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Blog Posts That Mention Sandler
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2023: The Year of the Teacher
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Home Entertainment Guide: December 2021, The Criterion Collection
Tim Robinson’s I Think You Should Leave Returns with More Clever Absurdity
Breaking In: On the 40th Anniversary of Tangerine Dream’s Thief Score
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
TIFF 2020: True Mothers, Limbo, Another Round
Judd Apatow on The King of Staten Island, Telling Pete Davidson’s Story, Self-Help Books and More
Home Entertainment Guide: March 20, 2020
We Are All Connected: Backstage at the 2020 Academy Awards
Watch the Academy Awards and the Film Independent Spirit Awards This Weekend
The 4-Star Films of 2019
The Great Performances of 2019
Once Upon a Time … in Hollywood Leads Chicago Critics Nominations
The Ten Best Films of 2019
TIFF 2019: Joker, Uncut Gems
Telluride 2019: Ford v. Ferrari, Uncut Gems, Marriage Story
Home Entertainment Consumer Guide: October 25, 2018
Comic-Con 2018: Two Panels about Women Working in Hollywood
Bright Wall/Dark Room May 2018: An Essay on ‘Punch Drunk Love’ by Ethan Warren
SXSW Film Festival 2018: Thunder Road, Brothers’ Nest, Boundaries
The RogerEbert.com Interviews of 2017
The Great Performances of 2017
The Lies of the Deathbed Scene (and Also the Truth)
Cannes 2017: Palme d’Or predictions
Cannes 2017 Video #4: “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and More
Cannes 2017: “Happy End,” “The Meyerowitz Stories,” “Before We Vanish”
Cannes Film Festival 2017 Preview
Thumbnails 5/15/17
Hollywood Beginning: Eugenio Derbez on “How to Be a Latin Lover”
Non-Stop Action, Festival Favorites and More: A Winter 2017 Film Preview
Home Entertainment Consumer Guide: November 17, 2016
New York Asian Film Festival 2016 Preview
Thumbnails 6/6/16
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Meet the Writers: Monica Castillo
Sundance 2016: “Yoga Hosers”
The Individual Top Tens of 2015
Thumbnails 9/4/15
2015 Fall Movie Preview
Women Aren’t Battle Trophies: A Look at “Pixels”
Who’s Who In Reviews: Peter Sobczynski
The Worst Movies of 2015 (So Far)
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Richard Corliss, 1944-2015: Everywhere at Once
Godfrey Cheshire’s “Death of Film/Decay of Cinema” Essay
Thumbnails 10/30/14
TIFF 2014: Notes From Odie’s TIFF Diary
One That Made Me Laugh, One That Made Me Cry
TIFF 2014, Day Four: “Men, Women & Children,” “Ruth & Alex,” “Boychoir”
2014 Toronto International Film Festival Preview: Five Key Questions
Death of Film/Decay of Cinema at 15: A Conversation with Godfrey Cheshire
Meet the Writers: Nell Minow
Thumbnails 5/28/2014
James Gray on His Personal Vision For “The Immigrant”
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On the Need for a “Harlem Renaissance” for Latino Cinema
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the Your Movie Sucks™ files
Mamet’s Spector of reasonable doubt
Did more people hate “Speed 2” than saw it?
Ebert’s Most Hated
Readers’ choice as funniest movie title ‘Incredibly Strange’
A Convenient Semi-Truth
Who (ghost-?) wrote Whose idea was Mall Cop?
Generic Movie Based on the Movie They’ve Been Releasing Every Single Week Since the 1980s
Opening Shots: ‘Punch-Drunk Love’
A Fan’s Notes
Contrarianism Blog-a-Thon: Let the perversity begin!
Into the Great Big Boring
Sex and the City: Girls do poop!
George C. Scott watches the Jack and Jill Trailer
The Return of the Autobiographical Dictionary of Film
Misinterpreting the Tomatometer
Revulsion
What is a “rape joke,” anyway?
Flamers
What we think we think we know (about movies)
The most taxing people in movies
The Evil, the Bad and the (Self-)Important
Movie critics: Pros and cons
Oh no! The secret is out!
