A Walk in the Woods
These guys still know how to not just hold our attention but grab it, even if their current film needs them more than they need…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Tragic fate of a femme fatale; Rachel McAdams does fame her way; My fat, perfect wedding; Incredible shrinking worldview of Woody Allen; Marvel's war on capitalism.
An obituary for film icon Jerry Weintraub.
An appreciation of David Letterman on his final day on the air.
Meet the critics attending Ebertfest 2015.
A report from the Athena Film Festival 2015.
A report on Slamdance 2015.
An FFC comments on domestic violence in film and her life.
The best recent releases on Blu-ray and streaming services, including "Blue Ruin," "Middle of Nowhere," "Only Lovers Left Alive," and "Love Streams."
On June 21, 2014, “Life Itself” opened the Hamptons Film Festival at Guild Hall in East Hampton, New York. RogerEbert.com publisher Chaz Ebert and editor-in-chief Matt Zoller Seitz were guests at the event and participated in a post-screening Q&A with Alec Baldwin and Hamptons Film Festival artistic director David Nugent afterward.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Fantastic performances balance out Ryan Murphy and Larry Kramer’s melodramatic approach to the history of the AIDS crisis in HBO’s highly-anticipated "The Normal Heart," premiering Sunday, May 25th, 2014.
Chaz writes to Roger about attending the Oscars without him.
How movie studios still have a hiring problem; 2013's biggest box office bombs; A.O. Scott and Streep's scenery-chewing; emojis and the autism spectrum; this was a wicked sexist year.
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
When Harvey Weinstein is in the house, you know it's a big deal. After all, one of his possible Academy-bait babies was taking its first steps in public at the bustling Scotiabank theaters before the press and industry on Monday. He is not going to leave that special occasion to chance.Day 5 at Toronto brought the unveiling one of the most anticipated pieces of the Oscar-prediction puzzle—"August: Osage County" a.k.a. When Meryl Met Julia—and, judging from the "I like it but…" comments exchanged by audience members as the film came to a close, the reaction was one of tempered admiration.The comically caustic domestic situation, based on the 2008 Tony-winning play, concerns a contentious Oklahoma clan called the Westons who reunite following a family crisis. With a cast jammed with recognizable faces ranging from Sam Shepard's hard-drinking poet of a patriarch to Abigail Breslin's precocious pot-smoking teen, it sometimes comes off like one of those "We Are the World" all-star songs where everyone involved gets a for-your-consideration solo in order to shine.Of course, there are soloists and then there are divas. Nothing can be that bad when there's Meryl Streep as a pill-popping, cancer-ravaged matriarch who puts the diss in dysfunctional as she engages in a verbal dinner-table death match with movie daughter Julia Roberts. Imagine "Who's Afraid of Virginia Woolf" filtered through "Terms of Endearment." The explosive results left some in the theater gasping.A couple of the casting choices seem wonky (Ewan McGregor is out of place as Roberts' roaming husband while Dermot Mulroney is basically playing the Dermot Mulroney role as a sexy self-serving jerk).But some of the most enjoyable portions are when the Weston sisters—joining Roberts' Barbara are Juliette Lewis' flighty Karen and Julianne Nicholson as dark horse Ivy—kick back with glasses of wine and trade stories about their challenging mother and personal secrets.All could be up for Oscars, including Margo Martindale as Streep's big-mama of a sister. The real question is whether it can be justified to place either Streep or Roberts in a supporting category to avoid competing with one another since they are both clearly co-leads. And that is where the mighty Harvey comes in. It has been finally decided: Meryl is lead and Julia is supporting, The negotiations over Syria probably have nothing on the intense discussions that went into that move.As for best picture chances, that is up to Harvey and his magical marketing machine. "August: Osage County" is more certain to fill several acting nomination slots, but just the fact that Roberts and Streep—who have only previously collaborated in the animated "The Ant Bully"—are together at last is a powerful reason to applaud this movie as much as possible.
Here are links to all our coverage from the 2013 Toronto International Film Festival.
Seven women writers talk about their problems with "male feminism"; Wikipedia blocks U.S. senate for "vandalism" of Edward Snowden's page; Millikin professor killed family 46 years ago, and now we're finding out; what it's like to have your movie taken away from you by Harvey Weinstein; David Edelstein on 'The Spectacular Now'; Matt Damon on the state of modern Hollywood; David Lynch on "Twin Peaks"
Marie writes: As the dog days of summer slowly creep towards September and Toronto starts getting ready for TIFF 2013, bringing with it the promise of unique and interesting foreign films, it brought to mind an old favorite, namely The Red Balloon; a thirty-four minute short which follows the adventures of a young boy who one day finds a sentient red balloon. Filmed in the Menilmontant neighborhood of Paris and directed by French filmmaker Albert Lamorisse, The Red Balloon went on to win numerous awards and has since become a much-beloved Children's Classic.
What happens when actors play themselves? Something funny, and often magical, as this Leigh Singer supercut proves. Text by Matt Zoller Seitz.
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
At night, the ski slopes of Park City, Utah, are lit so beautifully they look like screens awaiting a projection from the sky. A moviegoer attending Sundance Film Festival couldn't wish for a better backdrop for a long trek home after the final movie of the day is over. Even if the film happened to be lousy, those huge mid-air patches of white seem to hint that the good stuff is yet to come.
The Academy Award winners for the past thirty years have followed consistent molds, primarily in the categories of Best Actress, Best Actor, and Best Picture. It is a very simple set of templates that I will explain with excessive evidence. This is not to say that the Academy Awards are a conspiracy run by some secret society, although that idea would be quite fun. Rather, at the very least, there is a subtext to American culture that plays out in the ideas and ideals in American cinema, and it plays out consistently. At the very least, I'm illustrating some unwritten ideals in American culture. Whether or not they are healthy or corrupt, they are there in us. So, "Best Picture" is not a great movie; rather, it is a great movie that fulfills the mold.
Marie writes: While writer Brian Selznick was doing research for his book "The Invention of Hugo Cabret", he discovered the Franklin Institute in Philadelphia had a very old automaton in their collection. And although it wasn't one of machines owned by Georges Melies, it was remarkably similar and with a history akin to the one he'd created for the automaton in The Invention of Hugo Cabret...