Our predictions for the winners at Sunday night's Academy Awards.
An annotated table of contents spotlighting all the writers contributing to Women Writers Week 2021 at RogerEbert.com.
A feature on some of the best representations of female friendship in movie history.
Matt writes: It was the day after the Cubs had won the World Series. With fans cheering and cars honking into the early morning hours, I had gotten no sleep. And yet nothing was going to stop me from interviewing James Redford (son of Robert) about his insightful documentary, “Resilience: The Biology of Stress and the Science of Hope.”
Jonathan Demme's remake of the classic film has its own voice and energy.
Expressing our gratitude to Managing Editor Brian Tallerico, who has now been a part of the RogerEbert.com team for six years.
The Soderbergh single-year double feature has been a fixture of the director’s work for nearly 20 years.
An article about "Jojo Rabbit" winning the TIFF Grolsch People's Choice Award and its director Taika Waititi wins the Ebert Director Award at the 2019 Toronto International Film Festival.
An overview of twelve films in the 2019 Venice Film Festival that get my thumbs-up vote.
Underrated in the manner of so many Steven Spielberg historical dramas, “The Post” is a journalism thriller that doubles as a stealth portrait of the media’s responsibility in the age of Trump.
Matt writes: On August 11th, the African American Film Critics Association held its inaugural TV Honors ceremony, co-hosted by AAFCA president Gil Robertson IV and RogerEbert.com publisher Chaz Ebert. Ava DuVernay's Netflix series, "When They See Us," about the exonerated Central Park Five, earned four accolades, including Best Limited Series, Best Writing, Best Ensemble and Best Breakthrough Performance (the brilliant Jharrel Jerome).
An article about New Zealand filmmaker Taika Waititi receiving the Ebert Director Award at the annual Toronto International Film Festival during the TIFF Tribute Gala Awards.
A feature on the career of Leonardo DiCaprio through five performances: Titanic, Catch Me If You Can, The Aviator, Shutter Island, and The Wolf of Wall Street.
Horror has long been a vehicle for expressing the ways in which relationships of different generations crumble.
An essay by Lindsey Romain about Postcards from the Edge, as excerpted from the latest edition of online magazine Bright Wall/Dark Room.
Great Movies
