The Friend
Iris
Naomi Watts
Naomi Watts
Naomi Watts Movie Reviews
The Watcher
Maria Broaddus
Goodnight Mommy
Mother
Infinite Storm
Pam Bales
The Desperate Hour
Amy Carr
This Is the Night
Boss Level
Jemma Wells
Penguin Bloom
Sam Bloom
The Wolf Hour
June Leigh
Luce
Amy Edgar
Ophelia
Gertrude / Mechtild
The Glass Castle
Rose Mary Walls
The Book of Henry
Susan Carpenter
3 Generations
Maggie
Chuck
Linda Wepner
Shut In
Mary Portman
The Sea of Trees
Joan Brennan
Demolition
Karen Moreno
The Divergent Series: Allegiant
Evelyn
While We’re Young
Cornelia
Blog Posts That Mention Naomi Watts
TIFF 2024: The Return, Riff Raff, The Friend
TIFF 2021: The Survivor, Montana Story, Lakewood
Netflix’s “Gypsy” Wastes Talented Cast on Soapy Nonsense
TIFF 2007: Cronenberg’s knockout punch
Take Mulholland Dr. to the Lost Highway, Inland Empire exit…
The Mysteries of Dorothy Vallens: On Isabella Rossellini in “Blue Velvet”
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
The 20 Best Films of 2025 So Far
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
The State of the 2024 Oscar Race
Doug Liman Never Does Things the Easy Way
Feud: Capote vs. The Swans is a Campy and Heartfelt Delight
Tapping Into the Infinite: Alexandre O. Philippe on Lynch/Oz
The Rewards are Endless: Scott Ryan on His New Book, Lost Highway: The Fist of Love
You Want People to Enter the Dream: Mary Sweeney on Lost Highway, Mulholland Dr. and The Straight Story
The Space Left on the Screen is For You to Fill: Scott Ryan on Fire Walk With Me: Your Laura Disappeared
Home Entertainment Guide: April 2022
Home Entertainment Guide: December 2021, The Criterion Collection
10 Upcoming Films That Could Shake Up Oscar Season
TIFF 2020: One Night in Miami, Penguin Bloom, Under the Open Sky
Backstage at the 2020 Golden Globe Awards
Playing it Luce: Questions for a complicated movie
Preview of Film at Lincoln Center’s Horror Festival, Scary Movies XII
Showtime’s The Loudest Voice is a Fascinating, Frustrating Take on Roger Ailes and Fox News
Chicago Critics Film Festival Announces Full Schedule, Special Guests
The Best Performances of the 2019 Sundance Film Festival
Sundance 2019: The Wolf Hour, Selah and the Spades, Adam, Premature, Sister Aimee
Sundance 2019: Luce, Big Time Adolescence, Them That Follow
Sundance 2019 Interview: Julius Onah on Luce
Sundance 2019: 20 Films We Can’t Wait to See in Park City
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
If I Had an Emmy Ballot 2018
Figuring It Out: The Films of Laura Dern
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
There Are People Like Me: Jeannette Walls on “The Glass Castle”
A Look At “Twin Peaks: The Return”
Tribeca 2017: “Dabka,” “Take Me,” “Chuck”
Mysterious Beauty: A David Lynch Retrospective Comes to IFC Center
Poetic Logic: On David Lynch’s “Mulholland Dr.”
TIFF 2015: “The Danish Girl” & “About Ray”
TIFF 2015: “Demolition,” “Where to Invade Next”
TIFF 2015: Preview of the 40th Toronto International Film Festival
Home Entertainment Consumer Guide: July 9, 2015
Cannes 2015: “The Sea of Trees”
Welcome to Cannes 2015
Acting Their Age: Noah Baumbach on “While We’re Young”
Home Entertainment Consumer Guide: February 25, 2014
Predictions for the 87th Annual Academy Awards Nominations
The Individual Top Tens of 2014
The Ten Best Films of 2014
Life is in the Middle: Theodore Melfi on “St. Vincent”
2014 Chicago International Film Festival Preview
TIFF 2014: The Cult of Personality with “Welcome to Me,” “While We’re Young”
TIFF 2014, Day Two: “St. Vincent”
Telluride 2014 Comes to a Close with Breathtaking “Birdman”
“Rosemary’s Baby” Never Justifies Its Existence, “Penny Dreadful” Delivers
Between Two Ferns: The Oscar buzz edition, Part 2
2013 Academy Award nominees
Holy Oscar! A long day’s journey into Muriel
Outguess Ebert? I may have them all right
Blazing a trail
A pretty good set of nominees
The year’s ten best films and other shenanigans
Ebert’s Best 10 Movies of 2005
Lost on ‘Mulholland Drive’
Window shopping: Best show in town
TIFF 08: What are you looking at?
The reviews are in: Let the Funny Games begin!
Your User’s Guide to Movie Violence
CIFF 2010: Our capsule reviews
Indie security alert level: Severe
TIFF #7: It was a very good day
Cannes #8: Of lies and ghosts and fathers
Toronto #4: And the winner is…
The best art films of 2010
CIFF 2012 puts the ‘Chicago’ in film fest
‘Eastern Promises’ wins at Toronto
Oscarcast: Rappin’ with the stars
Chicago critics choose “Crash”
Some sure bets and wild cards for awards
The business of controversy
French greats in top form
