Penguins of Madagascar
The pacing is so zany, the jokes are so rapid-fire and the sight gags are so inspired that it’s impossible not to get caught up…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Pressure on female celebrities; Misogyny on "MasterChef"; Shut up Kevin Smith; Debunking myths of black education; Reflections on "The King of Comedy."
A special edition of the Home Entertainment Consumer Guide on Blu-ray releases for 9/23/14, including "Ida," "The Innocents," "Macbeth," "Neighbors," "The Rover" and more.
Even the Pope loved Eli Wallach; North Korea threatens war over Seth Rogen movie; Remembering Peter de Rome; Dennis Hopper's lost photography; Richard Linklater on "Boyhood"
Major outlets call the man who assaulted America Ferrera at Cannes and Brad Pitt in Hollywood a "prankster." They're wrong to do so.
A love letter to classic movie villains; Seth Rogen is not a victim of the Santa Barbara killings; Remembering Jeff Vice; Cliff Curtis on playing multiple ethnicities; Who is a feminist now?
Stephen Tobolowsky remembers Harold Ramis; Alec Baldwin says goodbye to public life; A snipe at Jared Leto and his performance in Dallas Buyers Club; Jimmy Fallon is not funny.
Director David Gordon Green has had a remarkably eclectic career, from delicate indies like "George Washington" to stoner comedy "Your Highness," with stops along the way for the "Halftime in America" Chrysler ad and episodes of HBO's "Eastbound & Down." What keeps him going?
The New York Times' David Carr admits that Glenn Greenwald is a journalist; Criterion Collection appreciates Alex Cox's Repo Man; poets go to the movies; James Franco's never-ending navel-gaze; David Edelstein dismantles The Way, Way Back; Kerry Washington on the cover of Vanity Fair; Dennis Hopper documentary.
Craig D. Lindsey is on the warpath against jerk cinema, in which arrogant heroes trample all over everybody and the film celebrates them as righteously awesome. Whatever happened to charm?
Marie writes: I was looking for something to make Roger laugh, when the phone rang. It was a bad connection, but this much I did hear: "Roger has died." That's how I learned he was gone, and my first thought was of the cruel and unfair timing of it. He'd been on the verge of realizing a life long dream: to be the captain of his own ship.
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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Marie writes: It's that time of year again! Behold the shortlisted nominees for The Turner Prize: 2012. Below, Turner Prize nominee Spartacus Chetwynd performs 'Odd Man Out 2011' at Tate Britain on October 1, 2012 in London, England.
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"Take This Waltz" materialized out of a humid summer day in Toronto and made me tremble and fall in love... with who or what I'm not sure; the city yes, and maybe the idea of the in-between.
There is something incredibly delicate and beautiful about the thought of in-between: of that space of the possible, of movement, of choices being sought and yet to be made, of freedom and abandon and all the stuff that dreams are made of, but yet to solidify. It is a place of alchemy. Some call it a moment - a fleeting moment.
Marie writes: Not everything is what is seems...(Click images to enlarge.)
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal
SANTA MONICA, Ca. -- "The Artist," a nearly silent film, made most of the noise here Saturday at the Independent Sprit Awards, wining for best picture, best actor, best director and its cinematography. It was the latest in a series of good omens for the surprise hit, which seems headed for victory at the Academy Awards on Sunday night.
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)
Marie writes: Gone fishing...aka: in the past 48 hrs, Movable Type was down so I couldn't work, my friend Siri came over with belated birthday presents, and I built a custom mesh screen for my kitchen window in advance of expected hot weather. So this week's Newsletter is a bit lighter than usual.
Marie writes: Why a picture is often worth a thousand words...Production still of Harold Lloyd in "An Eastern Westerner" (1920)
Marie writes: you've all heard of Banksy. But do you know about JR...?(click to enlarge image)
The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.
From the Grand Poobah and Mrs. Poobah:Seasons Greetings Everyone! (click to enlarge)
This free Newsletter is a sample of what members receive weekly.For Roger's invitation to the Club, go HERE Marie writes: some of you may recall seeing a custom-built "steampunk" microphone stand made for the group Three Days Grace, by sculptor Christopher Conte; there were pictures of it inside the #14 Newsletter.Born in Norway, Christopher Conte was raised and educated in New York, where he currently lives. After earning a Bachelors Degree in Fine Art, he began working in the prosthetics field making artificial limbs for amputees; which he did for 16 years as a Certified Prosthetist. At the same time, he worked in obscurity creating sculptures which reflected his love for biomechanics, anatomy and robotics. In June 2008, he left the field to begin his career as a full-time artist. And you can now view his work portfolio online...
The Sculpture of Christopher Conte
Ever since David Thomson's "A Biographical Dictionary of Film" was published in 1975, browsers have said that they love to hate Thomson's contrarian arguments -- against John Ford or Frank Capra, Coppola or Kubrick, for example.¹ Fans and critics can cite favorite passages of resonant beauty, mystifyingly vague and dismissive summary judgements, and entire entries in which the man appears to have gone off his rocker. And that's the fun of it.
To be fair, Thomson broke faith with (or has been suffering a crisis of faith in) American movies at least far back as "Overexposures: The Crisis in American Filmmaking" (1981), and he's been writing about his crisis ever since. To put it in a sentence that could serve as the ending of one of his entries: I am willing to believe that he loves (or once loved) movies even if he doesn't like them very much. (Wait -- how does he conclude the Katharine Hepburn piece? "She loved movies, while disapproving of them.")
When I encountered the first edition of this book, the year I entered college, I immediately fell in love with it because it was not a standard reference. It was personal, cranky, eloquent, pretentious, pithy, petty, ambitious... It was, as I think Thomson himself suggested in the foreword to the first or second edition (this is the fifth), more accurately titled "An Autobiographical Dictionary of Film." Many times over the years I have implored my employers or partners to license digital rights to Thomson's book so that it could augment and be integrated with other movie databases and references (at Cinemania, FilmPix, Reel.com, RogerEbert.com)... but we've never done it. What, they would ask, is the "value-add"? (Really. Some people used to talk that way.) As a reference, its coverage is too spotty (Ephraim Katz's Film Encyclopedia is much more comprehensive but also has loads of incomplete filmographies), as criticism it's wildly idiosyncratic (nothing wrong with that) and as biography it's whimsically selective and uneven, leaving as many holes as it fills.