While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with director Joe Dante about "The Movie Orgy" and his film series currently running at BAMcinématek.
A celebration of actor Warren Oates in anticipation of an upcoming retrospective at the Film Society of Lincoln Center in NYC.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
An interview with Thomas Haden Church, star of "Max."
A recap of the 2015 TCM Film Festival.
On how Clint Eastwood's "American Sniper" examines evil.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
An interview with Kevin Macdonald, director of "Black Sea."
A piece on four films from the opening week of the 2014 New York Film Festival: "Heaven Knows What," "Seymour, an Introduction," "Stray Dog" and "Beloved Sisters."
The right kind of 90s nostalgia; Cynthia Rothrock: Expendabelle; Favorite Fincher moments; Ten underrated 2014 performances; Chatting with Whit Stillman.
An excerpt from "Film Firsts" about the production and influence of "The Blair Witch Project."
The legendary William Friedkin discusses the restoration of his first film, the anti-capital punishment documentary, "The People vs. Paul Crump."
May 2014 Blu-rays of note.
Highlights and schedule for the 2014 Chicago Critics Film Festival.
Oliver Stone discusses "Born on the Fourth of July" with Editor-in-Chief Matt Zoller Seitz at the 16th Annual Roger Ebert's Film Festival.
Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from Rogerebert.com. I look forward to seeing you there!
How healthcare handles bipolar disorders; Examining the films of Jonathan Glazer; Movie of the week at The Dissolve is Clueless; Reevaluating William Friedkin's Sorcerer; Wes Anderson directed commercials.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
Russian Supreme Court declares Pussy Riot sentence unlawful; Erica Huggins appointed new president of Imagine Films; a music critic comes to her senses about R. Kelly; Bette Midler to play Mae West; celebrities' queasy new publicity machine.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
Matthew McConaughey talks about how he is dealing with the Oscar buzz around his "Dallas Buyers Club" performance.
Susan Seidelman has been making films for over 30 years. Her work includes "Desperately Seeking Susan," the pilot for "Sex and the City," and her new sports comedy "The Hot Flashes." Her story is the story of women in Hollywood: a study in creativity, courage and strength. A profile by RogerEbert.com's Christy Lemire.
As a companion piece to our reassessment of "At Long Last Love," Peter Bogdanovich recalls the film's orgins, its forgotten pleasures, and the studio-mandated tinkering that turned it into a box office bomb. He also recalls turning down an offer of help from Gene Kelly, casting Burt Reynolds, and a remarkable encounter with Roger Ebert.
Los Angeles is a behemoth or, better, an octopus, with tentacles stretching 468.67 square miles, a fact that shocked me when I moved here in 1990. That meant that it was bigger than the distance consumed by driving to and from Chicago from my hometown, Kewanee (150 miles southwest), and back again. I soon realized that one could easily live an entire lifetime in Los Angeles and never see it all. This also meant that so much was always going on, including really desirable events, many of which would most certainly be missed.