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Blog Posts That Mention Ruby
Chaz Ebert to Receive the Ruby Dee Humanitarian Award
Ruby Dee: 1922-2014
Ashley Judd: “Ruby in Paradise”
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
What to Watch on Netflix: May 2025
Female Filmmakers in Focus: The Films of Euzhan Palcy
SXSW Film Festival 2025: It Ends, The Threesome, Caper
Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film
Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
Sundance 2025: Rebuilding, Together, Peter Hujar’s Day
Peacock Turns the Rom-Com Into a Game of Death in the Charming “Laid”
Home Entertainment Guide: June 2024
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
Cannes 2024: My Sunshine, Rumours, The Balconettes
Doctor Who Travels to Disney+ For a Lavish, Fun New Regeneration
The Weight of Smoke (and Blue in the Face): The Magic of Paul Auster
Max’s Award-Winning Hacks Returns with Its Best Season to Date
A Poet of an Actor: Louis Gossett, Jr. (1936-2024)
Fighting to Be Seen: On Emma Seligman’s Bottoms
Home Entertainment Guide: January 2024
CIFF 2023 Interview: Minhal Baig on Chicago Drama We Grown Now
An Unforgettable Performer: Piper Laurie (1932-2023)
TIFF 2023: Alice & Jack, Expats, Sly
Hollywood & The March on Washington: When Fame Overcame Fear
The Ranown Westerns Join the Criterion Collection
Return of the Jedi Turns 40
Cannes 2023: The Idol, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon
Highlights of the 2023 TCM Film Festival
Netflix’s Unstable is a Wasted Opportunity to Get to Know the Lowes
SXSW 2023: Bottoms, Self Reliance, Flamin’ Hot
Women Writers Week 2023: Table of Contents
23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th
Sundance 2023 Announces Additional Premiere, Competition, Encore Titles
Willow Reboot on Disney Plus Makes for a Surprisingly Fun Ride
The Most—and Least—Fun I’ve Had At the Movies All Year
Love is a Form of Resistance: Chinonye Chukwu & Danielle Deadwyler on Till
Home Entertainment Guide: August 2022
Feel the Love: Ayoka Chenzira on Alma’s Rainbow
KVIFF 2022: Aftersun, F*cking Bornholm, Ramona
Home Entertainment Guide: June 2022
Considering Easy To Get: World War II Army Training Films, Segregation, Black Uplift and VD
Star Wars Celebration 2022: Mando+, Light and Magic, Andor and More
Our Favorite Roger Reviews: Do the Right Thing
The Legacy of ‘90s Teen Girl Murder Films
The Annotated Table of Contents and Bios for Women Writers Week 2022
The 22nd Black Reel Awards Honors its Winners, Led by The Harder They Fall
Apple Re-Releases Oscar-Nominated CODA for Free In Theaters
24 Great Performances of 2021
An Inside Look: Mr. Soul! to Stream Live Sunday, October 17th
A Tour Through the Brand New Academy Museum of Motion Pictures
Melissa Haizlip’s Mr. Soul! to Premiere on HBO Max on August 22nd
Leigh Janiak on the Making of the Fear Street Trilogy, Its Queer Love Story, Cliffhanger Endings, and More
Amazon’s Them is a Harrowing, Frustrating American Horror Story
Mr. Soul! Nominated for Three NAACP Image Awards, Debuts Exclusive Music Video for Show Me Your Soul by Robert Glasper and Lalah Hathaway
Sundance 2021: CODA, Summer of Soul
Sundance 2021: 12 Films We Can’t Wait to See
Bridgerton is a Scintillating, But Somewhat Shallow, Regency Fantasy
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
Mr. Soul! Nominated for Outstanding Debut Feature at Cinema Eye Honors
8 Films to See at the Nightstream Virtual Film Festival
Mr. Soul! Extended in Virtual Theaters Through September 24th
Haunted From All Sides: On the History Behind This Week’s Lovecraft Country
RogerEbert.com Premieres the Theatrical Trailer and Poster for Melissa Haizlip’s Documentary Mr. Soul!
HBO’s Lovecraft Country is Wicked Smart Television
Cinema Femme’s Black Female Filmmaker Renaissance Panel to Stream Live on August 8th
Home Entertainment Guide: May 28, 2020
Great Performances Keep HBO’s Run Moving
Netflix’s The Letter for the King Written with Medieval Cliches
True/False 2020 Dispatch 1: The Viewing Booth, So Late So Soon, That Cloud Never Left
An Ode to Supernatural
Danny Aiello: 1933-2019
Walton Goggins Carries Surprising CBS Sitcom The Unicorn
Son of the father: Peter Fonda, 1940-2019
Home Entertainment Guide: July 25, 2019
Black Women vs. The End of the World (Again)
Born This Way: Why 1954’s A Star Is Born Is Still The Best
Funny, Character-Driven Sex Education Improves with Each Episode
Duck Soup at 85: Make Freedonia Great Again
Home Entertainment Consumer Guide: October 4, 2018
Second Season of Hulu’s The Handmaid’s Tale Off to Brilliant Start
Three Octogenarians Who Could Make Oscar History
PBS Press Tour Spotlights Little Women
Man on the Outside: The Films of Willem Dafoe
2017 Fall Movie Preview: 25 Films We’re Excited About
Original Flow: Danielle MacDonald and Geremy Jasper on “Patti Cake$”
Comic-Con 2017: Interview with Stephen Lane, Founder of Prop Store
Sundance 2017: “It’s Not Yet Dark,” “Oklahoma City,” “The Workers Cup”
Breakout Talent: Royalty Hightower on “The Fits”
Sundance 2017 Announces Premieres, Midnight Films and More
Eerie Visions of Donald Trump in 1981’s “Shock Treatment”
Thumbnails 9/23/16
Brad Anderson’s “Session 9”: The Little Leap From Comedy to Killing
Muhammad Ali: 1942-2016
Cannes 2016: “Graduation,” “The Neon Demon”
Cannes 2016: Steven Spielberg Adapts “The BFG”
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Spike Lee’s Oscar: Hollywood Does the Right Thing
“Ash vs. Evil Dead” is a Groovy, Good Time
