The Hunting Ground
The Hunting Ground could have been a series of disturbing statistics and personal stories, but the directors know that it is the survivors who are…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A guide to the best new releases on Blu-ray and DVD, including Nightcrawler, John Wick, Dear White People, Force Majeure, and more.
The official nominees along with some fun facts about this year's crop.
Predictions for the eight major categories in the 87th Annual Academy Awards.
Rise of the black British actor in America; The gaze of "Foxcatcher"; Chris Kyle was a hate-filled killer; Sophia Takal on "The Lego Movie"; Sorry celebrities, the TCA does not clap.
Chaz Ebert to present the Morning Keynote at the Palm Springs Film Festival on January 8th.
A piece on the first wave of critics groups awards and some predictions for SAG and the Golden Globe nominees.
Interviews with Tilda Swinton, Julianne Moore, F. Murray Abraham and others at the 2014 Gotham Independent Film Awards.
An assembly of coverage on RogerEbert.com regarding Bennett Miller's "Foxcatcher."
An interview with Bennett Miller, director of "Foxcatcher," "Moneyball" and "Capote."
A photo gallery offering snapshots from The Ebert Dinner at the 2014 Toronto International Film Festival.
A review of "Foxcatcher," premiering tonight at the Toronto International Film Festival.
All of our video segments from Cannes 2014.
The Turkish director, a longtime Cannes favorite, won the festival's top prize.
Chaz Ebert's latest video reports on the Cannes premieres of "Foxcatcher," "The Homesman," "Mr. Turner," and "The Wonders," while offering an extended report on the emotional screening of "Life Itself."
Alejandro Jodorowsky says Hollywood is killing cinema; Why you should read Stefan Zweig; What the death of home pages means for the future of news; Bordwell on screenwriting; The rules of cinematic foreplay.
A Cannes report on the new Bennett Miller film, Foxcatcher, starring Channing Tatum, Mark Ruffalo, and Steve Carell.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
Nat Faxon and Jim Rash, who won a screenwriting Oscar for "The Descendants" talk about "The Way, Way Back," which they wrote, produced, directed, and appear in as actors. They talk about casting Steve Carell as a bad guy, what acting has taught them about directing, using Spotify to pick the songs for the movie, and the very important task they forgot on the first day.
I won't make any grand claims for the "Despicable Me" films as art, but I adore them anyway. There's something appealingly relaxed and confident about them. They don't quite look, move or feel like any other blockbuster animated cartoons, yet they never seem to be trying too hard. And they're the best portrait of single parenthood I've seen outside of "Louie."
Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Marie writes: Now this is something you don't see every day. Behold The Paragliding Circus! Acrobatic paragliding pilot Gill Schneider teamed up with his father’s circus class (he operates a school that trains circus performers) to mix and combine circus arts with paragliding - including taking a trapezist (Roxane Giliand) up for ride and without a net. Best original film in the 2012 Icare Cup. Video by Director/Filmmaker Shams Prod. To see more, visit Shams Prod.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.