An ambitious, challenging piece of work that people will be dissecting for years. Don’t miss it.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from the 2018 Critics Choice Awards.
The winners of the 75th annual Golden Globes.
The latest and greatest on Blu-ray and streaming services, including "Princess Cyd," "Election," 'Twin Peaks," and more!
An article about the 2018 nominees of the Golden Globe Awards.
An essay about Tim Burton's "Big Fish" from the August 2017 edition of online magazine Bright Wall/Dark Room.
The best of the 2016-17 TV season in Emmy ballot form.
A review of the third season of "Fargo," premiering this week on FX.
An interview with director Danny Boyle about "T2 Trainspotting."
A look at what's coming to theaters this January through April.
A collection of some of our favorite interviews from 2016.
The latest and greatest on Blu-ray and streaming services, including The Infiltrator, Cafe Society, Blood Father, and a Criterion edition of Boyhood.
A TIFF dispatch on new films from Ewan McGregor, J.A. Bayona and Terrence Malick.
A dispatch on three Friday premieres from the Toronto International Film Festival.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of the 2016 Toronto International Film Festival.
The first films announced for the 2016 Toronto International Film Festival.
A great collection of new Blu-ray releases, including "Green Room," "Night and Fog," "Everybody Wants Some!!" and "OJ: Made in America."
An interview with Ewan McGregor, star of "Last Days in the Desert."
A preview of dozens of films coming out this summer.
An interview with Don Cheadle, star & director of "Miles Ahead."
A NYFF report on Don Cheadle's directorial debut, "Miles Ahead."
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
When Harvey Weinstein is in the house, you know it's a big deal. After all, one of his possible Academy-bait babies was taking its first steps in public at the bustling Scotiabank theaters before the press and industry on Monday. He is not going to leave that special occasion to chance.Day 5 at Toronto brought the unveiling one of the most anticipated pieces of the Oscar-prediction puzzle—"August: Osage County" a.k.a. When Meryl Met Julia—and, judging from the "I like it but…" comments exchanged by audience members as the film came to a close, the reaction was one of tempered admiration.The comically caustic domestic situation, based on the 2008 Tony-winning play, concerns a contentious Oklahoma clan called the Westons who reunite following a family crisis. With a cast jammed with recognizable faces ranging from Sam Shepard's hard-drinking poet of a patriarch to Abigail Breslin's precocious pot-smoking teen, it sometimes comes off like one of those "We Are the World" all-star songs where everyone involved gets a for-your-consideration solo in order to shine.Of course, there are soloists and then there are divas. Nothing can be that bad when there's Meryl Streep as a pill-popping, cancer-ravaged matriarch who puts the diss in dysfunctional as she engages in a verbal dinner-table death match with movie daughter Julia Roberts. Imagine "Who's Afraid of Virginia Woolf" filtered through "Terms of Endearment." The explosive results left some in the theater gasping.A couple of the casting choices seem wonky (Ewan McGregor is out of place as Roberts' roaming husband while Dermot Mulroney is basically playing the Dermot Mulroney role as a sexy self-serving jerk).But some of the most enjoyable portions are when the Weston sisters—joining Roberts' Barbara are Juliette Lewis' flighty Karen and Julianne Nicholson as dark horse Ivy—kick back with glasses of wine and trade stories about their challenging mother and personal secrets.All could be up for Oscars, including Margo Martindale as Streep's big-mama of a sister. The real question is whether it can be justified to place either Streep or Roberts in a supporting category to avoid competing with one another since they are both clearly co-leads. And that is where the mighty Harvey comes in. It has been finally decided: Meryl is lead and Julia is supporting, The negotiations over Syria probably have nothing on the intense discussions that went into that move.As for best picture chances, that is up to Harvey and his magical marketing machine. "August: Osage County" is more certain to fill several acting nomination slots, but just the fact that Roberts and Streep—who have only previously collaborated in the animated "The Ant Bully"—are together at last is a powerful reason to applaud this movie as much as possible.
Marie writes: As the dog days of summer slowly creep towards September and Toronto starts getting ready for TIFF 2013, bringing with it the promise of unique and interesting foreign films, it brought to mind an old favorite, namely The Red Balloon; a thirty-four minute short which follows the adventures of a young boy who one day finds a sentient red balloon. Filmed in the Menilmontant neighborhood of Paris and directed by French filmmaker Albert Lamorisse, The Red Balloon went on to win numerous awards and has since become a much-beloved Children's Classic.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.