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Blog Posts That Mention Robinson


Insanely Fun: Griffin Dunne and Amy Robinson on After Hours

Tim Robinson’s I Think You Should Leave Conjures More Brilliant Chaos in Third Season

Peyton Robinson’s Overlooked Films of 2022

Jason and Yvonne Lee’s Lagralane Spirits Podcast Welcomes Chaz Ebert and Brenda Robinson

Brenda Robinson Elected as Chair of Board of Directors at Film Independent

Tim Robinson’s I Think You Should Leave Returns with More Clever Absurdity

Empowered and Joyful: Alycia Pascual-Peña and Hadley Robinson on Moxie

Brenda Robinson Named the First Black President of the International Documentary Association

Outsider Perspectives: Craig Robinson & Chad Hartigan on “Morris from America”

Ken Burns’ “Jackie Robinson” Premieres April 11 on PBS

Here’s to you, Mrs. Robinson

Intro to Our Juneteenth Edition of Black Writers Week 2025

The 20 Best Films of 2025 So Far

I Love You For Who You Are: Sly Stone (1943-2025)

We Relate: Andrew DeYoung on “Friendship”

Tom Segura’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing

Chicago Critics Film Festival 2025 Preview

How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future

Women Writers Week 2025: Table of Contents

Looking Back: Highlighting Some Great Pieces by Our Female Critics

Intro to Women Writers Week

I Think Of Them As The Work: Gene Hackman (1930-2025)

What to Watch on Netflix: March 2025

New York International Children’s Film Festival Highlights Original Work From Around the World

Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”

“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level

Beachside Mingling at a Poignant Spirit Awards Nominee Brunch

Film Independent President Josh Welsh Dies at 62

Happy New Year from Chaz Ebert and All of Us at RogerEbert.com

14 Underrated Movies of 2024

It’s Time to Give a FECK: Elevating Humanity through Forgiveness, Empathy, Compassion and Kindness (book by Chaz Ebert, with Foreword by Tamron Hall)

The Great Performances of 2024, Part One

2025 Sundance Film Festival Announces Ambitious Program

CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children

Home Entertainment Guide: October 2024

André Holland Talks Deleted Scenes from “42”

FX’s “What We Do in the Shadows” Loses Some Of Its Bite In Season Six

TIFF 2024: The Shadow Strays, Friendship, The Shrouds

TIFF 2024: 20 World Premieres We Can’t Wait to See

Prime Video’s “The Lord of the Rings: The Rings of Power” is the Boldest Fantasy Show of the Year

A Woman Without Peers: Gena Rowlands (1930-2024)

Thumbnails 8/15/24: Six Must-Reads You Don’t Want To Miss This Week

SDCC 2024: A New Normal?

Elijah Wood and Ant Timpson on the Childlike Charms of Bookworm

The Forrest Gump Soundtrack Hits Different in the Spotify Era

The Best Films of 2024 So Far

Willie Mays: The Greatest to Ever Play

Black Writers Week 2024: Table of Contents

Introduction to Black Writers Week 2024

Chi Film Fest’s 60th Anniversary Cinema Soirée

The Ebert Fellows Go to Ebertfest 2024

Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break

RogerEbert.com Announces Assistant Editor, Weekly Critic, and Social Media Manager

Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More

Keith Law Wants You to Watch Better Baseball Movies

I Need Your Magic: M. Emmett Walsh (1935-2024)

Women Writers Week 2024: Table of Contents

A Farewell from Our Literary Editor, Matt Fagerholm

9 Underrated Romantic Movies for Valentine’s Day This Year

Home Entertainment Guide: January 2024

Spirit Awards 2024: A Platform for Essential Independent Films

A Preview of the 2024 Iranian Film Festival New York

Artists We Spoke to in 2023: Some of Our Favorite Interviews

Owning My Power: Danielle Brooks on The Color Purple

The Great Performances of 2023

Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com

The 25 Best TV Series of 2023

The Individual Top Tens of 2023

The Ten Best Films of 2023

How Martin Scorsese Uses Music to Enhance His Visions

Streetcorner Symphony: The Music of Mean Streets

TIFF 2023: Stop Making Sense, In Restless Dreams: The Music of Paul Simon

Noir City Returns to the Music Box in Chicago

What We Do in the Shadows Maintains Hysterical Bite in Fifth Season

The Best Films of 2023 … So Far

Must-See Jean Eustache Film Series Led by 4K Restoration of The Mother and the Whore

Bijan Bayne on His New Book, Black Trailblazers: 30 Courageous Visionaries Who Broke Boundaries, Made a Difference, and Paved the Way

Meet the Writers of Black Writers Week 2023

An Introduction to Black Writers Week 2023

Black Writers Week 2023: Table of Contents

A Piece of His Fire: Harry Belafonte (1927-2023)

Ebertfest 2023 Recap: A Photo Journal

Highlights of the 2023 TCM Film Festival

Smile Politely’s Interview with Ebertfest Organizers Chaz Ebert and Nate Kohn

Cinema Femme Short Film Festival to Have First In-Person Screenings at the Music Box Theatre

Ebert Symposium 2023 to Precede Ebertfest on April 18th & 19th

Ebertfest 2023: Frank Oz and Derek DelGaudio Screen In & Of Itself, Rita Coburn Spotlights Marian Anderson and More!

Ten Years of Presence: In Honor of Roger Ebert and the Empathy Machine

Ebertfest 2023 Announces Full Lineup Including Guests Lawrence Bender, Mykelti Williamson, Michael Morris and More

Comedy Central’s Digman! is Another Gem from The Lonely Island

SXSW 2023: Confessions of a Good Samaritan, You Can Call Me Bill, Louder Than You Think

Nell Minow on Women Writers Week 2023

Ebertfest Announces First Slate of Films, Guest Frank Oz and Theme of “Empathy at the Movies”

Chemistry Carries Comedy of Act Your Age

These Violent Delights Have Angered Fans: Why Violent & Brilliant Heroines Are Often Seen as Out of “Place”

The Underrated Sayles: An Appreciation of Baby It’s You on Its 40th Anniversary

Women Writers Week 2023: Table of Contents
