Apocalypse Now /Redux
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Coppola
Coppola Movie Reviews
Blog Posts That Mention Coppola
Ebertfest 2025 Announces Full Schedule, With Guests Including Francis Ford Coppola, Susan Seidelman, Rosanna Arquette, and More
Eleanor Coppola Was the Guardian Angel of Apocalypse Now
Along for the Ride with Sofia Coppola
Spit On A Griddle: The Return of Francis Ford Coppola’s One from the Heart
A Look Inside Sofia Coppola’s New 488-Page Retrospective, Archive
Video Interview: Sofia Coppola, Kirsten Dunst and Elle Fanning on “The Beguiled”
Francis Ford Coppola’s “Rumble Fish” Reigns on Criterion Blu-ray
Roger’s Favorites: Sofia Coppola
The Next Coppola
Coppola looks forward to his own films
Interview with Robert Duvall & Francis Coppola
“Napoleon” & Carmine Coppola
Coppola on laziness: Let’s go to the transcript
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Your Guide to Ebertfest 2025: Day 2, April 24th
Chicago Critics Film Festival Announces Full Schedule, Special Guests
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: The Films of Euzhan Palcy
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
I Think Of Them As The Work: Gene Hackman (1930-2025)
Meet the Writers: Zachary Lee
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
The Great Craft of 2024
The Great Performances of 2024, Part Two
The World Isn’t As Funny Now: Teri Garr (1944-2024)
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
The Atlas of Cinema: In Praise of Adam Driver
TIFF 2024: A Canadian Perspective on This Year’s Festival of Festivals
TIFF 2024: Bonjour Tristesse, The Fire Inside, The Last Showgirl
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Let The Dead Sleep: On “Alien Romulus” and Digital Resurrection
TIFF 2024: 20 World Premieres We Can’t Wait to See
“Risky Business” Remains One of the Most Daring Films of the ’80s
In Memoriam: Alain Delon
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
Home Entertainment Guide: June 2024
The Brat Pack Movies, Ranked
Cannes 2024: Normal Normal or Cannes Normal?
Cannes 2024 Video #8: Award Winners
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
Cannes 2024: The Weirdo Films of Cannes
Cannes 2024 Video #3: Megalopolis, Kinds of Kindness, Oh Canada, Bird, Wild Diamond
Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides
Cannes 2024: Megalopolis
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
Cannes 2024 Video #2: The Festival Takes Off
Two More Weeks in the Midday Sun
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
A Preview of the 2024 Cannes Film Festival
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
The 10 Most Anticipated Films of Cannes 2024
The Movies That Underwent Major Changes After Their Festival Premiere
The 2024 Chicago Palestine Film Festival Highlights
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
A Plea for Someone to Save Megalopolis
The Scene That Clint Eastwood Cut to Make Unforgiven a Classic
Women Writers Week 2024: Table of Contents
Introduction to Women Writers Week 2024
30 Minutes On: Dune Part One
Home Entertainment Guide: February 2024
Female Filmmakers in Focus: Erige Sehiri on Under the Fig Trees
The Future of the Movies, Part 2
Book Excerpt: Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema by Odie Henderson
Oscar Predictions 2024: What Will Be Nominated This Year
How We Got Here: Ava DuVernay on Origin
The Great Performances of 2023
Female Filmmakers in Focus: Noora Niasari on Shayda
Apple TV+’s The Buccaneers Shakes Up High Society
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
NYFF 2023: May December, Kidnapped, Close Your Eyes
Wes Anderson Evolves Signature Style in Four Netflix Short Films
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
Short Films in Focus: Belongings
Print the Legend: On the Legacy of William Friedkin
He Did It All: William Friedkin (1935-2023)
The Best Performance in Oppenheimer Belongs to Alden Ehrenreich
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Female Filmmakers in Focus: Carolina Cavalli on Amanda
Redacting Racism: Some Thoughts on Race-Blind Casting
A True Marriage of Picture and Music: Benjamin Millepied on Carmen
The Consummate Collaborator: Bill Butler (1921-2023)
Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines
Tom Luddy (1943-2023)
Sundance 2023: Fairyland, Still: A Michael J. Fox Movie, Magazine Dreams
Child of Graceland: Lisa Marie Presley (1968-2023)
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
Home Entertainment Guide: Horror Movie Edition
The Force of Hope: Mathieu Amalric on Hold Me Tight
Telluride Film Festival 2022 Highlights
