In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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Cartel Land

The film provides a fascinating, on-the-ground account of people struggling with situations that range from challenging to horrific.

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Stray Dog

"Stray Dog" largely succeeds because Granik's technique complements her subject. Both he and the film are modest in their goals and cherish the value of…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Posting 27,000 times to one online forum; Reflections of synthetic skin; Norman Lear on the neglected mission of PBS; The assistant economy; Kristen Stewart on the industry of celebrity.

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#234 September 3, 2014

Sheila writes: Who doesn't love a good title sequence? I have my favorites. What are yours? The Art of the Title is a wonderful site that focuses on title sequences and in a recent post Ben Radatz and Bill Perkins write, "There are certain narrative, technical, and graphic techniques for which title design is an ideal venue. Because of its short format and creative license — and sometimes because of their budgets — title sequence real estate is often used to explore elaborate, abstract worlds previously unknown or unseen. For this reason — combined with an enduring human fascination with how things tick — Inner Workings is a theme that is frequented by a broad spectrum of genres (though, to be fair, most often by sci-fi and fantasy)." They break down some of their favorite title sequences, and how the sequences work visually and thematically. Lots of food for thought! Here's the whole post. Enjoy!

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#213 April 9, 2014

Sheila writes: Anyone with even a glancing familiarity with Roger Ebert's work will know how he felt about director Werner Herzog, the man and his films. Last week, Kevin Lee (critic, video essayist and Ebert friend and colleague), put together a fantastic video essay over at Fandor's Keyframe about Herzog's "Aguirre, the Wrath of God," using Roger Ebert's words about the film as a structure, almost as though it is a commentary track. You can read Kevin's words and watch the video at Keyframe.

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Thumbnails 10/18/2013

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The love and sex Gore Vidal dared not speak; critic Sam Adams is a (James) Franco-phile; the national conversation about sexual assault; a brilliant pop culture quiz; eleven Colorado counties angling to secede.

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#188 October 9, 2013

Sheila writes: As the daughter of a librarian, I grew up surrounded by books. It was a treat to go visit my father at the university library where he worked, since he had such a passion for books (a passion he passed on to his children). For some reason or another, I've seen a couple of photos over the past week of the Book Mobiles of yore on various vintage photo sites, and while they all pre-date me by a good decade or so, there is something beautiful about the idea of a traveling library bringing books to people who want them. I've had Book Mobiles on the brain. So I was pleasantly surprised to come across an entire post devoted to photos of them. Heaven! Included are photos of the now-defunct Book Mobiles, rusting away in people's yards, lovely and bittersweet reminders of a bygone era.

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9/19/2013

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Why "Breaking Bad" viewers whitewash Walter White; Pandora just got worse for musicians; U.S. home care aides to be covered by labor laws; N.J.'s ban on self-serve gasoline; the world's first invisible tower; James Franco on all book covers.

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The sounds of 'Twin Peaks'; the case for Internet newsletters; Jonathan Franzen is very, very angry; rethinking headphones; an app for building a database of everyone's dreams.

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#183 September 4, 2013

Sheila writes: The glamorous days of air travel were already on their way out by the time I first stepped foot on an airplane (Aer Lingus, 1980) so I have always been fascinated by glimpses of what traveling by plane used to be like: the linens, the cocktail glasses, the curtains, the elegance! I came across a piece about a man, Anthony Toth, who had such a sense of nostalgia for those bygone days that he built a partial replica of a Pan Am 747 in a warehouse in Redondo Beach, where he lives. At first, the replica was in his garage, but then he realized he needed to build an upper level, so he moved the entire thing to a warehouse, where it still sits today. The local press picked up on the story, and it created such interest that you can now visit and have dinner, Pan Am style.

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