While We're Young
While We’re Young searches for the blurry line we all cross once we’ve entered middle age, finds it and tramples all over it, but it…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The strange unraveling of Cinderella; Kimmy Schmidt skewers empowerment culture; Charles Grodin's fine art of reaction; Putting "use" back in fair use; Yoga pants are ruining women.
A preview of Ebertfest 2015.
Memories of over a decade going to the Sundance Film Festival and tips for newcomers.
A look at the character-defining aspect of the chase in Michael Mann's "Heat," "Manhunter," and "Public Enemies," on the eve of the release of "Blackhat."
A holiday gift guide compiling RogerEbert.com's reviews of Blu-ray/DVD releases and boxed sets and a few more books from 2014.
Catching up with Treat Williams and William Forsythe on the NYFF screening of and Blu-ray release of "Once Upon a Time in America."
Remembering Dick Smith; The importance of "Playtime"; Tom Hiddleston's letter to Joss Whedon; The lazy nihilism of Woody Allen; Fan Bingbing to play Anna May Wong.
An excerpt from "Robert De Niro: Anatomy of an Actor" by Glenn Kenny.
Why critics keep getting laid off; about That Episode of "Louie"; Robert DeNiro, anatomy of an actor; classic cars on film, posterized.
Misogyny, entitlement and nerds; Steve Coogan vs. "Top Gear"; Why you can't see "Porgy and Bess"; Robert De Niro remembers his father; Why attacks on Douglas Laycock are bad for academia.
Sheila writes: I came across a funny video with human re-enactments of moments from Disney films that would seem totally creepy removed from the Disney context. I think my favorite is the Lion King moment, but there are some other really good ones. Enjoy!
Recent titles released on Blu-ray.
Many of the films at the Sundance Film Festival are going directly to television.
Does "The Wolf of Wall Street" celebrate the bankers it portrays? Omer Mozaffar ponders whether the film endorses their bad behavior.
We're counting down twelve great movie scenes set around Christmas. Here is the first batch, with #12 through #9.
Notes on Jason Schwartzman's special place in the Wes Anderson universe.
Why isn't "Real Husbands of Hollywood" getting the media attention its ratings merit?
Extraterrestrial life may really exist; House Republicans slash billions in food stamps; "Invisible Man" banned in North Carolina; an object of Internet ridicule speaks; Hollywood luminaries who got their start with Roger Corman.
Peter Sobczynski ranks 27 films by Brian De Palma.
A TIFF strike is narrowly avoided; Russell Simmons' highly offensive "Harriet Tubman sex tape"; Christina Yang as a groundbreaking TV character; novelist Francine Prose is no fan of "Blue Jasmine"; why audiences rate films so much higher than critics do.
What happens when actors play themselves? Something funny, and often magical, as this Leigh Singer supercut proves. Text by Matt Zoller Seitz.
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.