An FFC looks at Spike Lee's Malcolm X at this point in history.
Matt writes: On our annual Day4 Empathy commemorating the passing of Roger Ebert, our site's publisher Chaz Ebert penned a beautiful message wishing readers health, safety and compassion during the COVID-19 pandemic, while managing editor Brian Tallerico republished Roger's reviews of various films that we're watching during the quarantine. I later joined my fellow writers in recommending the films and shows we've been streaming at home (my choice was Hulu's addictive new series "Little Fires Everywhere," starring Reese Witherspoon and Kerry Washington).
On some of the best films that had their premiere delayed after SXSW was canceled.
Our staff choices for the best films from 2010 through 2019.
The latest on Blu-ray and DVD includes Spider-Man: From Home, Child's Play, and the Criterion edition of The Circus.
An interview with director Gregory Nava about the re-release of his masterpiece, "El Norte," on Sunday, September 15th, courtesy of Fathom Events.
An interview with the writer/director of Squirrel, and a presentation of the short film.
An in-depth preview on the classic noir films that will be playing at Chicago's Music Box Theater from Sept. 6-12.
RogerEbert.com contributor Godfrey Cheshire talks about his new book Conversations with Kiarostami, a collection of his interviews with the legendary Iranian director.
A nightmare movie ruled by nightmare logic, and gorgeous from start to finish.
An interview with film critic Jonathan Rosenbaum about his new two-volume book collection, Cinematic Encounters.
A review of two premieres from Sundance, including films starring Emma Thompson and Hillary Swank.
A collection of all our tributes this past year to the unforgettable talent we lost.
The best in television for the year.
The staff choices for the best films of 2018.
What's new on Netflix and Blu-ray, including The Meg, Crazy Rich Asians, and Blindspotting.
There's a moment when you get lost in a memory so intense that when you emerge, you aren't sure if you've been spacing out for a second or a minute. That's where Nicolas Roeg's cinema lived.