Always
Produced by
Spielberg
Spielberg
Spielberg Movie Reviews
Blog Posts That Mention Spielberg
New York Philharmonic and Steven Spielberg Celebrate the Music of John Williams
Alive Again: Revisiting Steven Spielberg’s Jurassic Park
Celebrating the Artifice: Laurent Bouzereau on Spielberg, Hitchcock, De Palma and More
Video Interview: Meryl Streep, Tom Hanks & Steven Spielberg on The Post
Life Refuses to Stand Still: Another Look at Steven Spielberg’s “Always”
Cannes 2016: Steven Spielberg Adapts “The BFG”
The Audience Man: “Steven Spielberg Director’s Collection”
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg with the Lincoln Leadership Prize
The Abraham Lincoln Presidential Library Foundation Honors Steven Spielberg
Book Excerpt: Steven Spielberg and Duel: The Making of a Film Career
Rival tendencies: As Steven Spielberg gets ready to chair this year’s Cannes jury, we prepare for an alterna-Cannes.
Spielberg in 60 seconds
Steven Spielberg: My animated tribute
Ebert rates Spielberg’s movies
Steven Spielberg’s legacy
Super 8: Spielberg Lite
Making contact: Spielberg’s Close Encounters and E.T.
Action: Steven Spielberg & the need for speed
Memo to Spielberg: Hands off “Jaws!”
Oscar will finally pay its respects to Spielberg
A telephone call with Spielberg
Spielberg calls back
Catching up with Spielberg
Spielberg & Cruise & the movies
Private Spielberg
Spielberg turns letterboxing into `Crusade’ with new tape
Interview with Steven Spielberg
Top secret: Steven Spielberg on the brink of the “Close Encounters” premiere
Two Incredible 4K Box Sets Target Loyal Fan Bases
Courtney Grace, “Disclosure Day,” and the One-Scene Wonder
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
Roger Ebert’s Best and Worst Alien Movies
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
Cannes 2026: “Fjord” wins Palme d’Or
Netflix’s “The Boroughs” Offers a Clever Spin on the “Stranger Things” Formula
Cannes 2026: Paper Tiger, Sheep in the Box
An Invitation to a Film Party: The 13th Annual Chicago Critics Film Festival
Female Filmmakers in Focus: Sophy Romvari on “Blue Heron”
Chicago Critics Film Festival Lineup Announced, including Guests Olivia Wilde, Joe Swanberg, Dawn Porter, More
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
Their Show Cracked Open the World: Siskel & Ebert Memories
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
What to Watch on Netflix: July 2025
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
What to Watch on Netflix: May 2025
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
In the Name of Friendship: Matthew Rankin on “Universal Language”
Have a Great Day: David Lynch (1946-2025)
The Great Craft of 2024
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point
Nothing Left to Prove: Quincy Jones (1933-2024)
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
The World Isn’t As Funny Now: Teri Garr (1944-2024)
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
Transcending Hell on Earth in Larisa Shepitko’s “The Ascent”
Telluride Film Festival 2024: Memories for a Lifetime
I Saw the Sixth Sense Knowing the Big Twist, and Loved It Anyway
The Future Was Now Warps Through the Seminal Sci-Fi Summer of 1982
Looking Into My Soul: Colman Domingo on Sing Sing
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
The 10 Best Fourth of July Releases of the 21st Century
Some Material May Be Inappropriate: The PG-13 Rating at 40
What If a Movie Called IF Found an Audience?
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
Dear Tim Cook: Be a Decent Human Being and Delete this Revolting Apple Ad
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
On Luca, Tenet, The Invisible Man and Other Films from the Early Pandemic Era that Deserve More Big-Screen Time
How The Ladykillers Kicked Off Tom Hanks’ Weirdest Year Two Decades Ago
Five Years Later, Us is Jordan Peele’s Defining Puzzle
Oscars 2024: The View from the Room
Eye on the Screen: David Bordwell (1947-2024)
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
30 Minutes On: Dune Part One
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
A Farewell from Our Literary Editor, Matt Fagerholm
The Throwaway Scene That Gives Blazing Saddles Its Warm Heart
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Sundance 2024: Sebastian, Girls Will Be Girls, Brief History of a Family
The List is Life: On the 30th Anniversary of Schindler’s List
The Joy of Watching Voy! Voy! Voy!
At The Movies With Matt Zoller Seitz On His Birthday
Home Entertainment Guide: December 2023
The Return of 70MM
The Great Craft of 2023
A Report from the Color Purple Special Screening with Oprah Winfrey
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Looking for Loneliness: Wayne Wang on His Career
Arrow Releases Stunning 4K Special Edition of Martin Scorsese’s Hugo
Ethan Hunt’s Second Act and Tom Cruise’s Third: The Unending Impossible Mission
