Wuthering Heights
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Arnold
Arnold Movie Reviews
Blog Posts That Mention Arnold
Netflix’s FUBAR is a Depressingly Routine Comeback Vehicle for Arnold Schwarzenegger
Female Filmmakers in Focus: Andrea Arnold on Cow
A warm and fuzzy Arnold for the ’90s
The rise of Arnold Schwarzenegger
Netflix Unpacks One of Chicago’s Most Infamous Unsolved Mysteries in “Cold Case: The Tylenol Murders”
The 2025 TCM Classic Film Festival
How “The Seed of the Sacred Fig” Subverts the “Save the Girl” Trope
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
My Night at the Critics Choice Celebration of Black Cinema and Television
London Film Festival 2024 Highlights
London Film Festival 2024 Preview
Everything the Light Touches: James Earl Jones (1931-2024)
TIFF 2024: Dahomey, Bird, Oh Canada
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Female Filmmakers in Focus: Angela Patton and Natalie Rae
The Future Was Now Warps Through the Seminal Sci-Fi Summer of 1982
The 10 Best Fourth of July Releases of the 21st Century
At the Movies, It’s Hard Out There for a Hit Man
Cannes 2024: Normal Normal or Cannes Normal?
Cannes 2024 Video #3: Megalopolis, Kinds of Kindness, Oh Canada, Bird, Wild Diamond
Cannes 2024: Megalopolis, Bird, The Damned, Meeting with Pol Pot
A Preview of the 2024 Cannes Film Festival
The 10 Most Anticipated Films of Cannes 2024
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
Oscars 2024: The View from the Room
At The Movies With Matt Zoller Seitz On His Birthday
Am I Just Anybody?: Ryan O’Neal (1941-2023)
Female Filmmakers in Focus: Noora Niasari on Shayda
Chicago Style: Andrew Davis on the Making of The Fugitive, Stony Island, and More
Female Filmmakers in Focus: Jennifer Reeder on Perpetrator
The Ranown Westerns Join the Criterion Collection
Female Filmmakers in Focus: Carolina Cavalli on Amanda
Redacting Racism: Some Thoughts on Race-Blind Casting
FX’s The Full Monty Loses Its Rhythm in Series Form
Prince of the Cinema: Treat Williams (1951-2023)
Highlights of the 2023 TCM Film Festival
True Lies Fails to Capture the Charm of the James Cameron Original
Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023
Barbara Walters (1929-2022)
The Unloved, Part 108: Last Action Hero
Home Entertainment Guide: November 2022
Female Filmmakers in Focus: Phyllis Nagy on Call Jane
From the Deep: On the Staying Power of Creature from the Black Lagoon
Bright Wall/Dark Room August 2022: Innerspace: When I Look In Your Eye by Frank Falisi
A True Pioneer: Nichelle Nichols (1932-2022)
Capturing the Truth of the Space: Joe Hunting on We Met in Virtual Reality
The American Dream, Period: Philip Baker Hall (1931-2022)
Cannes 2022: Highlights of the Return of the Legendary Film Festival
Ivan Reitman: 1946-2022
Home Entertainment Guide: December 2021, Special Editions
Home Entertainment Guide: Horror Edition
Telluride Film Festival Announces Full 2021 Program Lineup
Cannes 2021: Chaz’s Video Dispatch Table of Contents
Cannes 2021: Vortex, In Front of Your Face, Blue Bayou
Cannes 2021 Video #3: The Velvet Underground, Val, Onoda, Cow, Where is Anne Frank
Cannes 2021: Val, Jane par Charlotte, Cow
Robert Downey Sr: 1936-2021
Don’t Leave A Stranger: Nicole Riegel and Jessica Barden on Holler
The Bonus Situation: Yaphet Kotto, 1939-2021
Home Entertainment Guide: December 2020
Bright Wall/Dark Room October 2020: I’m Happy To Disappoint You: A Gen X Girl’s Undying Love for Ellen Ripley by Kali White VanBaale
John Saxon: 1935-2020
Max von Sydow: 1929-2020
We Are All Connected: Backstage at the 2020 Academy Awards
Kirk Douglas: 1916-2020
Venice 2019: The King, About Endlessness, Babyteeth
Ava DuVernay, Ryan Murphy, Jharrel Jerome and CBS Win Big at Inaugural AAFCA TV Honors Ceremony
From Blue Velvet to Top Gun: J. Hoberman on Movie Culture in the Reagan Era
The Musical History Behind the James Bond Gun Barrel Sequences
One from the Heart: Jimmie Fails and Joe Talbot on The Last Black Man in San Francisco
HBO’s Big Little Lies Knows How to Walk the Line of Fan Service in Second Season
Cannes 2019: Sylvester Stallone, Cannes Darling
A Very Deep Place: Claire Denis on High Life
Happiness and Artifice: The Performances of Julianne Moore
Deep Dive: An Interview with Mallory O’Meara, author of “The Lady from the Black Lagoon”
AAFCA Awards Celebrates Tenth Anniversary, Names Black Panther Best Picture
Chinese New Year: Some Pig(s)
Dick Miller: 1928-2019
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
TIFF 2018: Gloria Bell
TCA 2018, Day 1: HBO’s Deadwood Returns, My Brilliant Friend, Sharp Objects and More
The Power of Community: A Recap of the 2018 TCM Classic Film Festival
The Savage Truth within The Handmaid’s Tale
Daring, Different Second Season of HBO’s Westworld Starts with a Bang
30 Minutes on: Rampage
The C-Section in American Movies
Golden Globe 2018 and the Year of Women
Amazon’s “Jean-Claude Van Johnson” Doesn’t Live Up to Great Premise
Blu-ray Review: Criterion’s “100 Years of Olympic Films: 1912-2012”
TIFF 2017: “Downsizing,” “Beast,” “Who We Are Now”
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
The History of America and Russia’s Cinematic Cold War
The Heart of the Film: Matt Schrader and Marco Beltrami on “Score: A Film Music Documentary”
Thumbnails 5/17/17
Netflix’s “Master of None” Stakes Claim As One of TV’s Best Shows
Amazon’s “I Love Dick” Challenges Artistic Preconceptions
Hot Docs 2017: “Playing God,” “Bring the Jews Home,” “Bill Nye: Science Guy,” “PACmen”
