Lucky (2017)
—
Howard
Matt Zoller Seitz -
David Lynch: The Art Life (2017)
—
Himself
Christina Newland -
Harry Dean Stanton: Partly Fiction (2013)
—
Himself
Sheila O'Malley -
Inland Empire (2007)
—
Written and directed by
Jim Emerson -
Mulholland Drive (2001)
—
Written and Directed by
Roger Ebert -
The Straight Story (1999)
—
Directed by
Roger Ebert -
Lost Highway (1997)
—
Directed by
Roger Ebert -
Wild at Heart (1990)
—
Written and Directed by
Roger Ebert -
Blue Velvet (1986)
—
Written and Directed by
Roger Ebert -
The Elephant Man (1980)
—
Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
BAMcinemaFest 2018 Preview
A preview of the 2018 BAMcinemaFest.
Amazon Revisits Classic Tale of Picnic at Hanging Rock
A review of the new Amazon series, "Picnic at Hanging Rock."
Figuring It Out: The Films of Laura Dern
A look at how Laura Dern became one of the most adventurous actresses working today.
The First Cut is the Deepest: A Tribute to Anne V. Coates
A tribute to the legendary editor Anne V. Coates.
Tribeca Film Festival 2018: “The Dark,” “Untogether,” “Amateurs”
A review of three films from Tribeca 2018.
“Minding the Gap,” “The King,” “Devil’s Freedom” Among Highlights at DOC10 2018
A preview of the 2018 DOC10 Film Festival in Chicago.
Oscar Flashback: At the Oscars Without You: A Letter to Roger
Chaz writes to Roger about attending the Oscars without him.
Why The Bad Batch is one of the best films of 2017
May Contain Spoilers
The director of "Doctor Strange" praises a cannibal movie that combines aspects of Flannery O'Connor and David Lynch.
Sundance 2018: "An Evening with Beverly Luff Linn," "Juliet, Naked," "Holiday"
Reviews of three narrative features that had their world premiere at Sundance this week.
The Best TV Shows of 2017
Our TV critics pick the best of 2017.
The Individual Top Tens of 2017
The lists of best films of 2017.
The Ten Best Films of 2017
The RogerEbert.com picks for the ten best films of 2017.
Highlights from the 2017 Los Cabos Film Festival
A look back at the highlights of this year's Los Cabos Film Festival.
The Truth Will Out: What Happened to “Rubicon”?
A reappreciation of a lost AMC classic.
Home Entertainment Consumer Guide: November 2, 2017
The latest on Blu-ray and DVD includes Personal Shopper, War for the Planet of the Apes, Spider-man: Homecoming, and Annabelle: Creation.
Cinepocalypse Comes to the Music Box in Chicago
May Contain Spoilers
A preview of the horror film festival Cinepocalypse, starting this week at the Music Box in Chicago.
Man on the Outside: The Films of Willem Dafoe
A look at the career of Willem Dafoe.
Home Entertainment Consumer Guide: October 5, 2017
The latest on Blu-ray and DVD, including A Ghost Story, David Lynch: The Art Life, and Cult of Chucky.
Inspired by a Legend: John Carroll Lynch on "Lucky"
An interview with director John Carroll Lynch about his Harry Dean Stanton film, "Lucky."
We Should Be So Lucky: A Tribute to Harry Dean Stanton
The staff pays tribute to Harry Dean Stanton.
TIFF 2017: Midnight Madness, Part Two
A report on four more horror movie premieres from TIFF, including a wacky performance from Nicolas Cage.
Harry Dean Stanton: 1926-2017
A tribute to the legendary Harry Dean Stanton.
Bright Wall/Dark Room September 2017: "That Which Is and Is Not: On 'Twin Peaks' and Trauma" by Kelsey Ford
An excerpt about "Twin Peaks" from the latest articles published by online magazine Bright Wall/Dark Room.
Scientific Cinema: Michael Almereyda on "Marjorie Prime"
Writer/director Michael Almereyda on adapting the sci-fi play "Marjorie Prime" for his latest idiosyncratic project.
#308 August 8, 2017
Matt writes: One of the most praised films on RogerEbert.com this year has been David Lowery's audacious and unforgettable "A Ghost Story," reuniting the director with his "Ain't Them Bodies Saints" stars Rooney Mara and Casey Affleck. Brian Tallerico praised the picture upon his initial viewing of it at Sundance, and programmed it as the closing night selection at this year's Chicago Critics' Film Festival, where it played to a packed house. Tallerico later interviewed Lowery for the site, while Matt Zoller Seitz awarded the film four stars. Also worth a look is Noah Gittel's recent essay on Lowery and the "cinema of narrative displacement."
