A Traveler’s Needs
Iris
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Isabelle Huppert Movie Reviews
The Crime Is Mine
Odette Chaumette
La Syndicaliste
Maureen Kearney
EO
The Countess
Mrs. Harris Goes to Paris
Louise Colbert
White as Snow
Maud
Mama Weed
Patience Portefeux
Frankie
Frankie
Greta
Greta Hideg
Mrs. Hyde
Madame Géquil
Claire’s Camera
Claire
Souvenir
Liliane Cheverny
Happy End
Anne Laurent
False Confessions
Araminte
Things to Come
Nathalie
Elle
Michelle
Louder Than Bombs
Isabelle Joubert Reed
Valley of Love
Isabelle
The Disappearance of Eleanor Rigby: Them
Abuse of Weakness
Maud Schoenberg
Blog Posts That Mention Isabelle Huppert
Behind the Lens: Isabelle Huppert on Claire’s Camera
Norman Lear, Isabelle Huppert Confirmed to Attend Ebertfest 2017
Fearless at Ground Zero: On Isabelle Huppert
A Post-Male Era: Isabelle Huppert on “Elle” and “Things to Come”
CIFF 2014 Tribute: Isabelle Huppert
Entre Nous: A conversation with Isabelle Huppert
Violette: The dark side of Huppert and Chabrol
NYFF 2017: “Faces Places,” “Mrs. Hyde,” “Sea Sorrow”
Cannes 2016: “Elle”
recent Two Thumbs Up® reviews
Love under stormy skies
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
A Preview of the 2025 Rendez-Vous with French Cinema
Sundance 2025: The Things You Kill, Sukkwan Island, LUZ
2025 Sundance Film Festival Announces Ambitious Program
Locarno Film Festival 2024: By the Stream, Toxic, Drowning Dry, When the Phone Rang
Berlin Film Festival 2024: Dahomey, My Favorite Cake, A Traveler’s Needs
10 Films We Can’t Wait to See at Berlin 2024
A Farewell from Our Literary Editor, Matt Fagerholm
CIFF 2023: Robot Dreams, The Crime is Mine, Limbo
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
The Key to Directing is Nurturing: Goran Stolevski on Of an Age
Home Entertainment Guide: December 2022
Ebertfest Film Festival 2023 Passes On Sale December 12th
KVIFF 2022: EO, Like a Fish on the Moon, The Eight Mountains, Father’s Day
Jean-Louis Trintignant: 1930-2022
Cannes Film Festival Preview 2022
Home Entertainment Guide: March 2022
Venice Film Festival 2021: Mona Lisa and the Blood Moon, Illusions perdues, The Promises
Art Alone Endures: A Parisian’s Take on the 2021 Cannes Film Festival
Book Excerpt: In Their Own Words: Fiction Directors by Alex Heeney
Joy: My Memories of Ebertfest
Meet the Writers: Carlos Aguilar
Ebertfest Film Festival 2020 Passes On Sale November 1st
Accepting Accidents: Ira Sachs on His All in One Day Portugal-Set Movie “Frankie”
TIFF 2019: Festival Honors Meryl Streep, Joaquin Phoenix, Taika Waititi
Home Entertainment Consumer Guide: May 30, 2019
Cannes 2019: Frankie, Parasite, Matthias & Maxime
A Very Deep Place: Claire Denis on High Life
I Don’t Want to See An Actor Onscreen: Franz Rogowski on Transit, Happy End, Victoria and More
The RogerEbert.com Interviews of 2018
10 Shows to Watch This Fall
TIFF 2018: Greta, The Hummingbird Project, The Dig
The 20 Most Exciting World Premieres of TIFF 2018
Claire Denis to be Honored at TIFF Ebert Tribute
Ebertfest 2018 Guests: Critical Mass
Chicago’s Asian Pop-Up Cinema Starts Sixth Season
Preview of the 21st Chicago European Union Film Festival
Celebration of Life for Mary Frances Fagan to be Held April 14th
Ebertfest 2018 Will Be Dedicated to Roger Ebert and Mary Frances Fagan
Hypocrisy Exists Everywhere: Michael Haneke on “Happy End”
Ebertfest 2018 Passes On Sale Now
CIFF 2017 Preview: 45 Films to See
Home Entertainment Consumer Guide: October 5, 2017
TIFF 2017: “The Square,” “Happy End,” “The Other Side of Hope”
Jeanne Moreau: 1928-2017
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Cannes 2017: “Claire’s Camera,” “Filmworker,” “Unforgiven”
Cannes 2017: “The Killing of a Sacred Deer,” “The Day After,” “The Workshop”
Cannes 2017: “Happy End,” “The Meyerowitz Stories,” “Before We Vanish”
Thumbnails 5/17/17
Cannes 2017 Video #1: Preview
Home Entertainment Consumer Guide: May 12, 2017
Ebertfest 2017: “Hysteria,” “The Handmaiden,” “Elle”
Let’s Talk About Femmes, Sex and Ebertfest
Ebertfest 2017: Table of Contents and Photos
Ebertfest 2017, Day 3: A Special Short, the World’s Greatest Actress and More
Ebertfest 2017, Day 5: Every Time We Say Goodbye
Bright Wall/Dark Room April 2017: “Flesh & Emptiness, or 42 Ways of Looking at Paul Verhoeven” by Brad Nelson
Ebertfest Announces Final Slate of Films for 2017
“Hair,” “To Sleep with Anger” and More Set to Screen at Ebertfest 2017
Home Entertainment Consumer Guide: March 23, 2017
A Preview of the 22nd Annual Rendez-Vous with French Cinema
If We Picked the Winners 2017: Best Actress
Predictions for the 89th Academy Awards
RogerEbert.com’s Coverage of 2017 Oscar-Nominated Films: Table of Contents
If We Picked the Winners 2017
Stars, Music, Movies and Compassion Converge: Ebertfest 2017 Preview
2017 Oscar Nominees Spotlight Diversity
2017 Golden Globes: A “La La Land” Landslide
The RogerEbert.com Interviews of 2016
Alliance of Women Film Journalists Announce 2016 EDA Winners
Taken for Granted: Awards Veterans Like Streep, Hanks and Washington Deserve Their Nominations
The Great Performances of 2016
Chicago Film Critics Awards Celebrate “Moonlight,” “Manchester by the Sea,” “The Handmaiden”
The Ten Best Films of 2016
“Moonlight,” “La La Land” and “Manchester by the Sea” Lead 2016 CFCA Nominees
A Baker’s Dozen: 13 More Must-See Films of 2016
Lucky 13 Must-See Films of 2016
Shock and Entertainment: A Paul Verhoeven Retrospective
Meet the Writers: Scout Tafoya
Personal Narratives Fuel this Year’s Best Actress Race
CIFF 2016 Preview: 35 Films to See
TIFF 2016: “Toni Erdmann,” “Things To Come,” “Elle”
From Maudie to Una: Female-Driven Stories Dominate Telluride 2016
TIFF Announces First Wave of Galas and Special Presentations
What One Loves about Life Are the Things That Fade: Michael Cimino 1939-2016
Paul Cox: 1940 – 2016, Father of Independent Australian Cinema
