God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report on some good films coming your way from Telluride and Toronto this year.
A dispatch from the Toronto International Film Festival on the latest by Guillermo del Toro, Paul Schrader, and Joe Wright.
A look back at the films and faces seen at the 2017 Telluride Film Festival.
Premieres at this weekend's Telluride Film Festival include the latest from Alexander Payne, Errol Morris, Greta Gerwig, Angelina Jolie, Guillermo del Toro and more.
A guide to the latest and greatest on Blu-ray and DVD, including three Criterion releases, The Wall, and Guardians of the Galaxy, Vol. 2.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
An excerpt from the February 2016 issue of Bright Wall/Dark Room about Keanu Reeves.
An interview with Richard Dreyfuss in celebration of the 25th anniversary of "Rosencrantz & Guildenstern Are Dead."
The latest and greatest on Blu-ray, DVD, and streaming including "Magic Mike XXL," "The Duke of Burgundy," "The Connection," and three Criterion releases.
An interview with star Nicholas Hoult on "Kill Your Friends," "Equals," 'Mad Mad: Fury Road" and "X-Men: Apocalypse."
The pink ghetto of social media; Phil Joanou on Ennio Morricone; "Driving Miss Daisy" and "Do the Right Thing"; Memories of "Quick Change"; The Judy Greer effect.
Jana Monji reports from WonderCon 2014, including details on The Maze Runner, How to Train Your Dragon 2 & Dawn of the Planet of the Apes.
Omer M. Mozaffer champions Barkhad Abdi for Best Supporting Actor of 2013.
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
A Civil Rights-era test to see if you're smart enough to vote; what you need to know about the situation in Turkey; the director of 20 Feet from Stardom, interviewed; new classical music suggestions for Hollywood villains; something about Like Clockwork; guess which critic wrote this un-bylined New York Times review?
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...
"Dear Mr. Spider;I am profoundly sorry to have taken you from your home in the woods, when I was picking Himalayan Blackberries on Monday afternoon. I didn't see you fall into my bucket and which was entirely my fault; I must have bumped into your web while reaching for a berry. Needless to say, I was surprised upon returning home with my bucket full, to suddenly see you there standing on a blackberry and looking up at me." - Marie
(photo recreation of incident)
"Gotham's time has come. Like Constantinople or Rome before it, the city has become a breeding ground for suffering and injustice. It is beyond saving and must be allowed to die. This is the most important function of the League of Shadows. It is one we've performed for centuries. Gotham... must be destroyed." -- Ra's al Ghul (Ken Watanabe), "Batman Begins" (2005)
"Over the ages our weapons have grown more sophisticated. With Gotham we tried a new one: economics.... We are back to finish the job. And this time no misguided idealists will get in the way. Like your father, you lack the courage to do all that is necessary. If someone stands in the way of true justice, you simply walk up behind them... and stab them in the heart." -- Ra's al Ghul (Liam Neeson), "Batman Begins" (2005)
"You see, their morals, their code, it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these civilized people, they'll eat each other." -- The Joker (Heath Ledger), "The Dark Knight" (2008)
"Terror is only justice: prompt, severe and inflexible; it is then an emanation of virtue; it is less a distinct principle than a natural consequence of the general principle of democracy, applied to the most pressing wants of the country." -- Maximilien Robespierre, 1794
"I am Gotham's reckoning... I'm necessary evil.... Gotham is beyond saving and must be allowed to die." -- Bane (Tom Hardy), echoing his former master in "The Dark Knight Rises" (2012)
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(You've seen "The Dark Knight Rises" by now, right? Good. I'm going to discuss a few things that I would consider spoilers, albeit mild ones, and then get to some pretty big spoilers later on, before which I will offer an additional warning, just in case.)
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The villains of Christopher Nolan's "Batman" movies don't think very highly of "ordinary citizens" (now popularly referred to as "the 99 percent"), whom they tend to view as mindless savages, slaves to fear who'll claw one another and the city of Gotham to shreds at the slightest provocation. The films themselves sometimes confirm that view (Gothamites get a little panicky in "The Dark Knight" when they fear that Batman is not keeping the crime rate down) and sometimes don't (they choose not to blow themselves up in the Joker's intricately planned ferry experiment). This isn't really a theme that's developed in the movies, but like most of the political and social references, it's something that's... there.
Marie writes: club member Sandy Kahn has found some more auctions! Go here to download a free PDF copy of the catalog.
Marie writes: I've never seen this done before - and what an original idea! Gwen Murphy is an artist who breathes new life into old shoes, transforming them from fashion accessories into intriguing works of art. Thanks go to club member Cheryl Knott for telling me about this. (Click to enlarge.)
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
I was floored by Tomas Alfredson's "Tinker Tailor Soldier Spy" the first time I saw it, though (as is usually the case for me, even with movies that don't negotiate complex plots in slyly evasive/elliptical styles), I couldn't have told you exactly what happened. That didn't concern me at all, however, because like its central character George Smiley (Gary Oldman), the movie is so meticulously observant that I never felt I was missing out on anything important, even when I wasn't sure exactly what was going on. It kept me in the emotional moment, and I knew I could figure out the details later on.
The stories behind the relationships at the Circus (nickname for Britain's covert intelligence agency) were tangled -- and yet clearly delineated -- enough to deliver a cumulative emotional payoff. And the more I lived with the vivid memory of the movie (it has stayed with me, unshakably), and the more times I've seen it (thrice, so far), the more my appreciation of it has grown. It has slowly climbed up my list of 2011 favorites, and by the second time I saw it, I was absolutely sure it had eclipsed any other English-language movie I'd seen during the year.
(For gaffe squadders who enjoy those fits of righteous indignation that only award nominations can truly provide, let me suggest that the most egregious oversight in this year's Oscar batch is the lack of acknowledgment for "Tinker Tailor" in the categories of best picture, supporting actor (anyone), supporting actress (Kathy Burke), cinematography, art direction, editing, costume design, and so on down the line. Screenplay, actor and music -- all well-deserved, though.)
First-rate movies often inspire first-rate criticism, and it's been thrilling to read some of the year's best writing inspired by one of its best movies. Here's a sample of some of the finest stuff I've read (all of it after I saw, and wrote a little about, the movie -- so beware of spoilers), with links to the full pieces, which I strongly recommend you follow.
Here's a wonderful video essay written by Dipnot.tv film critic, Far-Flung Correspondent, House Next Door contributor, longtime Scanners commenter and International Man of Mystery Ali Arikan, and edited by writer/photographer and Press Play producer Ken Cancelosi. As far as I'm concerned, it makes the case -- and does so even without including my personal favorite scene from "Moneyball"! (I think he should have been nominated for supporting actor in "The Tree of Life," too.)
There is real mystery to Pitt's take on Billy Beane. He loves the game, but knows the game is changing. He knows he has to get wins in order to keep his job, and is more than willing to modernize for that reason. But he also knows there is something you can't calculate about the game of baseball. The scenes of Pitt driving to work or sitting in the locker room show a man who is constantly trying to figure out the odds and knowing deep down that there are some things you can't figure out.
... He brings to the role an assured quality on overzealous, yet understated, lust for ultimate success that was forged in the fires of years and years of failure. He's charming and cheeky and funny, and very good looking (despite the hideous early naughties' haircut and lumbering fashion sense). Pitt brings a subtle comedic take to what could have been a rather boring central role; his various dealings with other managers, his scouts and players, betray genius-level timing and mimicry.
OK, I really wouldn't mind seeing Gary Oldman win for "Tinker Tailor Soldier Spy," either -- but this was Pitt's year.
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)