Blog Posts That Mention Antonioni
Bergman and Antonioni: Commercial moviemakers
Jim Emerson
“Blow-Up” corpse pays tribute to Antonioni
Jim Emerson
My 10 best list: the movie (WGA strike/Antonioni edition)
Jim Emerson
Michelangelo Antonioni: In Memory
Roger Ebert
Interview with Michelangelo Antonioni
Roger Ebert
Cannes 2025: Second Takes on a Few Fest Darlings
Brian Tallerico
Cannes 2025: Left-Handed Girl, Sirât
Ben Kenigsberg
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
The Editors
Panic! At the Disco: Body Double at 40
Brendan Hodges
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Glenn Kenny
Venice Film Festival 2024: Prepping for the Biennale
Glenn Kenny
In Memoriam: Alain Delon
Farran Smith Nehme
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
The Editors
The Best Films of 2024 So Far
The Editors
Welcome to Chicago, Michał Oleszczyk!
Chaz Ebert
A Shocking Loss: Dariush Mehrjui (1939-2023)
Godfrey Cheshire
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
Godfrey Cheshire
KVIFF 2023: A Yasuzô Masumura Retrospective
Marya E. Gates
KVIFF 2023: White Plastic Sky, Inside the Yellow Cocoon Shell, In Camera
Robert Daniels
The Fire is Gone: Kenneth Anger (1927-2023)
Scout Tafoya
Cannes 2023: The Zone of Interest, About Dry Grasses
Ben Kenigsberg
This Must Not Be the Place: The Films of Peter Weir
Daniel Joyaux
NYFF 2022: Return to Seoul, She Said, Exterior Night
Scout Tafoya
Venice Film Festival 2022: The Whale, The Ghost of Richard Harris, Don’t Worry Darling
Glenn Kenny
Cannes 2022: Elvis, Jerry Lee Lewis: Trouble in Mind, Moonage Daydream
Jason Gorber
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Lisa Nesselson
Monica Vitti: 1931-2022
Dan Callahan
NYFF 2021: Songs for Drella, Marx Can Wait, Il Buco, Belle
Scout Tafoya
Another Chance: On the Sustained Power of John Frankenheimer’s Seconds
Wael Khairy
30 Minutes On: The Graduate
Matt Zoller Seitz
I’m a Sound Man: Brian De Palma’s Blow Out at 40
Peter Sobczynski
The Individual Top Tens of 2020
The Editors
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
Matt Fagerholm
World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
Peter Sobczynski
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
The Editors
What to Watch During a Quarantine
The Editors
Rob Garver on What She Said: The Art of Pauline Kael
Michał Oleszczyk
Bring the Soul to Life: Oscar-Winning Editor Paul Hirsch on “Planes, Trains and Automobiles,” “Star Wars” and His New Memoir
Matt Fagerholm
Five Questions from Once Upon a Time … in Hollywood
Omer M. Mozaffar
30 Minutes on “Not Fade Away”
Matt Zoller Seitz
MOMA’s To Save and Project Festival: Never Fear, Histoires d’Amérique, A Day Off
Vikram Murthi
Sheila O’Malley’s Top Ten Films of 2018
Sheila O'Malley
NYFF 2018: Roma, Her Smell, The Ballad of Buster Scruggs, At Eternity’s Gate
Godfrey Cheshire
45 Movies to see at the 54th Chicago International Film Festival
Peter Sobczynski
The New York Film Festival 2018 Preview
Godfrey Cheshire
The Silence: Paul Schrader on First Reformed
Peter Sobczynski
Why The Bad Batch is one of the best films of 2017
Scott Derrickson
“Do You Know Anything About Witches?”: “Suspiria” at 40
Peter Sobczynski
CIFF 2017: Vanessa Redgrave on “Sea Sorrow” and “Blow-Up”
Peter Sobczynski
Venice Film Festival 2017: Restorations
Glenn Kenny
Jeanne Moreau: 1928-2017
Dan Callahan
Home Entertainment Consumer Guide: April 6, 2017
Brian Tallerico
Monica Vitti and the Modern ‘Something Terrible’
Sasha Kohan
Bright Wall/Dark Room March 2017: “Towards a True Children’s Cinema: On ‘My Neighbor Totoro'” by Lauren Wilford
The Editors
The Unloved, Part 37: Zabriskie Point & The Mystery of Oberwald
Scout Tafoya
The RogerEbert.com Interviews of 2016
The Editors
Traumatized Bodies: Alice Winocour on “Disorder”
Peter Sobczynski
A Slice of Life: Abbas Kiarostami 1940-2016
Patrick Z. McGavin
Thumbnails 5/31/16
Matt Fagerholm
Thumbnails 4/29/16
Matt Fagerholm
Why the Oscars Need to Move Lifetime Achievement Back to the Telecast
Niles Schwartz
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Peter Sobczynski
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
Patrick Z. McGavin
Who’s Who In Reviews: Glenn Kenny
Chaz Ebert
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
Patrick Z. McGavin
Beyond Narrative: The Future of the Feature Film
Roger Ebert
Blu-ray: The Year in Review, OR Blu-ray Holiday Gift Guide: A “Choose Your Own Adventure” Deciders Feature
Glenn Kenny
Home Entertainment Consumer Guide: December 5, 2014
Brian Tallerico
Thumbnails 9/11/14
Matt Fagerholm
Thumbnails 8/8/14
Matt Fagerholm
Thumbnails 3/25/14
Sam Fragoso
The Horror of Identity with “Enemy” Director Denis Villeneuve
Brian Tallerico
Thumbnails 3/4/14
Sam Fragoso
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
Donald Liebenson
In Defense of Armond White
Walter Biggins
Blu-ray Consumer Guide: November 2013
Glenn Kenny
“They closed down the video store in Philly last night”: laments for Blockbuster, in the style of Bruce Springsteen
Matt Zoller Seitz
The Revolution Before the Revolution: Miami Vice, NYPD Blue, and other great pre-Sopranos dramas
Brian Doan
Cannes 2010: A video essay
Hank Sartin
Cannes 1968: A video essay
Hank Sartin
Cannes 1960: A video essay
Hank Sartin
100 Great Moments in the Movies
Roger Ebert
Richard Harris: Don’t let it be forgot
Roger Ebert
Maria Schneider comes to America
Roger Ebert
Fresh cinematic air at 7,000 ft.
Kartina Richardson
Great cinema, Italian style
Roger Ebert
Corpse from “Blow-Up” speaks!
Roger Ebert
100 great movie moments
Roger Ebert
“The Directors”
Roger Ebert
The “Blow-Up” Game
Roger Ebert
101 102 Movies You Must See Before…
Jim Emerson
To spoil or not to spoil? (Don’t worry.)
Jim Emerson
The “Best” Non-English-Language Films (Round 1)
Jim Emerson
Mad Men: The Other Woman & the Long Walk
Jim Emerson
Fasten your seatbelts, it’s gonna be a bumpy Bourne!
Jim Emerson
CinematoGIFs: Living, breathing movie stills
Jim Emerson
Favorite movies of 2009 movie: The commentary track
Jim Emerson
When “I get it!” means “I don’t get it!” — and vice-versa
Jim Emerson
Mr. Cheney Explains It All For You
Jim Emerson
Holy theology! Holy film!
Jim Emerson
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