A feature on some of the best representations of female friendship in movie history.
A look at the staying power of Alan J. Pakula's The Parallax View and the age of conspiracies.
A tribute to John Saxon, the Stella Adler-trained character actor who always stood out in a crowd.
A correspondent offers her advice on stuff to binge during the quarantine.
On a series of PBS specials on the struggles for women to earn the right to vote.
An article about three IndieCollect restorations—"F.T.A.", "Nationtime-Gary" and "The Story of a Three-Day Pass"—having their world premiere at this weekend's HFPA Restoration Summit.
The latest on Blu-ray and streaming, including Alita: Battle Angel, Missing Link, Transit, Fast Color, Shazam, Ash is Purest White, and a Criterion edition of Do the Right Thing.
An interview with Alex Thompson and Kelly O'Sullivan, director and writer/star, respectively, of the CCFF-opening Saint Frances.
They were very different in tone, genre, production values, and intended audiences, but these two films from 1994 had one key innovation in common.
Matt writes: For the second year in a row, I had the great privilege of representing RogerEbert.com in the Oscar press room, providing coverage of the 91st Academy Awards from my perch backstage, where all the winners of the night came to answer questions and thank everyone they forgot onstage (or couldn't mention due to the limited time). You can read my full report here, including my interactions with such talents as Alfonso Cuarón, as well as Nick Allen's report of the telecast itself.
Miranda Harcourt on "The Changeover"; Elvis makes a comeback; Edward James Olmos on "The Ballad of Gregorio Cortez"; In memory of John McCain; Patricia Clarkson on "Sharp Objects."
A report from the first day of the Television Critics Association press tour, with the latest on "Deadwood," "Sharp Objects," Jennifer Garner's "Camping" and more.
An interview with Julie Taymor, director of "Across the Universe," which will be rereleased in theaters for three days only, courtesy of Fathom Events.
An interview with the co-writer and director of the new comedy, "Book Club."
Rosanna Arquette’s 2002 documentary “Searching for Debra Winger” is so much more salient now in light of the recent reckoning, if a little more difficult to watch.
A report on how #MeToo and #TimesUp were reflected at Sundance this year.
Great Movies
