Algren
William Friedkin
William Friedkin Movie Reviews
Leap of Faith: William Friedkin on The Exorcist
Himself
Friedkin Uncut
Himself
The Caine Mutiny Court-Martial
Director
The Devil and Father Amorth
Director
Killer Joe
Directed by
Bug
Directed by
The Hunted
Directed by
The Exorcist (2000 Version)
Directed by
Rules Of Engagement
Directed by
Jade
Directed by
Blue Chips
Directed by
Rampage
Directed by
The Guardian
Written by
To Live and Die in L.A.
Directed by
Deal of the Century
Directed by
Cruising
Director
The Brink’s Job
Directed by
The Exorcist
Director
The Birthday Party
Directed by
Blog Posts That Mention William Friedkin
Print the Legend: On the Legacy of William Friedkin
He Did It All: William Friedkin (1935-2023)
R.I.P. Film and Opera Renaissance Director William Friedkin (1935-2023)
Interview: William Friedkin on “The People vs. Paul Crump”
Interview with William Friedkin
CIFF 2018: Friedkin Uncut, The Great Buster
William Peter Blatty: 1928-2017
Cannes #4: ‘Bug’ by Friedkin
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
Thumbnails 8/10/15
The Unloved, Part 6: Sorcerer
Thumbnails 4/9/14
In the Cut, Part III: Bullitt, The Lineup, French Connectionaka I Left My Heart in My Throat in San Francisco
Drive: Yellow light, red light, blue light, pink light
Can a movie ruin a good review?
Light the Fuse: Lalo Schifrin (1932-2025)
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Criterion Adds Val Lewton Double Feature to the Collection
“Risky Business” Remains One of the Most Daring Films of the ’80s
Home Entertainment Guide: May 2024
A Man Goes to the Movies: An Appreciation of Roger Ebert’s Top 10 Lists
A Farewell from Our Literary Editor, Matt Fagerholm
A Final Goodbye: Tributes to Some of the People We Lost in 2023
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
When A Film Critic Gets Married At The Movies
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
Highlights of the 2023 TCM Film Festival
The Consummate Collaborator: Bill Butler (1921-2023)
Impulsive, Youthful, Necessary: Daniel Goldhaber on How to Blow Up a Pipeline
Where the Action Is: Oliver Wood, 1942-2023
Michael Kutza Details Legacy of Chicago International Film Festival in Starstruck
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
TIFF 2021: Encounter, Earwig, Inexorable
Richard Donner: 1930-2021
Breaking In: On the 40th Anniversary of Tangerine Dream’s Thief Score
Bertrand Tavernier: 1941-2021
8 Films to See at the Nightstream Virtual Film Festival
Happy Birthday Roger, June 18th, 2020 (Table of Contents)
Shudder Launches Clever Series About the Legacy of Cursed Films
Krzysztof Penderecki: 1933-2020
Max von Sydow: 1929-2020
Seventh Row Publishes Beyond Empowertainment, a Critical Study of Feminism in Horror
Home Entertainment Consumer Guide: December 13, 2018
45 Movies to see at the 54th Chicago International Film Festival
Cannes 2018: Scorsese Honored at 50th Directors’ Fortnight; Rafiki, a Banned Kenyan Film, Screens
Partners in mind: Keith Carradine and Alan Rudolph
The Power of Community: A Recap of the 2018 TCM Classic Film Festival
Man on the Outside: The Films of Willem Dafoe
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Jeanne Moreau: 1928-2017
Revisiting “The Hidden,” the ‘80s “Twin Peaks” Doppelgänger
Viva Bava, Celebrating a Master Craftsman
Meet the Writers: Scout Tafoya
Like Going to Church: Joe Dante on “The Movie Orgy”
Badass Intensity and Holy Cool: A Warren Oates Retrospective
Home Entertainment Consumer Guide: October 8, 2015
A Promise Unfulfilled: “My Beautiful Laundrette”
Who’s Who In Reviews: Peter Sobczynski
Interview: Thomas Haden Church on “Max,” “Killer Joe”
Print the Legend: The 2015 TCM Film Festival
“Evil Against Evil”: The Fascinating Incoherence of American Sniper
Beyond Narrative: The Future of the Feature Film
Interview: Kevin Macdonald Sails the “Black Sea”
The Safe Dark: “Halloween: The Complete Collection” and “The Texas Chainsaw Massacre: 40th Anniversary Edition”
NYFF 2014: Help Us Out New York!
Thumbnails 8/29/14
Thumbnails 7/31/14
Book Excerpt: “Film Firsts: The 25 Movies that Created Contemporary American Cinema” by Ethan Alter
You’ve Got Mail (From Roger Ebert)
Blu-ray Consumer Guide: May 2014
Highlights of the Second Annual Chicago Critics Film Festival
The Naked, Raw Anger of “Born on Fourth of July” at Ebertfest
Thumbnails 3/13/14
Thumbnails 12/11/2013
Meet the Writers: Peter Sobczynski
Matthew McConaughey discusses his role in “Dallas Buyers Club”
Traditions of Quality: Mark Cousins’ “The Story of Film: An Odyssey”
Susan Seidelman, Survivor
Peter Bogdanovich on “At Long Last Love”
It Really Is De-Lovely: At Long Last, “At Long Last Love” Returns
The same old insensitivity makes Hollywood a target
The Best 10 Movies of 1971
101 102 Movies You Must See Before…
Blu-ray: Higher fidelity to what?
Los Angeles Film Festival 2012
No Exorcist Can Handle Possession
A man with storms in his head
A sermon no one can sleep through
Director defends new `Exorcist’ cut
In film ‘Mac,’ John Turturro captures the certain nobility of everday life
Rambo lets his guns do the talking in sequel
‘The only great party is a boy and a girl and a whole cheesecake’: An interview with Groucho Marx
Would it kill a studio to reveal the names of actors?
The ‘Da Vinci’ woes
Movie Answer Man (10/08/2000)
