Ordet
Written by
Dreyer
Dreyer
Dreyer Movie Reviews
Ordet
Blog Posts That Mention Dreyer
Interviews
Cinema is My Calling Again: Nicolas Winding Refn on “Her Private Hell”
Features
Male Directors Can’t Stop Making Movies About Female Pop Stars
DVD/Blu-Ray
Jonathan Glazer’s “Birth” is Resurrected in a Haunting Criterion 4K Release
Video Games
“Silent Hill f” Sends Gamers to a New Destination in a Terrifying Universe
Interviews
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Interviews
There’s No Catharsis: David Cronenberg on “The Shrouds”
Features
Book Excerpt: A Complicated Passion: The Life and Work of Agnès Varda by Carrie Rickey
Interviews
Suicide by Proxy: An Interview With the Filmmakers of The Devils’ Bath
Festivals & Awards
Cannes 2024: The Girl with the Needle, Wild Diamond
Features
Short Films in Focus: I Have No Tears, and I Must Cry
Features
A (Not So) Brief History of Silent Film Influences on Pop Music
Features
The Tenth Anniversary of The Unloved
Festivals & Awards
Fantastic Fest 2023 Highlights: The Devil You Know
Festivals & Awards
NYFF 2023: Highlights of the First Week of the Fest Include New Todd Haynes, Nuri Bilge Ceylan
Interviews
Moths to the Flame: Damien Chazelle on Babylon
Festivals & Awards
Stay Weird: Highlights of the 2022 Fantastic Fest
Tributes
Image is Happiness: Jean-Luc Godard (1930-2022)
Far Flungers
There Are Many Different Types of Deaths: On This is Not a Burial, It’s a Resurrection
Festivals & Awards
Roger’s Top Ten Lists: Best Films of 1973
Far Flungers
Witchcraft vs. The Patriarchy in Häxan, Witchhammer, and Belladonna of Sadness
Features
NYFF 2021: The Tragedy of Macbeth, Festival Highlights
Interviews
Love Has No Gender: Kantemir Balagov on Beanpole
Features
Roger Ebert’s Celebration of Hispanic FIlmmakers
Festivals & Awards
Cannes 2019: The Lighthouse, Lux Aeterna
Festivals & Awards
Cannes 2019: The Wild Goose Lake, Jeanne
Features
Sheila O’Malley’s Top Ten Films of 2018
Features
Matt Fagerholm’s Top Ten Films of 2018
Interviews
The Silence: Paul Schrader on First Reformed
Features
Thumbnails 4/10/18
TV/Streaming
Home Entertainment Consumer Guide: March 22, 2018
TV/Streaming
“Vampyr” and Other Horror Classics From Criterion For Halloween
Festivals & Awards
The Greatest Show on Earth: Recap of the 2017 Telluride Film Festival
Festivals & Awards
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
Festivals & Awards
True/False Film Festival 2017
Interviews
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Festivals & Awards
Moving Pictures: A Recap of the 2016 TCM Classic Film Festival
Features
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Interviews
Cinematic Exorcism: Director Robert Eggers on “The Witch”
Features
The Young Person’s Guide To Max Von Sydow, Part One
Features
The Great Movies Review of “Groundhog Day”
Features
Bright Wall/Dark Room October 2014: “The Flower of Evil” by Karina Wolf
Features
Lenses and Reflections: “I Origins” and the history of the eye closeup
TV/Streaming
Blu-ray Consumer Guide: May 2014
Features
Thumbnails 4/4/14
Chaz's Journal
Ebert Club Members Mark a Year Since Roger’s Passing
Features
In Defense of Armond White
MZS
The Unloved, Part 1: ALIEN 3
Festivals & Awards
Post-Cannes: Two Critics Look Back Over This Year’s Festival
Features
100 Great Moments in the Movies
Festivals & Awards
Fresh cinematic air at 7,000 ft.
Roger Ebert
Tavernier vs. Rosenbaum
Roger Ebert
Re Bergman: Rosenbaum responds to Ebert
Roger Ebert
In defense of digital moviegoing
Roger Ebert
The man who is scaling Mt. Criterion film by film
Roger Ebert
100 great movie moments
Festivals & Awards
The bookie for the Palme d’Or
Scanners
Avatar, the French New Wave and themorality of deep-focus (in 3-D)
Scanners
“We can’t stop the dancing chicken!”: Ebertfest photos #2
Scanners
The “Best” Non-English-Language Films (Round 1)
Scanners
Bordwell & Thompson: Crix of the ’00s!
Scanners
Pulp Fiction: Nothing serious?
Scanners
Stages of a Cinephile
Scanners
British film Philistines
Scanners
Andrew Sarris, auteurism, and his take on his own legacy
Scanners
The 100 Most Acclaimed Movies of the 20th Century
Scanners
Prometheus: Alien origins:The skeleton beneath the exoskeleton
Scanners
Loose Canon: Paul Schrader and the end of movies
Scanners
Bergman: Sawdust and Tinsel?
Scanners
In movies begin responsibilities
Scanners
Opening Shots: ‘Quills’
Scanners
The enemy of my enemy is my friend
Scanners
Greatest Films of All Time: Where’s the funny?
Scanners
Mishima: Blood cult
Scanners
The best greatest movies ever list
Scanners
Ebert Strikes Back
Scanners
Name That Director!
Scanners
Yes, But Is It Art? Part 237
Scanners
The 100 Greatest Directors of… what?
Scanners
Fanny & Rosenbaum & Bordwell
Scanners
Thought experiment: Are some movies better if you don’t see them?
Scanners
Video games: The ‘epic debate’
Scanners
Repeatable pleasures
Far Flungers
Doo Wop, cool and raw masculinity
Roger Ebert
In search of redemption
Roger Ebert
A few calm words about The List
Roger Ebert
“What’s your favorite movie?”
Festivals & Awards
On Clint Eastwood directing “Million Dollar Baby”
Festivals & Awards
Ebert’s intro to Overlooked Fest ’05
Interviews
Defending Ingmar Bergman
Interviews
Fighting over Bergman’s legacy
Movie Answer Man
Stark beauty, dark vision
Movie Answer Man
Sorry, haters, all you need is love
Movie Answer Man
