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Charles
Jack Nicholson
Jack Nicholson Movie Reviews
The Bucket List
Edward
The Departed
Frank Costello
The Passenger
David Locke
Stuck on You
Himself
Something’s Gotta Give
Harry Sanborn
Anger Management
Dr. Buddy Rydell
About Schmidt
Warren Schmidt
The Pledge
Jerry Black
As Good as It Gets
Melvin Udall
Blood & Wine
Alex Gates
The Evening Star
Garrett
Mars Attacks!
President James Dale/Art Land
The Crossing Guard
Freddy Gale
Wolf
Will Randall
Hoffa
Jimmy
A Few Good Men
Col. Nathan R. Jessep
The Two Jakes
Jake Gittes
Batman
The Joker/Jack Napier
Ironweed
Francis Phelan
Blog Posts That Mention Jack Nicholson
Jack Nicholson explains the Oscars for you
Jack Nicholson: On aCollision Course with Fate
Interview with Jack Nicholson
Nicholson on Nicholson
Brokeback Jack and the gay “Departed”?
100 Great Moments in the Movies
Jeff Bridges: The Starman within
Maria Schneider comes to America
“We can’t stop the dancing chicken!”: Ebertfest photos #2
Polanski’s Chinatown: A dream analysis
Goodfellas & badfellas: Scorsese and morality
Hitchcock’s Family Plot Photo Album
Biggest Acting, Best and Worst: Over the top, Ma!
‘The Departed’ revisited
Ebertfest ’07: “It’s his happening and it freaks him out!”
‘The Departed’: Choppy craftsmanship?
Best and Worst Oscar Actors
Watching the World Slip Away
Introduction to the 59th Karlovy Vary International Film Festival
The Glorious Year of Morgan Freeman
Michael Douglas to Present Newly Restored “One Flew Over the Cuckoo’s Nest” at Karlovy Vary International Film Festival
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
Cannes Film Festival 2025: A Look at the Cannes Classics Program
The Unloved, Part 136: Ironweed
The Steady, Inevitable Decline: Sideways at 20
No Dream Is Ever Just a Dream: Eyes Wide Shut Turns 25
Shelley Duvall’s Five Best Performances
Transplendent: Shelley Duvall (1949-2024)
The Man Behind the Curtain: Robert Towne (1934-2024)
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
The Weight of Smoke (and Blue in the Face): The Magic of Paul Auster
Home Entertainment Guide: April 2024
Speed Kills: On the 25th Anniversary of Go
The Bikeriders, a Motorcycle Club Film, Highlights a Positive Woman’s Role
The Best Legal and Courtroom Dramas
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Am I Just Anybody?: Ryan O’Neal (1941-2023)
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Revisiting Sidney Lumet’s The Verdict
The Shining: An Odyssey of Madness
Peacock’s Based on a True Story is a Frustrating but Promising True-Crime Parody
The Consummate Collaborator: Bill Butler (1921-2023)
Louise Fletcher (1934-2022)
I Wanna Be Free: Bob Rafelson (1933-2022)
It Feels Like a Horror Movie: On Trey Edward Shults’ Krisha
Death Game: A Grindhouse Classic Returns to Theaters
From Kristen Stewart to Benedict Cumberbatch: Tribute Highlights from the Santa Barbara International Film Festival 2022
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
30 Minutes On: Body Heat
Stripes Turns 40: Or, How We Learned to Stop Worrying and Love the War
Book Review: Underexposed! The 50 Greatest Movies Never Made Presents Fascinating Alternate History
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
Monte Hellman: 1932-2021
The Parallax View and the Golden Age of Paranoia
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
SDCC 2020: Do Not Call Charlize Theron a Warrior
Five Awe-Inspiring Things About Michael Jordan and The Last Dance on Christy Lemire’s Breakfast All Day Podcast
The Camera is Dancing with Joaquin: Cinematographer Lawrence Sher on Joker, The Hangover and More
Smile When You Say That: Joker’s Last Laugh
Robert Evans: 1930-2019
Son of the father: Peter Fonda, 1940-2019
The In-Between Space: Cary Elwes and Dacre Montgomery on Stranger Things 3
Batman Films on 4K Offer Interesting Contrast to Modern Superhero Movies
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Dick Miller: 1928-2019
In the ’90s, Batman was at its best in Mask of the Phantasm
Celebrating Michael Kutza: Founder of Chicago International Film Festival to be Honored at July 14th Gala
Tom Wolfe: 1931-2018
Michael Kutza, Retiring Founder of Cinema/Chicago, to be Honored at July 14th Gala
Milos Forman: 1932-2018
30 Minutes on: “As Good As it Gets”
Flashes of Kindness: Ideological Ambivalence in the “The Last Detail” and “Last Flag Flying”
Stanley Kubrick’s “Barry Lyndon” Joins the Criterion Collection
NYFF 2017: Odie’s Favorites and Other Highlights
CIFF 2017 Preview: 45 Films to See
We Should Be So Lucky: A Tribute to Harry Dean Stanton
Harry Dean Stanton: 1926-2017
30 Minutes on: “It” (2017)
Thumbnails 8/11/17
Comic-Con 2017: Interview with Stephen Lane, Founder of Prop Store
Hot Docs 2017 Interview: Gilbert Gottfried on “Gilbert”
The Audacious “Something Wild” Comes to Criterion Blu-ray
The Return of Warren Beatty
Thumbnails 7/22/16
Badass Intensity and Holy Cool: A Warren Oates Retrospective
Thumbnails 6/17/16
Restoring the Classics: Phil Hopkins on Blu-ray Restoration Label the Film Detective
Her Own Story: A Nora Ephron Appreciation
Bringing My Mother Back From the Dead: Jacob Bernstein on Nora Ephron and “Everything is Copy”
Home Entertainment Consumer Guide: February 18, 2016
Of Rats and Men: “Black Mass” vs. “The Departed”
Thumbnails 7/31/15
From Clint to Orson: A Conversation with Biographer Patrick McGilligan
Who’s Who In Reviews: Peter Sobczynski
Who’s Who In Reviews: Simon Abrams
Who’s Who In Reviews: Odie Henderson
Who’s Who In Reviews: Sheila O’Malley
