Life of Crime
While it doesn’t hit the highs of the very best movies based on Elmore Leonard’s works, it’s also far less slick and ingratiating than the…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Highlights from the 2014 Comic-Con, including "Mad Max: Fury Road," "The Book of Life," "The Boxtrolls," "Hitman: Agent 47," and more.
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!
Marie writes: Why a picture is often worth a thousand words...Production still of Harold Lloyd in "An Eastern Westerner" (1920)
Those dudes over there in Ho'wood have no idea what makes a movie that the people will fall in love with, only how to front-load some lackluster ideas with massive budgets, multimillion-dollar print and advertising blitzes, and lame distractions like 3-D in lieu of good stories or capable storytelling.Just as all it would take to get truly progressive social policies on the table are public officials who aren't spineless or sociopathic, all the movies need is a creative executive who makes the sane calls, pushes for real ideas instead of bait-and-switch schemes gleaned from the advertising industry.
Pre-1966 Ho'wood (aka Hollywood) was full of such moguls. For all the racism, sexism, jingoism, and general dizziness that marks Hollywood history, it must be said that the businessmen who ran the show early on were at least in touch with audiences and filmmakers, not just baiting them with barrels of cash and empty promises of "awesomeness." (We live in the Awesome Age, where every scrap of popular entertainment is calculated to knock you down on your ass at every instance. The general effect, though, is similar to watching a hyper kid's melodramatic "death" during a round of cops-and-robbers. "There is nothing so boring in life, let alone in cinema, as the boredom of being excited all the time"--Anthony Lane.)
Q. Having been a fan of the short-lived and vastly underrated animated series "The Critic," the episode "Siskel & Ebert & Jay & Alice" never ceases to make me laugh. Having also been a fan of yours, I wondered three things: 1. How did getting you and Gene Siskel on the show occur? 2. Did you have any say-so in your lines? 3. Were you a fan of the show?
EXCERPT FROM INTRO: This isn't like Roger Ebert's "Great Movies" series. It's not my idea of The Best Movies Ever Made (that would be a different list, though there's some overlap here), or limited to my personal favorites or my estimation of the most important or influential films. These are the movies I just kind of figure everybody ought to have seen in order to have any sort of informed discussion about movies. They're the common cultural currency of our time, the basic cinematic texts that everyone should know, at minimum, to be somewhat "movie-literate." I hope these movies are experiences we can all assume we share.
Of the 21.25 Spielberg movies Roger Ebert has reviewed (the .25 being Spielberg's quarter of "Twilight Zone -- The Movie," which also featured segments by John Landis, Joe Dante and George Miller), his average rating has been 3.270588 stars. Count 'em:
CANNES, France -- One year I arrived in Cannes a little early, two days before the festival was scheduled to begin, and watched the waiters on the famous terrace of the Carlton Hotel as they loaded the good furniture into trucks and unloaded the weather-beaten rattan that I had come to know and love.
Hollywood has been waiting a long time to give Clint Eastwood an Oscar, and my hunch is, the wait is over. Eastwood's "Unforgiven," an elegiac Western about a retired gunfighter who pulls himself together for one final campaign, will win the best picture award when the Academy of Motion Picture Arts and Sciences gathers on the night of Monday, March 29.