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The Choice

The Choice totally botches its central pairing, to the point where you might find yourself hoping the blandly irksome twosome fail to even get together.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Posting 27,000 times to one online forum; Reflections of synthetic skin; Norman Lear on the neglected mission of PBS; The assistant economy; Kristen Stewart on the industry of celebrity.

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#234 September 3, 2014

Sheila writes: Who doesn't love a good title sequence? I have my favorites. What are yours? The Art of the Title is a wonderful site that focuses on title sequences and in a recent post Ben Radatz and Bill Perkins write, "There are certain narrative, technical, and graphic techniques for which title design is an ideal venue. Because of its short format and creative license — and sometimes because of their budgets — title sequence real estate is often used to explore elaborate, abstract worlds previously unknown or unseen. For this reason — combined with an enduring human fascination with how things tick — Inner Workings is a theme that is frequented by a broad spectrum of genres (though, to be fair, most often by sci-fi and fantasy)." They break down some of their favorite title sequences, and how the sequences work visually and thematically. Lots of food for thought! Here's the whole post. Enjoy!

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#213 April 9, 2014

Sheila writes: Anyone with even a glancing familiarity with Roger Ebert's work will know how he felt about director Werner Herzog, the man and his films. Last week, Kevin Lee (critic, video essayist and Ebert friend and colleague), put together a fantastic video essay over at Fandor's Keyframe about Herzog's "Aguirre, the Wrath of God," using Roger Ebert's words about the film as a structure, almost as though it is a commentary track. You can read Kevin's words and watch the video at Keyframe.

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Thumbnails 10/18/2013

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The love and sex Gore Vidal dared not speak; critic Sam Adams is a (James) Franco-phile; the national conversation about sexual assault; a brilliant pop culture quiz; eleven Colorado counties angling to secede.

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