Pierrot le Fou
Produced by
Georges
Georges Movie Reviews
Blog Posts That Mention Georges
Hurt Locker: Georges Bataille and the visceral cinema of Kathryn Bigelow
Cannes 2025: Nouvelle Vague, A Magnificent Life
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
2025 Sundance Film Festival Announces Ambitious Program
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Flying to the Moon: Ten Films About the Apollo Program
SXSW 2024: Songs from the Hole, The Black Sea, Adrianne & The Castle
A (Not So) Brief History of Silent Film Influences on Pop Music
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
A Farewell from Our Literary Editor, Matt Fagerholm
Sundance 2024: It’s What’s Inside, Realm of Satan, Your Monster
CIFF 2023: Robot Dreams, The Crime is Mine, Limbo
Arrow Releases Stunning 4K Special Edition of Martin Scorsese’s Hugo
He Did It All: William Friedkin (1935-2023)
A True Marriage of Picture and Music: Benjamin Millepied on Carmen
Colors of Film Deconstructs Visual Palettes of Cinema History
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Home Entertainment Guide: September 2022
Image is Happiness: Jean-Luc Godard (1930-2022)
Our Favorite Roger Reviews: Diabolique
Home Entertainment Guide: March 2022
A Preview of the 2022 Rendez-Vous with French Cinema
Douglas Trumbull: 1942-2022
A Preview of the 2021 Karlovy Vary International Film Festival
Sun-Kissed Tension: On the Staying Power of Deray’s La Piscine
Bertrand Tavernier: 1941-2021
Short Films in Focus: Summer Hit
How We Choose Our Favorite Film, and Why Mine is Joe Versus the Volcano
Love Dialogue: Céline Sciamma on Portrait of a Lady on Fire
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Venice 2019: Roman Polanski’s J’Accuse
Cannes 2019: Bong Joon-ho Wins Palme d’Or for Parasite
Cannes 2019: Deerskin opens Directors’ Fortnight; Chloë Sevigny in The Dead Don’t Die
Art, Love, and the Healing Ambiguities of Shirkers
Home Entertainment Consumer Guide: February 21, 2019
Nick Allen’s Top Ten Films of 2018
Sheila O’Malley’s Top Ten Films of 2018
Glenn Kenny’s Top Ten Films of 2018
Monica Castillo’s Top Ten Films of 2018
The Ten Best Films of 2018
RIFF 2018: The Stranger, Sunset, Phallological Museum
Sundance 2018: Shirkers, Generation Wealth, Colette
Winners of 2018 Sundance Film Festival Awards Announced
Hypocrisy Exists Everywhere: Michael Haneke on “Happy End”
Blu-ray Review: Criterion’s “100 Years of Olympic Films: 1912-2012”
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
TIFF 2017: “The Square,” “Happy End,” “The Other Side of Hope”
Comic-Con 2017: Interview with Brian Selznick about “Wonderstruck”
Cannes 2017: “Happy End,” “The Meyerowitz Stories,” “Before We Vanish”
Accidentally In Sync: Azazel Jacobs on “The Lovers”
Ebertfest 2017: “De-Lovely,” “Pleasantville,” “Varieté,” “July and Half of August”
Hot Docs 2017: “Maison du Bonheur,” “Becoming Bond,” “78/52,” “Erotica: A Journey Into Female Sexuality”
Emmanuelle Riva: 1927-2017
The Macau Film Festival 2016: Classics in the “Crossfire” Sidebar, A Mexican Found Footage Horror Film and More
AFI Fest 2016: Otto Preminger’s “Carmen Jones”
NYFF 2015: “The Walk”
Telluride 2015: Shorts by Godard, Varda and Renoir
Conversations with Christian Petzold’s “Phoenix”
Surviving the Shipwreck: Christian Petzold and Nina Hoss on “Phoenix”
You Don’t Have To Be A Movie Buff To Love The Pulitzer-Prize-Winning Play “The Flick,” But It Helps
Christopher Lee: 1922-2015
Bright Wall/Dark Room May 2015: Indoor Kids by Anna Sjogren
Ebertfest 2015 Comes Alive With the Sound of Music
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
A Celebration of His Work: 13 of Roger Ebert’s Most Essential Reviews
Thumbnails 3/12/15
Thumbnails 10/31/14
NYFF Interview: Mathieu Amalric on “The Blue Room”
The Best of the d’Ors
The Unloved, Part 6: Sorcerer
Blu-ray Consumer Guide: March 18, 2014
Rainy Day Blues: Cannes Report: May 18, 2013
Good-bye to All That
Roger Ebert’s Best 10 Films of 1990
Love under stormy skies
“There’s a fungus between my toes that speaks to me.”
I have lunch with the mayor
Almodovar’s limp noodle, Panahi’s home movie
Opening Shots: ‘Superman,’ ‘Lost in Translation,’ more
What is hidden in Caché?
LA & NY crix love The Social Network and Carlos
12 writers, 12 films: MSN’s Best Movies of the Decade
Moments Out of Time 2010
Name That Director!
VIFF #3: Almodovar gets skin deep
Surprises? MSN Contribs’ Top 10 Movies of 2009
The film that will never exist
A comedy that keeps swimming
Symbols more real than reality
The man who decided to go along
Love and death (not necessarily in that order)
Cannes #1: On a darkling plain
Does anyone want to be “well-read?”
“Caché:” A riddle, wrapped in a mystery, inside an enigma
CIFF 2009: The winners! And our reviews
The Best Films of 2011
Toronto #1: Good films are back in season
Cannes #8: Oh, the days dwindle down, to a precious few…
