Maladies
Director
Carter
Carter Movie Reviews
Blog Posts That Mention Carter
Pioneering Actor-Producer Terry Carter Dies
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Giving It Texture: Costume Designer Ruth Carter on Black Panther
Helena Bonham Carter on “The Young and Prodigious T.S. Spivet”
The Unloved, Part 2: John Carter
A couple interesting items about composer Carter Burwell
Helena Bonham Carter: Queen of the period picture
Robert Daniels & Odie Henderson Talk Sinners
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
What’s gone can never be replaced: thoughts on Los Angeles, disasters, and the present moment
Tim Allen and Kat Dennings Fire on All Cylinders in ABC’s “Shifting Gears”
A Moral Compass: Ben Chaplin, Leonie Benesch, and Tim Fehlbaum on “September 5”
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
The Steady, Inevitable Decline: Sideways at 20
A Cinematic Partnership for the Ages: James Ivory and Director Stephen Soucy on Telling the Merchant Ivory Story
Telluride Film Festival 2024: Memoir of a Snail, Better Man, The White House Effect
Home Entertainment Guide: August 2024
Netflix’s “Terminator Zero” Takes Too Long to Develop Its Own Identity
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50
MGM+’s Messy The Emperor of Ocean Park Rules Over Convoluted Empire
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
Black Writers Week 2024: Table of Contents
Netflix’s Bridgerton Makes Some Improvements to its Popular Formula
Introducing Ebertfest 25’s Film Critics and Scholars
David Krumholtz Wants to Reintroduce Himself to You
Has The Needle Moved on the Impact of Women in Cinema for 2023?
Beyoncé and My Daughter Love Country Music
Home Entertainment Guide: January 2024
“He Stood on a Firm Piece of Earth”: John Patrick Shanley on Moonstruck director Norman Jewison
The Critics Choice Association’s Celebration of Cinema and Television Honoring Black, Latino, and AAPI Achievements in 2023
The Tenth Anniversary of The Unloved
Kokomo City Named IFSN Advocate Award Winner
Roger Ebert on the Films of Martin Scorsese
TIFF 2023: Finestkind, Ezra, One Life
TIFF 2023: 20 World Premieres We Can’t Wait to See
Everything Is Fate: Julian Sands (1958-2023)
Star Trek: Resurgence is a Welcome Throwback to ’90s Trek
Netflix’s FUBAR is a Depressingly Routine Comeback Vehicle for Arnold Schwarzenegger
Chicago Critics Film Festival 2023 Preview: Chicago Premieres of Acclaimed Films from Around the World
10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
Oscars 2023: What It’s Like to Attend Hollywood’s Biggest Night
Home Entertainment Guide: February 2023
Apple TV+’s New Weeper Dear Edward Is Hardly Good Grief
Sundance 2023: Kokomo City, Twice Colonized, Little Richard: I Am Everything
Mrs. Catherine Stovall (1919-2023)
10 Major Snubs and Surprises from the 2023 Oscar Nominations
The Stars Shine at the 2023 Critics Choice Awards
Variety Hosts Ten Directors to Watch and Creative Impact Awards Brunch
The Great Filmmaking Craft of 2022
Everything Everywhere All at Once Leads Chicago Film Critics Nominations
Home Entertainment Guide: November 2022
Despite Terrific Performances, The Crown is Getting Wobbly
The Protein of It All: A Conversation with Tamara Jenkins, BendFilm Festival’s Indie Woman of the Year
Odie Henderson: An Anniversary Celebration
Words of Wisdom from a Woman on her 103rd Birthday
Five Movies to See OIT (Only in Theaters)
The Legacy of Gen-X Black Filmmakers
Silver Screen Approved: The Top 5 Actors from Hip-Hop
Ozark Pushes Off the Pier For Its Last Boat Ride
Thumbnails 4/5/22
Previewing and Predicting the 94th Academy Awards
Everything You Need to Know About the 94th Academy Awards (So Far)
Home Entertainment Guide: February 2022
The 2022 Oscar Nominees: A Full List
Sundance 2022: Three Minutes – A Lengthening, Lucy and Desi, Downfall: The Case Against Boeing
Hulu’s How I Met Your Father is Another Hollow Nostalgia Grab
NYFF 2021: The Tragedy of Macbeth, Festival Highlights
Disney+’s What If…? is a Cynical Remix of MCU Storylines
Sitting in the Undefined: Philip Ettinger on The Evening Hour
Leigh Janiak on the Making of the Fear Street Trilogy, Its Queer Love Story, Cliffhanger Endings, and More
Shadow and Bone Sets Itself Apart from the YA Pack with Welcome Restraint
Short Films in Focus: The Oscar-Nominated Short Films of 2021
Hal Holbrook: 1925-2021
Spike Lee Receives American Cinematheque Award
The Individual Top Tens of 2020
The Crown Rests its Fourth Season Between Soap Opera and Greek Tragedy
The American Actor: Kevin Costner on Let Him Go
Bright Wall/Dark Room October 2020: I’m Happy To Disappoint You: A Gen X Girl’s Undying Love for Ellen Ripley by Kali White VanBaale
Nine Film Festival Favorites That Deserve a Home
Break Open the Paradigm: Amanda McBaine and Jesse Moss on Boys State
John Saxon: 1935-2020
Anna Kendrick Can’t Hold Flimsy Love Life Together
DC’s Stargirl Flies Thanks to Engaging Cast
Nausicaä Awakens: The Influence of Hayao Miyazaki on the Star Wars Sequel Trilogy
The History of The Unloved
What We’ve Watched During the Quarantine
Home Entertainment Guide: March 20, 2020
Five Spike Lee Films Released on Blu-ray
They’ve Gotta Have Us Charts Black Experience in Cinema
Sundance 2020: Nine Days, Minari, The Evening Hour
Stars Shine at the 25th Critics Choice Awards
The Best Scores of the Decade
Netflix and Marriage Story Lead 2019 Golden Globe Nominations
Black Cinema to be Celebrated by the Critics Choice Association at December 2nd Ceremony Honoring Murphy, Long, Ejiofor and Lemmons
Olivia Colman Leads Netflix’s The Crown in Fascinating Third Season
Smile When You Say That: Joker’s Last Laugh
