Best of Enemies
A rich, extraordinarily fascinating account of the Buckley-Vidal debates that’s sure to have many viewers’ minds constantly shuttling between then and now.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A remembrance of Richard Corliss by Richard T. Jameson, who wrote for Film Comment under Corliss, then later was his editor.
An analysis of recent faith-based releases, including "God's Not Dead" and "Heaven Is For Real."
Jim Hemphill on "The Trouble with the Truth"; 1980s Atlanta as a backdrop of the future; How to make Blu-rays relevant again; Recreating Klimt; In defense of Trevor Noah.
A bi-weekly feature on the best new streaming and Blu-ray releases, including "Comet," "L'Avventura," "Les Blank: Always For Pleasure," "Starry Eyes," and more.
An appreciation of Nastassja Kinski, on the occasion of a tribute to her at the Film Society at Lincoln Center from November 27-December 3, 2014.
Part eleven in Scout Tafoya's The Unloved series tackles "Bringing Out The Dead."
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
The roots of reactionary rage; Dietrich Brüggemann on "Stations of the Cross"; Paul Schrader's silent protest; Case closed on murder of Bulgarian defector; Author tracks down her troll.
An obituary for the legendary Lauren Bacall.
Steve Erickson discusses James Gray's career with the director of the upcoming The Immigrant.
The Chicago Sun-Times reports on the 2014 Ebertfest, including appearances by Oliver Stone & Spike Lee.
Recent titles released on Blu-ray.
Recent releases on Blu-ray, including Cat People, Death Wish, Thunderbolt and Lightfoot, and more.
Matt Zoller Seitz's Top 10 films of 2013.
Brian De Palma talks about his new film "Passion," his long career and seeing one of his most famous films, "Carrie," get a remake.
Peter Sobczynski ranks 27 films by Brian De Palma.
Is the director's explicit "The Canyons" the nadir of his career—or its climax?
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
An interview with Nicolas Winding Refn, director of "Valhalla Rising," "Drive" and "Only God Forgives," among other films. Simon Abrams talks to the filmmaker about midnight movies, meeting Alejandro Jodorowsky, and the possibility that he might day make a Wonder Woman movie.
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
Marie writes: When I first learned of "Royal de Luxe" I let out a squeal of pure delight and immediately began building giant puppets inside my head, trying to imagine how it would look to see a whale or dragon moving down the street..."Based in Nantes, France, the street theatre company Royal de Luxe performs around the world, primarily using gigantic, elaborate marionettes to tell stories that take place over several days and wind through entire cities. Puppeteers maneuver the huge marionettes - some as tall as 12 meters (40 ft) - through streets, parks, and waterways, performing their story along the way." - the Atlantic
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Marie writes: The countdown to Christmas officially begins the day after Halloween, which this year lands on a Wednesday. Come Thursday morning, the shelves will be bare of witches, goblins and ghosts; with snowmen, scented candles and dollar store angel figurines taking their place. That being the case, I thought it better to start celebrating early so we can milk the joy of Halloween for a whole week as opposed to biding adieu to the Great Pumpkin so soon after meeting up again...
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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"Charles & Ray Eames: The Architect and the Painter" (85 minutes) premieres December 19th at 10:00pm on the PBS series "American Masters, " and will be available thereafter on PBS-on-demand. The film will also be released on DVD on Dec. 13th.
The six-DVD set of "The Films of Charles & Ray Eames" is available from Facets Multimedia ($79.99) and a few other online outlets, and each disc can be rented separately from Netflix.
by Jeff Shannon
If I had been a precocious six-year-old with a passion for architecture, I could've told you that my elementary school was an Eames building. It wasn't designed by Charles Eames himself, but everything about it was influenced by the design aesthetic of Charles and Ray Eames, most notably the design of the Eames' own home in Pacific Palisades, California.
A now-legendary structure known in the architecture world as Case Study No. 8, the Eames House (completed in 1949) is a geometrical marvel of steel and glass, squares and rectangles carefully aligned or offset to pleasing effect, with bold colors (Ray being the painter and co-designer, Charles being the architect) to complement the inviting lines of the structure. Like so many public structures built in the late '50s and early '60s, Seaview Elementary in Edmonds, Washington, was a wanna-be Eames House for grade-schoolers, a modest, functional tribute to Charles and Ray Eames and a symbol of their phenomenal influence on the look of the 20th century.
So ubiquitous is the Eames influence that it remains utterly unique, not merely in terms of design but in the grand design of the human species. Stroll through any major city in the world and chances are you'll see the Eames influence everywhere, from the cheap functionality of IKEA furniture to the form-fitting fiberglass of chairs in cafeterias, lobbies and waiting rooms all over the planet. When you realize that the Eames influence is literally inescapable in the lives of city-dwellers everywhere, you don't feel resentful as you might upon finding Starbucks coffee shops on both sides of the same street. Instead, you might register a kind of awestruck gratitude for how Eames designs have improved your life and the lives of everyone you know.