Mamma Mia! Here We Go Again
For all its frantic energy, it manages to go absolutely nowhere.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the new book, People Only Die of Love in Movies: Film Writing by Jim Ridley.
The suggestions in this article are worth 10 billion dollars.
Chaz writes to Roger about attending the Oscars without him.
A preview of the 2017 Toronto International Film Festival, which starts tomorrow.
Stephen Lane talks about his extensive collection of props from numerous revered films.
Disney Legends were celebrated and animation films were previewed at this past D23 Expo.
Chaz Ebert's Cannes Survival Guide; Kidman is Queen of the Croisette; Vanessa Redgrave turns director; Not enough female filmmakers; Dunst and Coppola on Hollywood sexism.
A look back at Kasi Lemmons' 1997 film, "Eve's Bayou."
The winners of the 89th Academy Awards.
The RogerEbert.com staff's Oscar pick for Best Documentary.
An interview with Raoul Peck, director of "I Am Not Your Negro."
A look at what's coming to theaters this January through April.
The staff reveals their individual picks for the best films of 2016.
An article about the African-American Film Critic's Association's announcement that 2016 is the best year for Blacks in cinema.
Chaz Ebert highlights 13 must-see films of 2016.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of dozens of films coming out this summer.
A report from Friday night's presentation of "Eve's Bayou" at Ebertfest.
Roger's Favorites: directors Kasi Lemmons, Patty Jenkins and Kimberly Peirce.
The latest and greatest on Blu-ray and streaming services, including "Brooklyn," "Freaks and Geeks," "Concussion," "The Bicycle Thieves," and more!
An interview with the star of "I Saw the Light," Tom Hiddleston.
FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.
An op-ed on how the decision to move the Lifetime Achievement Oscar off the telecast hurts us all.
With "The Hateful Eight," Quentin Tarantino betrays the female fans he's until-now supported.
The writers of RogerEbert.com on some of our favorite performances of 2015.