Blow-Up
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Antonioni
Antonioni Movie Reviews
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Blog Posts That Mention Antonioni
Features
Through the Window: 10 Times That Foreign Directors Have Looked at America
Festivals & Awards
Cannes 2026: The Unknown, Another Day
Festivals & Awards
Cannes 2025: Second Takes on a Few Fest Darlings
Festivals & Awards
Cannes 2025: Left-Handed Girl, Sirât
MZS
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
Features
Panic! At the Disco: Body Double at 40
Festivals & Awards
Venice Film Festival 2024: Babygirl, The Order, The Brutalist, I’m Still Here
Festivals & Awards
Venice Film Festival 2024: Prepping for the Biennale
Tributes
In Memoriam: Alain Delon
Features
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Features
The Best Films of 2024 So Far
Chaz's Journal
Welcome to Chicago, Michał Oleszczyk!
Tributes
A Shocking Loss: Dariush Mehrjui (1939-2023)
Features
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
Festivals & Awards
KVIFF 2023: A Yasuzô Masumura Retrospective
Festivals & Awards
KVIFF 2023: White Plastic Sky, Inside the Yellow Cocoon Shell, In Camera
Tributes
The Fire is Gone: Kenneth Anger (1927-2023)
Festivals & Awards
Cannes 2023: The Zone of Interest, About Dry Grasses
Features
This Must Not Be the Place: The Films of Peter Weir
Festivals & Awards
NYFF 2022: Return to Seoul, She Said, Exterior Night
Festivals & Awards
Venice Film Festival 2022: The Whale, The Ghost of Richard Harris, Don’t Worry Darling
Festivals & Awards
Cannes 2022: Elvis, Jerry Lee Lewis: Trouble in Mind, Moonage Daydream
Festivals & Awards
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Tributes
Monica Vitti: 1931-2022
Festivals & Awards
NYFF 2021: Songs for Drella, Marx Can Wait, Il Buco, Belle
Far Flungers
Another Chance: On the Sustained Power of John Frankenheimer’s Seconds
MZS
30 Minutes On: The Graduate
Features
I’m a Sound Man: Brian De Palma’s Blow Out at 40
Features
The Individual Top Tens of 2020
Interviews
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
Features
World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
Features
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Features
What to Watch During a Quarantine
Interviews
Rob Garver on What She Said: The Art of Pauline Kael
Interviews
Bring the Soul to Life: Oscar-Winning Editor Paul Hirsch on “Planes, Trains and Automobiles,” “Star Wars” and His New Memoir
Far Flungers
Five Questions from Once Upon a Time … in Hollywood
MZS
30 Minutes on “Not Fade Away”
Festivals & Awards
MOMA’s To Save and Project Festival: Never Fear, Histoires d’Amérique, A Day Off
Features
Sheila O’Malley’s Top Ten Films of 2018
Festivals & Awards
NYFF 2018: Roma, Her Smell, The Ballad of Buster Scruggs, At Eternity’s Gate
Festivals & Awards
45 Movies to see at the 54th Chicago International Film Festival
Festivals & Awards
The New York Film Festival 2018 Preview
Interviews
The Silence: Paul Schrader on First Reformed
Features
Why The Bad Batch is one of the best films of 2017
Features
“Do You Know Anything About Witches?”: “Suspiria” at 40
Festivals & Awards
CIFF 2017: Vanessa Redgrave on “Sea Sorrow” and “Blow-Up”
Festivals & Awards
Venice Film Festival 2017: Restorations
Features
Jeanne Moreau: 1928-2017
TV/Streaming
Home Entertainment Consumer Guide: April 6, 2017
Chaz's Journal
Monica Vitti and the Modern ‘Something Terrible’
Features
Bright Wall/Dark Room March 2017: “Towards a True Children’s Cinema: On ‘My Neighbor Totoro'” by Lauren Wilford
MZS
The Unloved, Part 37: Zabriskie Point & The Mystery of Oberwald
Interviews
The RogerEbert.com Interviews of 2016
Interviews
Traumatized Bodies: Alice Winocour on “Disorder”
Features
A Slice of Life: Abbas Kiarostami 1940-2016
Features
Thumbnails 5/31/16
Features
Thumbnails 4/29/16
Festivals & Awards
Why the Oscars Need to Move Lifetime Achievement Back to the Telecast
Features
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
Interviews
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
Chaz's Journal
Who’s Who In Reviews: Glenn Kenny
Features
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
Roger Ebert
Beyond Narrative: The Future of the Feature Film
TV/Streaming
Blu-ray: The Year in Review, OR Blu-ray Holiday Gift Guide: A “Choose Your Own Adventure” Deciders Feature
TV/Streaming
Home Entertainment Consumer Guide: December 5, 2014
Features
Thumbnails 9/11/14
Features
Thumbnails 8/8/14
Features
Thumbnails 3/25/14
Interviews
The Horror of Identity with “Enemy” Director Denis Villeneuve
Features
Thumbnails 3/4/14
Features
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
Features
In Defense of Armond White
Features
Blu-ray Consumer Guide: November 2013
MZS
“They closed down the video store in Philly last night”: laments for Blockbuster, in the style of Bruce Springsteen
Features
The Revolution Before the Revolution: Miami Vice, NYPD Blue, and other great pre-Sopranos dramas
Festivals & Awards
Cannes 2010: A video essay
Festivals & Awards
Cannes 1968: A video essay
Festivals & Awards
Cannes 1960: A video essay
Features
100 Great Moments in the Movies
Features
Richard Harris: Don’t let it be forgot
Features
Maria Schneider comes to America
Festivals & Awards
Fresh cinematic air at 7,000 ft.
Roger Ebert
Great cinema, Italian style
Roger Ebert
Corpse from “Blow-Up” speaks!
Roger Ebert
100 great movie moments
Roger Ebert
“The Directors”
Roger Ebert
The “Blow-Up” Game
Scanners
101 102 Movies You Must See Before…
Scanners
To spoil or not to spoil? (Don’t worry.)
Scanners
The “Best” Non-English-Language Films (Round 1)
Scanners
Fasten your seatbelts, it’s gonna be a bumpy Bourne!
Scanners
Mad Men: The Other Woman & the Long Walk
Scanners
CinematoGIFs: Living, breathing movie stills
Scanners
Favorite movies of 2009 movie: The commentary track
Scanners
When “I get it!” means “I don’t get it!” — and vice-versa
Scanners
Holy theology! Holy film!
Scanners
Mr. Cheney Explains It All For You
Scanners
Opening Shots: ‘Cat People’ (1982)
Scanners
Pulp Fiction: Nothing serious?
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