Moby Doc
Self
David Lynch
David Lynch Movie Reviews
Lucky
Howard
David Lynch: The Art Life
Himself
Harry Dean Stanton: Partly Fiction
Himself
Inland Empire
Written and directed by
Mulholland Drive
Written and Directed by
The Straight Story
Directed by
Lost Highway
Directed by
Wild at Heart
Written and Directed by
Blue Velvet
Written and Directed by
The Elephant Man
Directed by
Blog Posts That Mention David Lynch
Roger Ebert (and More) on David Lynch
Have a Great Day: David Lynch (1946-2025)
David Lynch’s The Straight Story & Playing Catch-Up
No More Blue Tomorrows: David Lynch’s Inland Empire Returns to Theaters
Getting to the Heart of America in David Lynch’s The Straight Story
Mysterious Beauty: A David Lynch Retrospective Comes to IFC Center
Poetic Logic: On David Lynch’s “Mulholland Dr.”
Defying Explanation: The Brilliance of David Lynch’s “Eraserhead”
Cannes Flashback: David Lynch Gives Filmgoers All They Can Handle
David Lynch Signature Cup Coffee: It’s Real Good
David Foster Wallace on David Lynch
David Lynch: “Sammy. I never talk about themes.”
What’s in David Lynch’s DVD player?
If David Lynch directed Michael Jackson’s life story
David Lynch gives filmgoers all they can handle
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
Inspired by a Legend: John Carroll Lynch on “Lucky”
David Bowie: 1947-2016
The Fault in Our Stars: David Cronenberg’s Latest Triumph
Mr. Lynch Goes to Washington
Mr. Lynch Comes to Washington
A Gold Mine of Material: George Griffith on From the Head and Twin Peaks: The Return
That Space Between Awake and Asleep: Rebekah Del Rio on the Twentieth Anniversary of Mulholland Dr.
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Why The Bad Batch is one of the best films of 2017
Home Entertainment Consumer Guide: October 5, 2017
A Look At “Twin Peaks: The Return”
The Unloved, Part 31: Twin Peaks: Fire Walk with Me
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Thumbnails 5/8/15
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Mad Men (and Mad Women) from Twin Peaks
‘Fire Walk With Me’ and the Lost Language of Code
The Double-Best of the Year
“Zodiac”: Digital and analog
Opening Shots: The Girl Can’t Help It
Losing control, or ceding control, or not…
Take Mulholland Dr. to the Lost Highway, Inland Empire exit…
Ruptures: Three openings/closingsby Claude Chabrol (1930 – 2010)
Ben Horne’s “Twin Peaks” set snaps
Opening Shots: ‘Raw Meat’
Opening Shots Project: Pop Quiz
IndieWIRE crix poll: American blood, blood, blood
Consensus? Mulholland Dr. is LA Film Critics’ movie of the decade, too
Return to Twin Peaks
TIFF: The Pervert’s Guide to Cinema
Go Inland, young woman!
’50 Lost Movie Classics’
VIFF: A film from Heath Ledger and friends (and more)
Explore the World of “Dune: Awakening”
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
What to Watch on Netflix: June 2025
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
The Great Craft of 2024
The Best Films of 2024
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
Home Entertainment Guide: August 2024
The Artful Tenderness of A Quiet Place: Day One
Home Entertainment Guide: June 2024
The Best Films of 2024 So Far
The End of the World is Going to be Weird on Prime Video’s Quirky, Clever Adaptation of Fallout
Home Entertainment Guide: March 2024
Women Writers Week 2024: Table of Contents
Nobody Else Is Doing What Emma Stone Is Doing Right Now
30 Minutes On: Dune Part Two
Japanese Horror Comes to the Film Forum
30 Minutes On: Dune Part One
Sundance 2024: I Saw the TV Glow, Thelma, Freaky Tales
Bergman’s Hour of the Wolf: Another Look at an Underrated Masterpiece
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
An Unforgettable Performer: Piper Laurie (1932-2023)
The Fire is Gone: Kenneth Anger (1927-2023)
Female Filmmakers in Focus: Francisca Alegría on The Cow Who Sang a Song Into the Future
Ten Years of Presence: In Honor of Roger Ebert and the Empathy Machine
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
Home Entertainment Guide: March 2023
Annihilation and the Power of Anxiety
The Real Deal: Tom Sizemore (1961-2023)
Angelo Badalamenti (1937-2022)
Marya Gates’ Overlooked Films of 2022
Home Entertainment Guide: October 2022
I Won’t Know If I’m Coming or Going: Rodrigo García on Nine Lives and His Latest Film, Raymond & Ray
NYFF 2022: White Noise, Showing Up, Triangle of Sadness
You Want People to Enter the Dream: Mary Sweeney on Lost Highway, Mulholland Dr. and The Straight Story
A Look Back at Tribeca 2022: The Documentary Features
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
