What She Said: The Art of Pauline Kael
Herself (archive footage)
Pauline Kael
Pauline Kael
Pauline Kael Movie Reviews
Blog Posts That Mention Pauline Kael
Black Writers Week
Film Criticism’s Crisis in the Letterboxd Era
Festivals & Awards
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
Roger Ebert
My Dinner with Gene & Roger
DVD/Blu-Ray
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
Interviews
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Features
Kevin Costner: The Last of the Cornball American Directors
Chaz's Journal
Welcome to Chicago, Michał Oleszczyk!
TV/Streaming
Home Entertainment Guide: February 2024
Features
Streetcorner Symphony: The Music of Mean Streets
Features
Nell Minow on Women Writers Week 2023
TV/Streaming
Home Entertainment Guide: September 2022
Features
Bright Wall/Dark Room June 2022: Most Wonderful by Nathaniel Missildine
Tributes
The American Dream, Period: Philip Baker Hall (1931-2022)
Festivals & Awards
TCM Film Festival 2022: Highlights of Getting Back to the Big Screen
Tributes
Monica Vitti: 1931-2022
Features
Bright Wall/Dark Room September 2021: It’s All Happening by Ethan Warren
Festivals & Awards
KVIFF 2021: A Conversation with Ethan Hawke
Features
I’m a Sound Man: Brian De Palma’s Blow Out at 40
Features
Book Excerpt: Films of Endearment by Michael Koresky
Features
Christopher Plummer: 1929-2021
Features
The Great Performances of 2020
TV/Streaming
As Delightful As It Is Insufferable: On the Complex Joy of Diva
Features
What We’ve Watched During the Quarantine
Features
The 4-Star Films of 2019
Interviews
Rob Garver on What She Said: The Art of Pauline Kael
Features
The Best Films of the 2010s: Get Out
Features
Quad Cinema Celebrates Pauline Kael with Losing It At the Movies Retrospective
Features
Doris Day: 1922-2019
Interviews
Not Listening to No: An Interview with Elvis Mitchell
Interviews
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
Features
Believing in Ingmar Bergman’s Cinema
Features
Book Excerpt: It’s Okay With Me: Hollywood, The 1970s, and the Return of the Private Eye by Jason Bailey
Features
Book Review: People Only Die of Love in Movies: Film Writing by Jim Ridley
Features
Margot Kidder: 1948-2018
Features
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
Features
Thumbnails 8/22/17
Features
It’s About Us: The Legacy of “Bonnie and Clyde”
Features
Keeping the Elegant End Up: “The Spy Who Loved Me” at 40
Interviews
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Interviews
The Passenger: Bertrand Tavernier on “My Journey Through French Cinema”
Features
Ridley’s Remake: “Alien” Through David’s Eyes
Features
A musical soul: Jonathan Demme, 1944-2017
MZS
Three things I learned from Roger
MZS
The Unloved, Part 40: Rules Don’t Apply
Chaz's Journal
A Beautiful Fantasy: On the 30th Anniversary of “Baby Boom”
MZS
The Unloved, Part 37: Zabriskie Point & The Mystery of Oberwald
TV/Streaming
Home Entertainment Consumer Guide: November 3, 2016
TV/Streaming
No Matter Where You Go, Here It Is: “The Adventures of Buckaroo Banzai Across the 8th Dimension” Hits Blu-ray
Features
Bright Wall/Dark Room July 2016: “Watch the Skies: ‘Empire of the Sun’ and the Difficult Third Album” by Brian Doan
Chaz's Journal
Roger’s Favorites: Agnès Varda
Festivals & Awards
An Overview of the 18th Annual Ebertfest
MZS
A Celebration of His Work 2016: 13 of Roger’s Best Reviews
Interviews
Critic’s Notes: Owen Gleiberman on “Movie Freak: My Life Watching Movies”
MZS
Why Leo winning an Oscar for “The Revenant” would be bad for acting
Features
The Ragged Charm and Undeniable Greatness of “Chimes At Midnight”
MZS
Anton Ego and Jesse Eisenberg: some notes on the presumed objectivity of critics
Features
Thumbnails 11/19/15
Features
Thumbnails 10/16/15
Festivals & Awards
Venice Film Festival 2015: Discovery and Rediscovery
Features
Thumbnails 7/23/15
Interviews
From Clint to Orson: A Conversation with Biographer Patrick McGilligan
Chaz's Journal
The Dissolve: 2013-2015
Chaz's Journal
Who’s Who In Reviews: Peter Sobczynski
Features
Genius Walks: “Orson Welles’s Last Movie: The Making of ‘The Other Side of the Wind’” by Josh Karp
Interviews
The Comedy Process: Adam Scott on “The Overnight”
Festivals & Awards
A Critic Sat In a Dark Theater, Reflecting on Ebertfest
Features
Thumbnails 4/23/15
MZS
A Celebration of His Work: 13 of Roger Ebert’s Most Essential Reviews
MZS
8 things about Albert Maysles
Roger Ebert
“Life Itself” Opens in Mexico
Roger Ebert
Beyond Narrative: The Future of the Feature Film
Festivals & Awards
Confessions of an Awards Season Skeptic, Part Two: I, A Lone Voice of Sanity and Calm Awash in a Sea of Noise and Indignation
Features
She Holds the Eye: Jessica Lange Accepts the Kirk Douglas Award
Features
Cinematic Jazz: The Myth of John Cassavetes
Features
Thumbnails 9/29/14
Features
Thumbnails 9/11/14
Features
Thumbnails 7/7/14
MZS
Right hand, left hand: “Do the Right Thing” at 25
MZS
For the love of it: notes on the decline of Entertainment Weekly, the firing of Owen Gleiberman, and the ongoing end of an era
Tom Shales At Large
Tom Shales Remembers Roger
Features
Still Present: Memories of Roger Ebert a Year After His Passing
MZS
“This is not only your film”: Steve James talks about his Roger Ebert documentary “Life Itself”
Features
In Defense of Armond White
Features
Utterly Modern: The Charisma of Barbara Stanwyck
Far Flungers
Looking Back at “It Happened One Night”
Features
Meet the Writers: Peter Sobczynski
Features
Thumbnails 10/28/2013
Features
Traditions of Quality: Mark Cousins’ “The Story of Film: An Odyssey”
MZS
My Favorite Roger: Matt Zoller Seitz
Tom Shales At Large
In Depth: The World 3-D Film Expo celebrates the glorious heyday of old-style 3-D films
Features
Bernadette Lafont: The French New Wave’s First Leading Lady Hardly Ever Played “Lady-like”
Features
Paul Schrader: Porn Again?
Features
Peter Bogdanovich on “At Long Last Love”
Features
Thumbnails 6/6/2013
Festivals & Awards
Love & Money with James Toback
Roger Ebert
Remembrances of Roger
Features
the Your Movie Sucks™ files
Features
Pauline Kael’s favorite film: “Menilmontant”
Features
