Kramer vs. Kramer
Produced by
Stanley
Stanley Movie Reviews
Blog Posts That Mention Stanley
Gregory Nava on Working with Stanley Kubrick
Art Makes You Evolve: Stanley Nelson on Miles Davis: Birth of the Cool, Opening Friday, October 4th, at Chicago’s Gene Siskel Film Center
Stanley Donen: 1924-2019
Stanley Kubrick’s “Barry Lyndon” Joins the Criterion Collection
Stanley Nelson to Receive Lifetime Achievement Emmy Award
Hip-Hop Attitude: Stanley Nelson on “Vanguard of the Revolution”
AFI Docs 2015: Stanley Nelson, “Prophet’s Prey,” “Hot Type: 150 Years of The Nation”
Foreground Material: “Stanley Kubrick: The Masterpiece Collection”
To the moon, Stanley!
Stanley Kubrick knew how I would someday eat
Stanley Kubrick hates you
Stanley Kubrick 1928-1998
Interview with Stanley Kramer
Netflix Unpacks One of Chicago’s Most Infamous Unsolved Mysteries in “Cold Case: The Tylenol Murders”
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Female Filmmakers in Focus: The Films of Euzhan Palcy
How the One-Take Approach of “Adolescence” Traps Us in Tragedy
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Video Interview: Edgar Berger, Ralph Fiennes on “Conclave”
Oscar Nominations Predictions 2025
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”
Nicole Kidman Joins Honorees at Palm Springs International Film Festival
A Master of Subtle Function: Cinematographer Dick Pope (1947-2024)
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
Panic! At the Disco: Body Double at 40
The State of the 2024 Oscar Race
TIFF 2024: Conclave, Relay, The Assessment
Everything the Light Touches: James Earl Jones (1931-2024)
Telluride Film Festival 2024: Memories for a Lifetime
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
No Dream Is Ever Just a Dream: Eyes Wide Shut Turns 25
Shelley Duvall’s Five Best Performances
Transplendent: Shelley Duvall (1949-2024)
Home Entertainment Guide: May 2024
Meanwhile in France…Cannes to Be Specific
25 Years Later, Alexander Payne’s Election Remains as Relevant as Ever
Part of the Solution: Matthew Modine on Acting, Empathy, and Hard Miles
It’s OK For Movies to Just End
The People’s Joker and Six Other Films That Were Stuck in Legal Limbo
How The Ladykillers Kicked Off Tom Hanks’ Weirdest Year Two Decades Ago
SXSW 2024: Diane Warren: Relentless, Thank You Goodnight: The Bon Jovi Story, Omar and Cedric: If This Ever Gets Weird, Preconceived
The People Who Never Stopped Loving Tenet
9 Underrated Romantic Movies for Valentine’s Day This Year
The 15th Annual AAFCA Awards Announces Award Recipients
In AMC’s Brilliant Monsieur Spade, Even the Detectives Come Hard-Boiled
Am I Just Anybody?: Ryan O’Neal (1941-2023)
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
All Is Not Calm: John Woo on Silent Night
Judy Garland’s Last Film at MGM: Interview with Author David Fantle
The Shining: An Odyssey of Madness
Magnolia: One Day in the Valley
Prince of the Cinema: Treat Williams (1951-2023)
Cannes 2023: Asteroid City, The Settlers
Prime Video’s Citadel Traps Priyanka Chopra Jonas and Richard Madden in Played-Out Spy Game
Smile Politely’s Interview with Ebertfest Organizers Chaz Ebert and Nate Kohn
Music in the Movies at Ebertfest 2023
Colors of Film Deconstructs Visual Palettes of Cinema History
Michelle Yeoh: Kicking Ass Across the Multiverse
The Oneness of All Things: On Sofia Alaoui’s Animalia
Sundance 2023: Heroic, Scrapper, Sorcery
The Most—and Least—Fun I’ve Had At the Movies All Year
A Clockwork Orange: Battling with Kubrick’s Most Controversial Film
Home Entertainment Guide: August 2022
Neil Patrick Harris Gets His Gay Groove Back in Darren Star’s Frothy Sitcom Uncoupled
The Film That Changed Harrison Ford’s Career: On the 20th Anniversary of K-19: The Widowmaker
Home Entertainment Guide: June 2022
American Black Film Festival 2022 Begins In-Person Today, June 15th, Through June 19th and Virtually June 20th Through June 30th
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Home Entertainment Guide: April 2022
It Feels Like a Horror Movie: On Trey Edward Shults’ Krisha
Meet the Guests of Ebertfest 2022
Douglas Trumbull: 1942-2022
Winners Announced for the 13th Annual AAFCA Awards
Sidney Poitier and the Slap That Shook the World
A Fearless Critic: Michael Wilmington (1946-2022)
The Best Television of 2021
A Tale of the Tapes: On the ‘Recreated’ Conversations in Speer Goes to Hollywood (Updated)
Being Alive: Stephen Sondheim, 1930-2021
Vampire’s Twist: A Look Back at Shadow of the Vampire
Book Excerpt: Fun City Cinema: New York City and the Movies That Made It by Jason Bailey
A Tour Through the Brand New Academy Museum of Motion Pictures
That Space Between Awake and Asleep: Rebekah Del Rio on the Twentieth Anniversary of Mulholland Dr.
TIFF 2021: A Torontonian’s Take on a Tumultuous TIFF
The Girl Next Door: Jane Powell (1929-2021)
TIFF 2021: The Rescue, Attica, Hold Your Fire
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Learning to Lead with Empathy: Max Borenstein on Worth
Spike Lee’s NYC Epicenters 9/11-2021½ is Timely, Powerful, and Personal
Daughters of the Dust to be Presented by Chaz Ebert as Part of the Gene Siskel Film Center’s Chicago Favorites Series
A Love Letter to Musicals: Schmigadoon!’s Director, Co-Writer, and Cast on the New Musical Series
The Whole Parade: On the Incomparable Career of Nicolas Cage
Book Excerpt: Films of Endearment by Michael Koresky
Monte Hellman: 1932-2021
Breaking Bread on the 25th Anniversary of Big Night
