The Disappearance of Eleanor Rigby: Them
"The Disappearance of Eleanor Rigby: Them" is an affecting but disjointed film about trauma's impact on one couple and their families.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The legacy of "Empire Records"; BuzzFeed's secret weapon; A thousand years of the Persian book; Female characters in film; The Persona of 3 Women on Mulholland Dr.
David Chase comments on Tony Soprano's fate; How writers find their voices; The 'Star Wars' Lucas wants to forget; 20 overlooked 60s thrillers; Hollywood's new hit factory.
An appreciation of "Twin Peaks" and review of the "The Entire Mystery," the Blu-ray release of all 30 episodes and "Twin Peaks: Fire Walk with Me."
Remembering James Garner; Jerusalem Film Festival; Ignatiy Vishnevetsky on "At the Movies"; Val Kilmer in "Tombstone"; DC Comics' Diversity Crisis.
Remembering Elaine Stritch; The Eddie Murphy Raw Burger; Black Twitter is Dead; Writer Escapes His Pederast; Deleted Scenes from "Twin Peaks" Movie.
Re-reading Ramona through a parent's eyes; what happens when female villains and avengers drive movies; Shonda Rhimes disses hashtag activism; creepy Paddington Bear.
May 2014 Blu-rays of note.
Ryan Gosling's feature directorial debut is hardly the "disasterpiece" detractors claim.
A counterpoint opinion on David Cronenberg's "Map to the Stars."
Cannes Flashback #2: David Lynch Gives Filmgoers All They Can Handle
A tribute to Swiss surrealist H.R. Giger, designer of the titular creature of the "Alien" series.
Chaz writes to Roger about attending the Oscars without him.
Matt Zoller Seitz's Top 10 films of 2013.
Sheila writes: David Lynch presents his latest, something called The Interview Project, 121 mini-documentaries about life in America. You can read more about the project at Open Culture and check out Lynch's introductory video here.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
"Rainer on Film: Thirty Years of Film Writing in a Turbulent and Transformative Era" is a remarkable collection of reviews and essays from critic Peter Rainer. This essay on film noir and neo-noir is excerpted from the book.
Netflix's move into television content has been bold and much-hyped. Can they get us beyond the old binary of comedy and drama that has dominated television for so long?
Seven women writers talk about their problems with "male feminism"; Wikipedia blocks U.S. senate for "vandalism" of Edward Snowden's page; Millikin professor killed family 46 years ago, and now we're finding out; what it's like to have your movie taken away from you by Harvey Weinstein; David Edelstein on 'The Spectacular Now'; Matt Damon on the state of modern Hollywood; David Lynch on "Twin Peaks"
All the movies Stanley Kubrick was known to have liked; the 25 most exciting young female filmmakers in cinema today; Skyler White is not a bitch; why Spike Lee doesn't need Kickstarter; reporter's account of watching her elderly parents getting arrested; scientists implant false memory in a mouse's brain; Paul Thomas Anderson directs Fiona Apple.
Female horror writers you should be reading; "Community" showrunner Dan Harmon reveals all (or some); why critics hate 'The Newsroom'; Jane Campion is tired of film; Britain legalizes gay marriage; Jean-Luc Godard in 3-D.
Scott Jordan Harris muses on the awful pleasures of the lowest-grossing film of 2012.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
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I sure do miss David Lynch movies. I was reminded of this a few weeks ago, when he appeared as Jack Dall, the CBS late-night talk show producer and relative of his FBI man Gordon Cole, on a couple episodes of "Louie," and again when I read this piece by Roger Ebert about movies and meanings, featuring the fantastic interview clip (from the Japanese DVD of "Mulholland Dr."), below. Lynch hasn't made a movie since his deeply disturbing internal epic "INLAND EMPIRE" in 2006. Lynch works in multiple media, and in 2011 released his "debut solo album" with the delightful title of "Crazy Clown Time," the title song for which accompanied by a hellish video that would not have been out of place in "Twin Peaks: Fire Walk with Me" (the Road House after-party, perhaps), "Lost Highway" or any number of other Lynchian nightmares.
One of the readers of this blog asked a few days ago if audiences absolutely demand that movies be linear and realistic. The question came in the thread about "Cloud Atlas," which in fact is realistic, at least in the sense that we understand stories set in the past and in the future--although we don't often get six of them in the same film. There's nothing in the film we can't understand in the moment, although we may be hard-pressed to understand how, or if, they fit together. And if the actors play multiple characters of various races, genders and ages, well, we understand that too.
I'm posting this review of "Cloud Atlas" both on my web site and as a blog entry, because the blog software accepts comments and I want to share yours. At the end, I have added the post-screening press conference at Toronto.
Even as I was watching "Cloud Atlas" the first time, I knew I would need to see it again. Now that I've seen it the second time, I know I'd like to see it a third time--but I no longer believe repeated viewings will solve anything. To borrow Churchill's description of Russia, "it is a riddle, wrapped in a mystery, inside an enigma." It fascinates in the moment. It's getting from one moment to the next that is tricky.