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Alice Through the Looking Glass

There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…

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Of Men and War

Bécue-Renard brings his own brutality to the topic of PTSD, by putting us at odds with feeling his subjects' pain, or only studying it.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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#267 December 9, 2015

Sheila writes: Mike D'Angelo over at the A.V. Club has written a very interesting article called "What I learned from watching the first 10 minutes of 500 movies". He speaks of the challenge, as a film critic, to see as much as he can in any given year, not just the hits but the secondary films, the ones that don't generate any "buzz." In doing so, he started thinking about "the first 10 minutes" of films and how crucial they are. D'Angelo writes, "Basically, I give the movie 10 minutes to grab my attention. Most of them fail, and get turned off at that point. If I’m still interested, though, I’ll watch for another 10 minutes. There are two more potential bail-out points at 0:30 and 0:40; if I still want to keep going after 40 minutes, I commit to watching the entire film, even if it turns awful later." His essay has a lot of observations about screenwriting, first of all, but also the nuts-and-bolts of storytelling.

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Why Tarantino shouldn't apologize; Gender-flipped "Ocean's Eleven"; "Mulholland Dr." is a movie and a TV show; Trumbo sisters are proud of their father; Why old women are the face of evil.

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